Angelo Beolco (il Ruzante), La prima oratione
Edited by Linda L. Carroll
Critical Texts 16•9 March 2009
- ‘This volume is undoubtedly a welcome addition to our knowledge and understanding of the most remarkable author-actor of the Italian Renaissance. This is especially so textually, in its bringing a significant and neglected work—in terms of theatre and ideas—to an anglophone audience, and in its raising provocative questions about the degree of daring and the limits of the polemical in Ruzante.’ — Ronnie Ferguson, Modern Language Review 105.2, 2010, 576-79 (full text online)
- ‘A complete scholarly edition of the work transcribing all three manuscript versions of the oration ... This volume should be welcomed by scholars of the period.’ — Martin W. Walsh, Sixteenth Century Journal XLIV:2, 2013, 618-19
Le Gouvernement présent, ou éloge de son Eminence, satyre ou la Miliade
Edited by Paul Scott
Critical Texts 14•1 October 2010
- ‘Paul Scott’s edition is both meticulous and erudite ... [the] astute analysis of the political and literary significance of the poem will be of broad interest to scholars who work on the political and cultural history of early modern France.’ — Peter Shoemaker, Modern Language Review 107.2, 2012, 618-20 (full text online)
- ‘The editor convincingly argues that the Miliade deserves our attention today as not only the first significant satire since the years of the Catholic League in the 1580s, but also the pamphlet that, in an increasingly centralized and controlled public sphere, made an audacious claim for the possibility of resistance ... This erudite edition will interest students of seventeenth-century history, literature, and all those interested in the history of political dissent.’ — Antonia Szabari, Renaissance Quarterly 67, 2014, 565-66
- ‘Après 90 pages de riche présentation, l’édition elle-même occupe 30 pages complétées de d’autant de notes (32 pages) qui en permettent la plus exacte compréhension ... [une] excellente édition.’ — Françoise Hildesheimer, Dix-septième siècle 258, 2013, 171-72
- ‘In this impeccably researched new edition, editor Paul Scott shows exactly why this pamphlet should be taken seriously ... I have no doubt that this edition will be essential reading for all scholars of the period.’ — Nicholas Hammond, Seventeenth Century XXVII, 2012, 246-47
Memoirs of Mademoiselle de Montpensier (La Grande Mademoiselle)
Translated by P. J. Yarrow with the collaboration of William Brooks
New Translations 1•20 December 2010
- ‘This new version of Mademoiselle’s memoirs is particularly well-suited to undergraduate teaching as it highlights the Fronde, court life and manners, and the life of noble women in the seventeenth century. It also constitutes a valuable contribution to the history of sentiments and emotions.’ — Elise M. Dermineur, French History 30, 2016, 429-30
- ‘This volume is the first in an exciting series of new editions of classic works translated into English published by the Modern Humanities Research Association ... [T]his is a highly readable translation of an eminently readable memoir ... [It] provides an efficient, clean, easy to read and well-presented edition that will be quite useful for undergraduate teaching.’ — Jonathan Spangler, H-France 11, August 2011
- ‘This remarkable volume will appeal to a range of readers—amateurs d’histoire, undergraduates, or anglophone researchers seeking a vivid aperçu of courtly life in seventeenth-century France. It bodes well for the MHRA New Translations series, of which this is the first and as such sets a high standard indeed.’ — Juliette Cherbuliez, Modern Language Review 107, 2012, 1253-54 (full text online)
The Rise of Spanish American Poetry 1500-1700: Literary and Cultural Transmission in the New World
Edited by Rodrigo Cacho Casal and Imogen Choi
Studies in Hispanic and Lusophone Cultures 22•23 April 2019
- ‘En conjunto, The Rise of Spanish American Poetry supone una extraordinaria selección de aportaciones al estudio de los textos coloniales y sus relaciones culturales en un contexto transatlántico.’ — Víctor Sierra Matute, Bulletin of Spanish Studies 97.6, 2020, 1070-1071
- ‘La publicación no sólo resulta novedosa por la articulación multidisciplinaria de sus aproximaciones, sino por incorporar nuevas e interesantes interpretaciones... Sin duda, esta publicación constituye una aportación para el hispanismo que establece nuevas vías de interpretación dignas de ser atendidas y continuadas. Valga mencionar la hermosa factura del volumen y la esmerada edición, en la que el puñado de erratas detectadas no minimiza sus enormes aportaciones.’ — Andrés Iñigo Silva, Creneida 8, 2020, 394-400
- ‘Some of the strongest essays draw attention to authors, texts or topics that have for the most part received limited attention from scholars. The range of subjects covered is noteworthy and the editors and contributors deserve praise for their ability to bring into the realm of poetic signification issues as diverse as exploration, evangelization, natural disasters, ideological debates, literacy, humanism, print culture, theology, music theory, humor, Jesuit edu- cation, historiography, mourning, astrology, piracy or racialized discourses.’ — Emiro Martínez-Osorio, Colonial Latin American Review 29.4, 2020, 662-64 (full text online)
- ‘La proposition portée par Rodrigo Cacho, Imogen Choi et les onze contributeurs du volume présente, en définitive, de multiples mérites. Dans son approche de la poésie moderne, d’abord, elle promeut une lecture historique des corpus qui cherche et met en valeur les mécanismes d’hybridité depuis un regard résolument comparatiste entre les études hispanistes et les études américanistes. Dès lors, elle tire parti de la variété et de la variabilité idéologique et de positionnement politique des poètes et des poèmes plutôt que de l’ignorer en la réduisant à l’une ou l’autre des positions antagonistes. Le volume resitue aussi avec soin et de façon systématique les corpus abordés dans le contexte social et pragmatique de leur composition, dans leur lien avec ce que l’on pourrait appeler les usages de la poésie – y compris le véhicule musical, si rarement abordé dans les travaux des philologues. Ainsi la poésie peut-elle servir tout à la fois à édifier, à louer ou à décrédibiliser l’action des contemporains. L’ensembl’ — Aude Plagnard, Bulletin Hispanique 124.1, 2022, 365-69