v-vi | | Cite |
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1-13 | | Cite |
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14-20 | | Cite |
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21-37 | Mozambique Island: The Rise and Decline of an East African Coastal City, 1500-1700 Malyn Newittdoi:10.2307/41105216 | Cite |
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38-46 | | Cite |
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47-62 | | Cite |
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63-72 | Between Fact and Fiction: Narratives of Monsters in Eighteenth-Century Portugal P. Fontes Da Costadoi:10.2307/41105219 | Cite |
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73-88 | Ad maiorem gloriam ... feminae: Enlightened Women and the Introduction of Models in Portugal During the Second Half of the Eighteenth Century Elias J. Torres Feijódoi:10.2307/41105220 | Cite |
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89-107 | Lisbon and Vienna: The Correspondence of the Countess of Vimieiro and her Circle Raquel Bello Vázquezdoi:10.2307/41105221 | Cite |
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108-122 | Oliveira Martins: The Spectres in his Historiography Luís De Sousa Rebelo, Lucy Phillipsdoi:10.2307/41105222 | Cite |
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123-133 | | Cite |
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134-151 | Gabriel de Oliveira's 'Há Festa na Mouraria' and the "Fado Novo's" Criticism of the Estado Novo's Demolition of the Baixa Mouraria Michael Colvindoi:10.2307/41105224 | Cite |
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152-168 | War as an Internal and External Battleground in Álamo Oliveira's "Até Hoje (Memórias de Cão)" Carmen M. Ramos Villardoi:10.2307/41105225 | Cite |
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169-185 | Jorge de Sena on Cinema: Some Further Insights into the Genesis of "O Físico Prodigioso?" Mike Harlanddoi:10.2307/41105226 | Cite |
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186-194 | Translation as a Metaphor for our Times: Postcolonialism, Borders and Identities António Sousa Ribeirodoi:10.2307/41105227 | Cite |
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195-207 | Rereading Pepetela's "O Desejo de Kianda" after II September 2001: Signs and Distractions Phillip Rothwelldoi:10.2307/41105228 | Cite |
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208-211 | | Cite |
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212-228 | | Cite |
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229-249 | | Cite |
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