Thinking Cinema with Proust
Patrick ffrench
Moving Image 7•22 August 2018

including:

Acknowledgements
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.3
Abbreviations
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.4
Introduction
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.5
Chapter 1 Reverie in A Dark Room
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.6
Chapter 2 Camera Obscura
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.7
Chapter 3 Proust’s Projections
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.8
Chapter 4 the Cinema of Montjouvain
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.9
Chapter 5 Theory of Gesture
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.10
Chapter 6 Screen Memories/screen Histories
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.11
Conclusion
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.12
Bibliography
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.13
Index
Patrick ffrench
doi:10.2307/j.ctv16kkxkb.14