| Series | Extent | Year | Author | Title |
| TD 8 | — | 1975 | Arrigo Subiotto | Bertolt Brecht's Adaptations for the Berliner Ensemble  |
| TD 100 | 208pp | 2015 | Amy Fuller | Between Two Worlds |
| TD 21 | — | 1985 | M. Helena Gonçalves da Silva | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| TD 31 | — | 1991 | Joanna Udall | A Critical, Old-Spelling Edition of The Birth of Merlin (Q1662) |
| TD 49 BSD 24 | — | 2000 | Peter Davies | Divided Loyalties |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| TD 16 | — | 1982 | Dorothy James | Georg Büchner's 'Dantons Tod' |
| TD 81 BSD 37 | 222pp | 2012 | Benedict Schofield | Private Lives and Collective Destinies |
| TD 13 | — | 1979 | Judith Davies | The Realism of Luigi Capuana |
| TD 45 | — | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
| TD 83 | 180pp | 2013 | Melanie Henry | The Signifying Self |
| TD 7 | — | 1972 | Christopher Todd | Voltaire's Disciple |
| TD 46 BSD 23 | — | 1998 | Judith Beniston | Welttheater |