Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30•1 November 2014
Théophile Gautier, Orator to the Artists: Art Journalism of the Second Republic
James Kearns
Legenda (General Series) •14 November 2007
Adrian Stokes: An Architectonic Eye
Stephen Kite
Legenda (General Series) •23 December 2008
Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes
Katja Haustein
Legenda (General Series) •30 January 2012
Proust Writing Photography: Fixing the Fugitive in À la recherche du temps perdu
Áine Larkin
Legenda (General Series) •26 August 2011
Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation
Sara Lyons
Legenda (General Series) •1 July 2015
Intellectual Life and Literature at Solovki 1923-1930: The Paris of the Northern Concentration Camps
Andrea Gullotta
Legenda (General Series) •15 January 2018
Louisa Waterford and John Ruskin: 'For you have not Falsely Praised'
Caroline Ings-Chambers
Legenda (General Series) •16 March 2015
Balzac and the Model of Painting: Artist Stories in La Comédie humaine
Diana Knight
Research Monographs in French Studies 24•14 December 2007
Baudelaire and Photography: Finding the Painter of Modern Life
Timothy Raser
Research Monographs in French Studies 45•9 October 2015
Zola's Painters
Robert Lethbridge
Research Monographs in French Studies 68•7 June 2022
The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 54•13 September 2022
Imagining Jewish Art: Encounters with the Masters in Chagall, Guston, and Kitaj
Aaron Rosen
Studies In Comparative Literature 16•17 July 2009
Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism
Giles Whiteley
Studies In Comparative Literature 20•12 April 2010
Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22•12 April 2010
Prometheus in the Nineteenth Century: From Myth to Symbol
Caroline Corbeau-Parsons
Studies In Comparative Literature 25•3 June 2013
Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 35•1 July 2015
The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism
Michael Charlesworth
Studies In Comparative Literature 36•26 February 2018
Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43•29 September 2017
A Poetics of the Image: Paul Celan and André du Bouchet
Julian J. I. Koch
Studies In Comparative Literature 52•10 December 2021
Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022
Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini
Studies In Comparative Literature 56•26 July 2021
Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro
Armelle Blin-Rolland
Transcript 2•22 July 2015
The Art Criticism of Francis Ponge
Shirley A. Jordan
MHRA Texts and Dissertations 36•1 January 1994
The Influence of Pre-Raphaelitism on Fin-de-Siècle Italy: Art, Beauty, and Culture
Giuliana Pieri
MHRA Texts and Dissertations 65•14 January 2007