545-562 | The Media of Friends or Foes? Unpublished Letters from Joseph Cottle to Robert Southey, 1834-1837 Lynda Prattdoi:10.2307/3738284 | Cite |
| |
563-573 | "To See the Finger of God in the Dimensions of the Pyramid": A New Context for Ruskin's "The Ethics of the Dust" (1866) Francis O'Gormandoi:10.2307/3738285 | Cite |
| |
574-589 | Aragon's "Le Crime contre l'esprit": A Resistance Text of Communist Origin Used by de Gaulle and La France Combattante in Algiers, 1943-1944 John H. B. Bennettdoi:10.2307/3738286 | Cite |
| |
590-601 | Cultural Intersections: The American Hard-Boiled Detective Novel and Early French roman noir Claire Gorraradoi:10.2307/3738287 | Cite |
| |
602-619 | The Philosopher, the Poet, and the Fragment: Ficino, Poliziano, and Le stanze per la giostra Christina Storeydoi:10.2307/3738288 | Cite |
| |
620-633 | Cabrera Infante and Parody: Tracking Hemingway in "Tres tristes tigres" William Rowlandsondoi:10.2307/3738289 | Cite |
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634-658 | | Cite |
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659-677 | | Cite |
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678-679 | Review of Jocelyn Wogan-Browne, Saints' Lives and Women's Literary Culture c. 1150-1300: Virginity and Its AuthorizationsJudith Weissdoi:10.2307/3738292 | Cite |
| |
679-680 | Review of Ramie Targoff, Common Prayer: The Language of Public Devotion in Early Modern EnglandRichard Todddoi:10.2307/3738293 | Cite |
| |
680-681 | Review of John Huntington, Ambition, Rank and Poetry in 1590s EnglandKatherine Duncan-Jonesdoi:10.2307/3738294 | Cite |
| |
681-682 | Review of Odai Johnson, Rehearsing the Revolution: Radical Performance, Radical Politics in the English RestorationWarren Chernaikdoi:10.2307/3738295 | Cite |
| |
683-684 | Review of T. F. Wharton, The Drama of John Marston: Critical Re-VisionsMartin Wigginsdoi:10.2307/3738296 | Cite |
| |
684-685 | Review of David Loewenstein, Representing Revolution in Milton and His Contemporaries: Religion, Politics, and Polemics in Radical PuritanismN. H. Keebledoi:10.2307/3738297 | Cite |
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685-686 | | Cite |
| |
686-688 | Review of John T. Shawcross, The Uncertain World of 'Samson Agonistes'William Pooledoi:10.2307/3738299 | Cite |
| |
688-689 | Review of Suvir Kaul, Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth CenturyMalcolm Kelsalldoi:10.2307/3738300 | Cite |
| |
690-691 | Review of Helene Moglen, The Trauma of Gender: A Feminist Theory of the English NovelKate Williamsdoi:10.2307/3738301 | Cite |
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691-692 | | Cite |
| |
692-694 | Review of John L. Mahoney, Wordsworth and the Critics: The Development of a Critical ReputationAndrew Bennettdoi:10.2307/3738303 | Cite |
| |
694-695 | Review of David P. Haney, The Challenge of Coleridge: Ethics and Interpretation in Romanticism and Modern PhilosophySeamus Perrydoi:10.2307/3738304 | Cite |
| |
695-696 | Review of Jay Losey, William D. Brewer, Mapping Male Sexuality: Nineteenth-Century EnglandNick Knealedoi:10.2307/3738305 | Cite |
| |
696-697 | Review of Wendy S. Jacobson, Dickens and the Children of EmpireJonathan Taylordoi:10.2307/3738306 | Cite |
| |
697-698 | Review of Tim Armstrong, Haunted Hardy: Poetry, History, MemoryCatherine Maxwelldoi:10.2307/3738307 | Cite |
| |
698-699 | | Cite |
| |
700-701 | | Cite |
| |
701-702 | Review of Clive Barker, Maggie B. Gale, British Theatre between the Wars, 1918-1939Linda Rentondoi:10.2307/3738310 | Cite |
| |
702-703 | Review of Lucia Boldrini, Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in 'Finnegans Wake'Craig Monkdoi:10.2307/3738311 | Cite |
| |
703-704 | Review of Earl G. Ingersoll, D. H. Lawrence: Desire and NarrativeMargaret Storchdoi:10.2307/3738312 | Cite |
| |
704-706 | Review of Maria Antonaccio, Picturing the Human: The Moral Thought of Iris MurdochAndrzej Gasiorekdoi:10.2307/3738313 | Cite |
| |
706-707 | Review of James McGonigal, Richard Price, The Star You Steer by: Basil Bunting and British ModernismJulian Cowleydoi:10.2307/3738314 | Cite |
| |
707-708 | | Cite |
| |
708-709 | Review of Darren J. N. Middleton, Novel Theology: Nikos Kazantzakis's Encounter with Whiteheadian Process TheismMark Knightdoi:10.2307/3738316 | Cite |
| |
709-710 | Review of Jeremy Gibson, Julian Wolfreys, Peter Ackroyd: The Ludic and Labyrinthine TextJenny Bavidgedoi:10.2307/3738317 | Cite |
| |
710-712 | Review of Roger Y. Clark, Stranger Gods: Salman Rushdie's Other WorldsJames Boothdoi:10.2307/3738318 | Cite |
| |
712 | Review of Shawn Thomson, The Romantic Architecture of Herman Melville's 'Moby-Dick'R. W. (Herbie) Butterfielddoi:10.2307/3738319 | Cite |
| |
713-714 | Review of Helen M. Dennis, Ezra Pound and Poetic Influence: The Official Proceedings of the 17th International Ezra Pound Conference Held at Castle Brunnenberg, Tirolo di MeranoIan F. A. Belldoi:10.2307/3738320 | Cite |
| |
714-715 | Review of Jonathan Schiff, Ashes to Ashes: Mourning and Social Difference in F. Scott Fitzgerald's FictionLionel Kellydoi:10.2307/3738321 | Cite |
| |
715-716 | | Cite |
| |
716-717 | Review of Philip E. Bennett, 'La Chanson de Guillaume' and 'La Prise d'Orange'Leslie C. Brookdoi:10.2307/3738323 | Cite |
| |
717-718 | Review of Philip E. Bennett, La Chanson de Guillaume (La Chançun de Willame)Leslie C. Brookdoi:10.2307/3738324 | Cite |
| |
718-719 | Review of Catherine Reuben, La Traduction des psaumes de David par Clément Marot: aspects poétiques et théologiquesChristine M. Scollen-Jimackdoi:10.2307/3738325 | Cite |
| |
719-720 | Review of Gisele Mathieu-Castellani, Montaigne et la vérité du mensongeMax Gaunadoi:10.2307/3738326 | Cite |
| |
720 | Review of D. Nicholas, Being Interior: Autobiography and the Contradictions of Modernity in Seventeenth-Century FranceNicholas Hammonddoi:10.2307/3738327 | Cite |
| |
720-721 | Review of André Blanc, Cyrano de Bergerac, Œuvres complètes. Vol. III: ThéâtreDavid Shawdoi:10.2307/3738328 | Cite |
| |
721-722 | Review of Claudia Moscovici, Gender and Citizenship: The Dialectics of Subject-Citizenship in Nineteenth-Century French Literature and CultureSarah F. Donachiedoi:10.2307/3738329 | Cite |
| |
722-723 | Review of Anne-Marie Baron, Balzac, ou les hiéroglyphes de l'imaginaireOwen Heathcotedoi:10.2307/3738330 | Cite |
| |
723-724 | Review of Diana Holmes, Rachilde: Decadence, Gender and the Woman WriterAlison Finchdoi:10.2307/3738331 | Cite |
| |
724 | Review of Edward J. Hughes, Writing Marginality in Modern French LiteratureDavid Houston Jonesdoi:10.2307/3738332 | Cite |
| |
725 | | Cite |
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725-727 | | Cite |
| |
727-728 | Review of Christian Milat, Robbe-Grillet: romancier alchimisteElizabeth Newtondoi:10.2307/3738335 | Cite |
| |
728-729 | Review of David Bradby, Maria M. Delgado, The Paris Jigsaw: Internationalism and the City's StageJohn Rothenbergdoi:10.2307/3738336 | Cite |
| |
729-731 | | Cite |
| |
731-732 | Review of Paul Grendler, The Universities of the Italian RenaissanceJonathan Woolfsondoi:10.2307/3738338 | Cite |
| |
732-733 | Review of Salvatore Di Maria, The Italian Tragedy in the Renaissance: Cultural Realities and Theatrical InnovationsRichard Andrewsdoi:10.2307/3738339 | Cite |
| |
733-735 | Review of Jane E. Everson, The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of RomeDennis Looneydoi:10.2307/3738340 | Cite |
| |
735-736 | Review of Francesco Giambonini, Bibliografia delle opere a stampa di Giambattista MarinoCarlo Carusodoi:10.2307/3738341 | Cite |
| |
736-737 | Review of Andrea Rondini, Cose da pazzi: Cesare Lombroso e la letteraturaPaul Barnabydoi:10.2307/3738342 | Cite |
| |
737-740 | | Cite |
| |
740-741 | Review of Joan Baptista Panyó, Pep Vila, Enric Pract, Memorias del arte de cosina y pastelería y confituras y geleasRobert Archerdoi:10.2307/3738344 | Cite |
| |
741-742 | | Cite |
| |
742-743 | Review of Pablo Restrepo-Gautier, La imaginación emblemática en el drama de Tirso de MolinaJonathan Thackerdoi:10.2307/3738346 | Cite |
| |
743-744 | Review of James Whiston, Creatividad textual e intertextual en GaldósR. W. Daviesdoi:10.2307/3738347 | Cite |
| |
744-745 | Review of Arturo A. Fox, El Edipo en Unamuno y el espejo de LacanJulia Bigganedoi:10.2307/3738348 | Cite |
| |
745-746 | Review of Santiago Juan-Navarro, Theodore Robert Young, A Twice-Told Tale: Reinventing the Encounter in Iberian (Iberian American Literature and Film)Peter Beardselldoi:10.2307/3738349 | Cite |
| |
746-747 | Review of Mariano Brull, Emilio De Armas, Obras (poesía y prosa: 1916-1955)Miguel Arnedodoi:10.2307/3738350 | Cite |
| |
747-748 | Review of Robin Fiddian, Postcolonial Perspectives on the Cultures of Latin America and Lusophone AfricaAdam Sharmandoi:10.2307/3738351 | Cite |
| |
748-749 | Review of Jerry Hoeg, Science, Technology, and Latin American Narrative in the Twentieth Century and beyondPeter Beardselldoi:10.2307/3738352 | Cite |
| |
749-751 | Review of Diane E. Marting, The Sexual Woman in Latin American Literature: Dangerous DesiresClaire Lindsaydoi:10.2307/3738353 | Cite |
| |
751-752 | Review of Christopher Young, Narrativische Perspektiven in Wolframs 'Willehalm': Figuren, Erzähler, SinngebungsprozeßMartin H. Jonesdoi:10.2307/3738354 | Cite |
| |
752-754 | Review of Sebastian Coxon, The Presentation of Authorship in Medieval German Narrative Literature 1220-1290D. H. Greendoi:10.2307/3738355 | Cite |
| |
754-755 | Review of Barbara Weber, Die Funktion der Alltagswirklichkeit in der Metaphorik Mechthilds von MagdeburgAlmut Suerbaumdoi:10.2307/3738356 | Cite |
| |
755-757 | Review of Stephan Müller, Vom Annolied zur Kaiserchronik: Zu Text- und Forschungsgeschichte einer verlorenen deutschen ReimchronikGraeme Dunphydoi:10.2307/3738357 | Cite |
| |
757-759 | Review of Gernot Michael Müller, Die 'Germania generalis' des Conrad Celtis: Studien mit Edition, Übersetzung und KommentarJohn L. Flooddoi:10.2307/3738358 | Cite |
| |
759-760 | Review of Klaus Garber, Manfred Komorowski, Axel E. Walter, Kulturgeschichte Ostpreußens der Frühen NeuzeitAnthony J. Harperdoi:10.2307/3738359 | Cite |
| |
760-761 | Review of Ulrike Zeuch, Umkehr der Sinneshierarchie: Herder und die Aufwertung des Tastsinns seit der frühen NeuzeitNicholas Sauldoi:10.2307/3738360 | Cite |
| |
762-763 | Review of Jörg Schlieske, Lenz und die Mimesis: Eine Untersuchung der Nachahmungsproblematik bei Jakob Michael Reinhold Lenz (1751-1792)James Gibbonsdoi:10.2307/3738361 | Cite |
| |
763-765 | Review of Irmgard Egger, Diätetik und Askese: Zur Dialektik der Aufklärung in Goethes RomanenLaura Martindoi:10.2307/3738362 | Cite |
| |
765-766 | Review of Dieter Martin, Barock um 1800: Bearbeitung und Aneignung deutscher Literatur des 17. JahrhundertsPeter Skrinedoi:10.2307/3738363 | Cite |
| |
767-768 | | Cite |
| |
768-769 | Review of Michael Perraudin, Literature, the 'Volk' and Revolution in Mid-Nineteenth Century GermanyMartina Lausterdoi:10.2307/3738365 | Cite |
| |
769-770 | Review of Lionel Gossman, Basel in the Age of Burckhardt: A Study in Unseasonable IdeasRitchie Robertsondoi:10.2307/3738366 | Cite |
| |
770-771 | | Cite |
| |
771-772 | Review of Ute Lischke, Lily Braun: 1865-1916. German Writer, Feminist, SocialistCaroline Blanddoi:10.2307/3738368 | Cite |
| |
772-773 | Review of Rolf Selbmann, Gottfried Keller: Romane und ErzählungenMartin Swalesdoi:10.2307/3738369 | Cite |
| |
773-776 | Review of Yahya Elsaghe, Die imaginäre Nation: Thomas Mann und das 'Deutsche'; Inken Steen, Parodie und parodistische Schreibweise in Thomas Manns 'Doktor Faustus'Malte Herwigdoi:10.2307/3738370 | Cite |
| |
776-778 | Review of Paul Michael Lützeler, Kulturbruch und Glaubenskrise: Hermann Brochs 'Schlafwandler' und Matthias Grünewalds 'Isenheimer Altar'; Robert Halsall, Hermann Broch, The Problem of Autonomy in the Works of Hermann BrochDavid Horrocksdoi:10.2307/3738371 | Cite |
| |
778-779 | Review of James Jordan, Ernst Toller, Previously Unpublished Poems of Ernst Toller (1893-1939): A Critical TranslationBrian Keith-Smithdoi:10.2307/3738372 | Cite |
| |
779-780 | Review of Mi-Ae Yun, Walter Benjamin als Zeitgenosse Bertolt Brechts: Eine paradoxe Beziehung zwischen Nähe und FerneAnthony Phelandoi:10.2307/3738373 | Cite |
| |
780-781 | Review of Anna Seghers, Bernhard Spies, Das siebte Kreuz; Sonja Hilzinger, Anna SeghersIan Wallacedoi:10.2307/3738374 | Cite |
| |
782 | Review of Michael Minden, Holger Bachmann, Fritz Lang's Metropolis': Cinematic Visions of Technology and FearSeán Allandoi:10.2307/3738375 | Cite |
| |
783-784 | Review of Robert C. Reimer, Cultural History through a National Socialist Lens: Essays on the Cinema of the Third ReichBill Nivendoi:10.2307/3738376 | Cite |
| |
784-785 | Review of Christoph Weiss, Auschwitz in der geteilten Welt: Peter Weiss und 'Die Ermittlung' im Kalten KriegJudith Benistondoi:10.2307/3738377 | Cite |
| |
785-787 | Review of Matthias Konzett, The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede JelinekAllyson Fiddlerdoi:10.2307/3738378 | Cite |
| |
787 | Review of Georgina Paul, Helmut Schmitz, Entgegenkommen: Dialogues with Barbara KöhlerBeth Linklaterdoi:10.2307/3738379 | Cite |
| |
788-789 | Review of Erich Meuthen, Eins und dopplet, oder Vom Anderssein des Selbst: Struktur und Tradition des deutschen KünstlerromansMichael Mindendoi:10.2307/3738380 | Cite |
| |
789-790 | | Cite |
| |
790-791 | Review of Stephen Brockmann, James Steakley, Heroes and Heroism in German Culture: Essays in Honor of Jost Hermand, April 2000Osman Durranidoi:10.2307/3738382 | Cite |
| |
791-792 | Review of Michael Gratzke, Liebesschmerzund Textlust: Figuren der Liebe und des Masochismus in der LiteraturOsman Durranidoi:10.2307/3738383 | Cite |
| |
792-793 | Review of Hilary Collier Sy-Quia, Susanne Baackmann, Conquering Women: Women, War, and the German Cultural ImaginationStephanie Birddoi:10.2307/3738384 | Cite |
| |
794-796 | Review of Michael Braun, Peter J. Brenner, Gisela Wilkending, 'Hinauf und Zurück ǀ in die herzhelle Zukunft': Deutsch-jüdische Literatur im 20. Jahrhundert. Festschrift für Birgit LermenAnne Fuchsdoi:10.2307/3738385 | Cite |
| |
796-797 | Review of Pól O'Dochartaigh, Jews in German Literature since 1945: German-Jewish Literature?Stuart Tabernerdoi:10.2307/3738386 | Cite |
| |
797-798 | Review of Eva Kolinsky, Deutsch und türkisch leben: Bild und Selbstbild der türkischen Minderheit in DeutschlandSigrid-B. Martindoi:10.2307/3738387 | Cite |
| |
798-799 | Review of Hana Píchová, The Art of Memory in Exile: Vladimir Nabokov and Milan KunderaNeil Cornwelldoi:10.2307/3738388 | Cite |
| |
799-800 | | Cite |
| |
800-801 | Review of Peter Henry, Vladimir Porudominsky, Mikhail Girshman, Vsevolod Garshin at the Turn of the Century: An International Symposium in Three VolumesMichael Pursglovedoi:10.2307/3738390 | Cite |
| |
801-802 | Review of David Herman, Poverty of the Imagination: Nineteenth-Century Russian Literature about the PoorJoe Andrewdoi:10.2307/3738391 | Cite |
| |
802-803 | | Cite |
| |
803-805 | Review of Rodney Huddlestone, Geoffrey K. Pullum, The Cambridge Grammar of the English LanguageJean Aitchisondoi:10.2307/3738393 | Cite |
| |
806-807 | Review of Richard D. Lambert, Elana Shohamy, Language Policy and Pedagogy: Essays in Honor of A. Ronald WaltonW. Steven Dodddoi:10.2307/3738394 | Cite |
| |
807-808 | Review of Norbert Pachler, Teaching Modern Foreign Languages at Advanced LevelDerek Lewisdoi:10.2307/3738395 | Cite |
| |
808-809 | | Cite |
| |
809-810 | Review of C. Stephen Jaeger, Sabine Hellwig-Wagner, Die Entstehung höfischer Kultur: Vom höfischen Bischof zum höfischen RitterD. H. Greendoi:10.2307/3738397 | Cite |
| |
810-811 | Review of Norbert Bachleitner, Beiträge zur Rezeption der britischen und irischen Literatur des 19. Jahrhunderts im deutschsprachigen RaumJeffrey L. Sammonsdoi:10.2307/3738398 | Cite |
| |
811-813 | Review of Gerald N. Izenberg, Modernism and Masculinity: Mann, Wedekind, Kandinsky through World War IIan F. A. Belldoi:10.2307/3738399 | Cite |
| |
813-814 | Review of Steven Monte, Invisible Fences: Prose Poetry as a Genre in French and American LiteratureClive Scottdoi:10.2307/3738400 | Cite |
| |
814 | Review of Sidonie Smith, Julia Watson, Reading Autobiography: A Guide for Interpreting Life NarrativesMary Orrdoi:10.2307/3738401 | Cite |
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