545-560 | Woman as Lacemaker: The Development of a Literary Stereotype in Texts by Charlotte Brontë, Nerval, Lainé, and Chawaf Nichola Anne Haxelldoi:10.2307/3735114 | Cite |
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561-571 | Ambiguous Language and Ambiguous Gender: The "Bisexual" Text of "Shamela" Earla A. Wilputtedoi:10.2307/3735115 | Cite |
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572-580 | Leeches and Opium: De Quincey Replies to "Resolution and Independence" in "Confessions of an English Opium-Eater" Julian Northdoi:10.2307/3735116 | Cite |
| |
581-594 | Manupassant's "Mont-Oriol": Narrative as Declining Noun Trevor A. Le V. Harrisdoi:10.2307/3735117 | Cite |
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595-605 | In the Gutter, Looking at the Stars: Dualism in Vitrac's "Victor; ou, Les Enfants au pouvoir" Derek Connondoi:10.2307/3735118 | Cite |
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606-621 | | Cite |
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622-634 | | Cite |
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635-644 | Utopia and Other Commonplaces in García Márquez's "El amor en los tiempos del cólera" Anny Brooksbank Jonesdoi:10.2307/3735121 | Cite |
| |
645-658 | The "Naturalization" of the Term "Ästhetik" in Eighteenth-Century German: Alexander Gottlieb Baumgarten and His Impact Hans Reissdoi:10.2307/3735122 | Cite |
| |
659-673 | Women and Artists: E. T. A. Hoffmann's Implicit Critique of Early Romanticism Margarete Kohlenbachdoi:10.2307/3735123 | Cite |
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674-688 | | Cite |
| |
689-696 | The Reception of Charlotte Brontë's Work in Nineteenth-Century Russia O. R. Demidovadoi:10.2307/3735125 | Cite |
| |
697-699 | Review of David Phillips, Caroline Filmer-Sankey, Diversification in Modern Language Teaching: Choice and the National CurriculumPeter S. Greendoi:10.2307/3735126 | Cite |
| |
699-700 | Review of Philip J. M. Sturgess, Narrativity: Theory and PracticeJeremy Tamblingdoi:10.2307/3735127 | Cite |
| |
700-702 | Review of Tim William Machan, Medieval Literature: Texts and InterpretationJ. D. Burnleydoi:10.2307/3735128 | Cite |
| |
702-704 | Review of A. J. Minnis, Charlotte Brewer, Crux and Controversy in Middle English Textual CriticismA. S. G. Edwardsdoi:10.2307/3735129 | Cite |
| |
704-705 | Review of S. J. Ogilvie-Thomson, The Index of Middle English Prose. Handlist VIII: A Handlist of Manuscripts Containing Middle English Prose in Oxford College LibrariesJohn J. Thompsondoi:10.2307/3735130 | Cite |
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705-706 | | Cite |
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706-707 | | Cite |
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707-709 | Review of Maldwyn Mills, Jennifer Fellows, Carol M. Meale, Romance in Medieval EnglandCatherine Battdoi:10.2307/3735133 | Cite |
| |
709-710 | Review of F. N. M. Diekstra, The Middle English 'Weye of Paradys' and the Middle French 'Voie de Paradis': A Parallel-Text EditionAvril Henry, David Trotterdoi:10.2307/3735134 | Cite |
| |
710-712 | Review of Siân Echard, Claire Fanger, The Latin Verses in the 'Confessio Amantis': An Annotated Translation; Kurt Olsson, John Gower and the Structures of Conversion: A Reading of 'Confessio Amantis'Derek Pearsalldoi:10.2307/3735135 | Cite |
| |
712-715 | Review of John A. Alford, M. Teresa Tavormina, The Yearbook of Langland Studies. Vol. 5. In Memoriam R. E. Kaske (1921-1989)Priscilla Martindoi:10.2307/3735136 | Cite |
| |
715-716 | Review of Sarah Stanbury, Seeing the 'Gawain'-Poet: Description and the Act of PerceptionCatherine Battdoi:10.2307/3735137 | Cite |
| |
716-717 | Review of Cynthia Renée Bland, The Teaching of Grammar in Late Medieval England: An Edition, with Commentary, of Oxford, Lincoln College MS Lat. 130N. F. Blakedoi:10.2307/3735138 | Cite |
| |
717-718 | Review of Toshiyuki Takamiya, Chaucer to Shakespeare: Essays in Honour of Shinsuke AndoAnna Tortidoi:10.2307/3735139 | Cite |
| |
718-719 | Review of Neil Rhodes, The Power of Eloquence and English Renaissance LiteratureThomas Healydoi:10.2307/3735140 | Cite |
| |
719-721 | Review of Richard Helgerson, Forms of Nationhood: The Elizabethan Writing of EnglandGail Kern Pasterdoi:10.2307/3735141 | Cite |
| |
721-723 | Review of David Bradley, From Text to Performance in the Elizabethan Theatre: Preparing the Play for the StageCarol Chillington Rutterdoi:10.2307/3735142 | Cite |
| |
723-724 | Review of Barbara Freedman, Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean ComedyMichael Shapirodoi:10.2307/3735143 | Cite |
| |
724-725 | Review of Leah Scragg, Shakespeare's 'Mouldy Tales': Recurrent Plot Motifs in Shakespearian DramaBarbara Hardydoi:10.2307/3735144 | Cite |
| |
725-726 | Review of Graham Holderness, Shakespeare Recycled: The Making of Historical DramaRonald Knowlesdoi:10.2307/3735145 | Cite |
| |
726-727 | Review of Bert O. States, 'Hamlet' and the Concept of CharacterRichard Mallettedoi:10.2307/3735146 | Cite |
| |
727-729 | Review of Elizabeth Carey, A. C. Dunstan, W. W. Greg, The Tragedy of MariamAnn Thompsondoi:10.2307/3735147 | Cite |
| |
729 | Review of Mary Hobbs, Early Seventeenth-Century Verse Miscellany ManuscriptsPauline Croftdoi:10.2307/3735148 | Cite |
| |
729-730 | | Cite |
| |
731 | Review of Kenneth Craven, Jonathan Swift and the Millennium of Madness: The Information Age in Swift's 'A Tale of a Tub'Thomas Woodmandoi:10.2307/3735150 | Cite |
| |
731-733 | Review of George Myerson, The Argumentative Imagination: Wordsworth, Dryden, Religious DialoguesBrean Hammonddoi:10.2307/3735151 | Cite |
| |
733-734 | Review of Jon Mee, Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790sBrian Wilkiedoi:10.2307/3735152 | Cite |
| |
734-735 | Review of Angela Leighton, Victorian Women Poets: Writing against the Heart; Laura Claridge, Romantic Potency: The Paradox of DesireCatherine Maxwelldoi:10.2307/3735153 | Cite |
| |
736-737 | Review of Alexander Welsh, Strong Representations: Narrative and Circumstantial Evidence in EnglandMartin Graydoi:10.2307/3735154 | Cite |
| |
737-738 | Review of Carol L. Bernstein, The Celebration of Scandal: Toward the Sublime in Victorian Urban FictionAlison Milbankdoi:10.2307/3735155 | Cite |
| |
738-739 | Review of G. M. Goshgarian, To Kiss the Chastening Rod: Domestic Fiction and Sexual Ideology in the American RenaissanceDouglas Andersondoi:10.2307/3735156 | Cite |
| |
739-740 | Review of Carlton Lowenberg, Musicians Wrestle Everywhere: Emily Dickinson and MusicLionel Kellydoi:10.2307/3735157 | Cite |
| |
740-741 | Review of Thomas Hardy, Katherine Kearney Maynard, Thomas Hardy's Tragic Poetry: The Lyrics and 'The Dynasts'Robert D. Aguirredoi:10.2307/3735158 | Cite |
| |
741-743 | | Cite |
| |
743-744 | Review of Earl G. Ingersoll, Representations of Science and Technology in British Literature since 1880Barbara Hardydoi:10.2307/3735160 | Cite |
| |
744-745 | Review of Beryl T. Atkins, Collins-Robert French-English, English-French Dictionary: Unabridged (Le Robert et Collins Dictionnaire français-anglais, anglais-français: Senior)C. E. J. Dolamoredoi:10.2307/3735161 | Cite |
| |
745-746 | | Cite |
| |
746-747 | Review of Francine Cicurel, Lectures interactives en langue étrangèreAidan Coveneydoi:10.2307/3735163 | Cite |
| |
747-748 | | Cite |
| |
748-749 | Review of Peter Rickard, The French Language in the Seventeenth Century: Contemporary Opinion in FranceChristopher Smithdoi:10.2307/3735165 | Cite |
| |
749-750 | Review of Doranne Fenoltea, David Lee Rubin, The Ladder of High Designs: Structure and Interpretation of the French Lyric SequenceRachel Killickdoi:10.2307/3735166 | Cite |
| |
750 | Review of John Dunkley, Bill Kirton, Voices in the Air: French Dramatists and the Resources of Language. Essays in Honour of Charles ChadwickDavid Whittondoi:10.2307/3735167 | Cite |
| |
750-751 | Review of W. D. Howarth, D. H. Walker, Encounters with French Literature and Film: Six Essays on Molière, Balzac, Sartre, Anouilh, Truffaut, EtcherelliPhilip Thodydoi:10.2307/3735168 | Cite |
| |
751-752 | Review of Lisa Lowe, Critical Terrains: French and British OrientalismsClive Wakedoi:10.2307/3735169 | Cite |
| |
752-753 | Review of Jacques Berchtold, Des Rats & des Ratières: anamorphoses d'un champ métaphorique de saint Augustin à Jean RacineKenneth Vartydoi:10.2307/3735170 | Cite |
| |
753-755 | Review of Bernadette A. Masters, Esthétique et Manuscripture: Le 'Moulin à paroles' au Moyen ÂgeRoger Pensomdoi:10.2307/3735171 | Cite |
| |
755-756 | | Cite |
| |
756-757 | Review of Sven Sandqvist, La Vie de saint Evroul: poème normand du XIVe siècle, publié avec introduction, notes et glossaireStewart Gregorydoi:10.2307/3735173 | Cite |
| |
757-758 | Review of Susan Stakel, False Roses: Structures of Duality and Deceit in Jean de Meun's 'Roman de la Rose'Sarah Kaydoi:10.2307/3735174 | Cite |
| |
758 | Review of Donald Perret, Old Comedy in the French Renaissance, 1576-1620Alan Hindleydoi:10.2307/3735175 | Cite |
| |
758-759 | Review of Alison Adams, Emblems in Glasgow: A Collection of Essays Drawing on the Stirling Maxwell Collection in Glasgow University LibraryDavid Shawdoi:10.2307/3735176 | Cite |
| |
759-760 | | Cite |
| |
760-761 | Review of Patricia Francis Cholakian, Rape and Writing in the 'Heptaméron' of Marguerite de NavarreKeith Camerondoi:10.2307/3735178 | Cite |
| |
761-762 | Review of Gary Ferguson, Mirroring Belief: Marguerite de Navarre's Devotional PoetryAlison Saundersdoi:10.2307/3735179 | Cite |
| |
762 | Review of François Rabelais, Donald M. Frame, The Complete Works of François RabelaisKeith Camerondoi:10.2307/3735180 | Cite |
| |
762-763 | | Cite |
| |
763-764 | Review of J. E. G. Dixon, John L. Dawson, François Rabelais, Concordance des Œuvres de François RabelaisKeith Camerondoi:10.2307/3735182 | Cite |
| |
764-765 | Review of Jean de La Péruse, James A. Coleman, Poésies complètesAlison Saundersdoi:10.2307/3735183 | Cite |
| |
765-766 | Review of Guillaume de La Tayssonnière, Nerina Clerici Balmas, L'Attifet des damoizelles. L'EpithalameJennifer Britnelldoi:10.2307/3735184 | Cite |
| |
766 | Review of Laurence A. Gregorio, The Pastoral Masquerade: Disguise and Identity in 'L'Astrée'G. J. Mallinsondoi:10.2307/3735185 | Cite |
| |
766-767 | Review of John Trethewey, Corneille: 'L'Illusion comique' and 'Le Menteur'Noël A. Peacockdoi:10.2307/3735186 | Cite |
| |
767-768 | Review of David Clarke, Pierre Corneille: Poetics and Political Drama under Louis XIIIDerek A. Wattsdoi:10.2307/3735187 | Cite |
| |
768-769 | | Cite |
| |
769 | Review of Michael Vincent, Figures of the Text: Reading and Writing (In) La FontaineTerence Allottdoi:10.2307/3735189 | Cite |
| |
769-770 | Review of H. T. Mason, Studies on Voltaire and the Eighteenth Century, 296William H. Trapnelldoi:10.2307/3735190 | Cite |
| |
770-771 | | Cite |
| |
771-772 | Review of Jean-Marie Goulemot, Ces livres qu'on ne lit que d'une main: Lecture et lecteurs de livres pornographiques au XVIIIe siècleMalcolm Cookdoi:10.2307/3735192 | Cite |
| |
772-773 | Review of Isabelle Brouard-Arends, Vies et images maternelles dans la littérature française du dix-huitième siècleStephen Jonesdoi:10.2307/3735193 | Cite |
| |
773 | Review of Thémiseul de Sainte-Hyacinthe, H. Duranton, Le Chef d'œuvre d'un inconnu (1714)William Brooksdoi:10.2307/3735194 | Cite |
| |
773-774 | Review of Jacques Jubé, Michel Mervaud, La Religion, les mœurs et les usages des MoscovitesPeter Francedoi:10.2307/3735195 | Cite |
| |
774-775 | Review of Shelly Charles, Récit et réflexion: poétique de l'hétérogène dans 'Le Pour et contre' de PrévostRichard A. Francisdoi:10.2307/3735196 | Cite |
| |
775-776 | Review of Henri Grange, Benjamin Constant: Fragments d'un ouvrage abandonné sur la possibilité d'une constitution républicaine dans un grand paysNigel Addinalldoi:10.2307/3735197 | Cite |
| |
776 | Review of Jules Verne, William Butcher, Journey to the Centre of the EarthDavid Meakindoi:10.2307/3735198 | Cite |
| |
777 | Review of Timothy Unwin, Jules Verne: 'Le Tour du monde en quatre-vingts jours'Walter Redferndoi:10.2307/3735199 | Cite |
| |
777-778 | Review of Claude Herzfeld, La Figure de Méduse dans l'œuvre d'Octave MirbeauReg Carrdoi:10.2307/3735200 | Cite |
| |
778-779 | Review of Richard Griffiths, The Use of Abuse: The Polemics of the Dreyfus AffairMalcolm Scottdoi:10.2307/3735201 | Cite |
| |
779-780 | | Cite |
| |
780-781 | Review of Colin W. Nettelbeck, Forever French: Exile in the United States 1939-1945Margaret Atackdoi:10.2307/3735203 | Cite |
| |
781-782 | Review of Jana Sawicki, Disciplining Foucault: Feminism, Power, and the BodyMargaret Atackdoi:10.2307/3735204 | Cite |
| |
782-783 | Review of Cristina González, La tercera crónica de Alfonso X: 'La Gran Conquista de Ultramar'James F. Burkedoi:10.2307/3735205 | Cite |
| |
783-784 | | Cite |
| |
784-785 | Review of Louise Fothergill-Payne, Peter Fothergill-Payne, Prologue to Performance: Spanish Classical Theatre TodayP. H. Evansdoi:10.2307/3735207 | Cite |
| |
785-786 | | Cite |
| |
786-788 | Review of Pedro Salinas, Jorge Guillén, Andrés Soria Olmedo, Pedro Salinas/Jorge Guillén: Correspondencia (1923-1951)Robert K. Brittondoi:10.2307/3735209 | Cite |
| |
788-790 | | Cite |
| |
790-791 | Review of Oscar Rivera-Rodas, El metateatro y la dramática de Vargas Llosa: Hacia una poética del espectadorPeter Beardselldoi:10.2307/3735211 | Cite |
| |
791-792 | Review of Dietrich Huschenbett, John Margetts, Reisen und Welterfahrung in der deutschen Literatur des MittelaltersGeorge Gillespiedoi:10.2307/3735212 | Cite |
| |
792-793 | Review of Wolfgang Harms, Klaus Spechenbach, Herfried Vögel, Bildhafte Rede in Mittelalter und früher Neuzeit. Probleme ihrer Legitimation und ihrer FunktionAlan Deightondoi:10.2307/3735213 | Cite |
| |
793-796 | Review of John Greenfield, Vivianz: An Analysis of the Martyr Figure in Wolfram von Eschenbach's 'Willehalm' and in His Old French Source MaterialMarion E. Gibbsdoi:10.2307/3735214 | Cite |
| |
796-797 | Review of Veronique Helmridge-Marsillian, The Heroism of Love in Hoffmannswaldau's 'Heldenbriefe'Peter Skrinedoi:10.2307/3735215 | Cite |
| |
797-800 | Review of David Roberts, Philip Thomson, The Modern German Historical Novel: Paradigms, Problems and PerspectivesDietrich Scheunemanndoi:10.2307/3735216 | Cite |
| |
800 | Review of Gottlieb Konrad Pfeffels, Johann Gottfried Schweighäuser, Zwischen Direktorium und Empire. Die Briefe Gottlieb Konrad Pfeffels an Johann Gottfried Schweighäuser (1795-1808)James Trainerdoi:10.2307/3735217 | Cite |
| |
800-802 | Review of Georg Trakl, Andrew Webber, Robert Musil, Sexuality and the Sense of Self in the Works of Georg Trakl and Robert MusilDuncan Largedoi:10.2307/3735218 | Cite |
| |
802-803 | Review of Johan Zonneveld, Erich Kästner als Rezensent 1923-1933Anthony Grenvilledoi:10.2307/3735219 | Cite |
| |
803-804 | Review of James Whitlark, Behind the Great Wall: A Post-Jungian Approach to Kafkaesque LiteratureJoyce Crickdoi:10.2307/3735220 | Cite |
| |
805 | Review of Jochen Vogt, 'Erinnerung ist unsere Aufgabe'. Über Literatur, Moral und Politik 1945-1990Keith Bullivantdoi:10.2307/3735221 | Cite |
| |
806-807 | Review of Axel Goodbody, Dennis Tate, Geist und Macht: Writers and the State in the GDRKaren Leederdoi:10.2307/3735222 | Cite |
| |
807-808 | Review of Peter Hutchinson, Stefan Heym: The Perpetual DissidentMalcolm Penderdoi:10.2307/3735223 | Cite |
| |
808-809 | Review of Zbigniew Goła̧b, The Origins of the Slavs: A Linguist's ViewC. M. MacRobertdoi:10.2307/3735224 | Cite |
| |
809-810 | Review of Christina Y. Bethin, Polish Syllables: The Role of Prosody in Phonology and MorphologyR. J. Danikdoi:10.2307/3735225 | Cite |
| |
810-811 | Review of A. D. P. Briggs, Alexander Pushkin: 'Eugene Onegin'Stephanie Sandlerdoi:10.2307/3735226 | Cite |
| |
811-812 | Review of W. J. Leatherbarrow, Fyodor Dostoyevsky: 'The Brothers Karamazov'R. A. Peacedoi:10.2307/3735227 | Cite |
| |
813 | Review of Birgit Menzei, V. V. Majakovskij und seine Rezeption in der Sowjetunion 1930-1954Roger Cockrelldoi:10.2307/3735228 | Cite |
| |
813-816 | | Cite |
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