545-564 | "Twelfth Night, Every Man out of His Humour," and the Middle Temple Revels of 1597-98 Henk Grasdoi:10.2307/3732424 | Cite |
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565-588 | | Cite |
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589-600 | | Cite |
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601-614 | | Cite |
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615-620 | | Cite |
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621-637 | | Cite |
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638-651 | | Cite |
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652-657 | | Cite |
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658-671 | The University and the State: Michael Zeller's Novel "Follens Erbe" Ladislaus Löbdoi:10.2307/3732432 | Cite |
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672-680 | | Cite |
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681-682 | Review of A. D. Švejcer, L. B. Nikol'skij, Introduction to SociolinguisticsJohn Harrisdoi:10.2307/3732434 | Cite |
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682-683 | Review of Francis Cornish, Anaphoric Relations in English and French: A Discourse PerspectiveMarie-Paule Woodleydoi:10.2307/3732435 | Cite |
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683-685 | | Cite |
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685-686 | | Cite |
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686-687 | Review of Alexander Gelley, Narrative Crossings: Theory and Pragmatics of Prose FictionMark G. Sokolyanskydoi:10.2307/3732438 | Cite |
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687-689 | Review of Richard Keller Simon, The Labyrinth of the Comic: Theory and Practice from Fielding to FreudMark G. Sokolyanskydoi:10.2307/3732439 | Cite |
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689-691 | Review of Richard A. Cardwell, Janet Hamilton, Virgil in a Cultural Tradition: Essays to Celebrate the BimilleniumK. W. Gransdendoi:10.2307/3732440 | Cite |
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691-693 | Review of Leonard Barkan, The Gods Made Flesh: Metamorphosis and the Pursuit of PaganismJ. B. Trappdoi:10.2307/3732441 | Cite |
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693 | Review of Carole Newlands, Arguments in Rhetoric against Quintilian: Translation and Text of Peter Ramus's 'Rhetoricae distinctiones in Quintilianum' (1549)Paul Julian Smithdoi:10.2307/3732442 | Cite |
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693-694 | Review of Charlotte E. Otten, A Lycanthropy Reader: Werewolves in Western CultureJuliette Wooddoi:10.2307/3732443 | Cite |
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695-696 | | Cite |
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696-698 | Review of David Novarr, The Lines of Life: Theories of Biography, 1880-1970H. Porter Abbottdoi:10.2307/3732445 | Cite |
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698 | Review of Rudolph Binion, After Christianity: Christian Survivals in Post-Christian CultureGeorgia Wellsdoi:10.2307/3732446 | Cite |
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699-701 | Review of F. C. McGrath, The Sensible Spirit: Walter Pater and the Modernist Paradigm; Douwe Fokkema, Hans Bertens, Approaching Postmodernism: Papers Presented at a Workshop on Postmodernism, 21-23 September 1984, University of UtrechtSteven Connordoi:10.2307/3732447 | Cite |
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701-704 | Review of Ingrid Kasten, Frauendienst bei Trobadors und Minnesängern im 12. Jahrhundert. Zur Entwicklung und Adaption eines literarischen KonzeptsD. H. Greendoi:10.2307/3732448 | Cite |
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704 | Review of Cedric E. Pickford, Alison Adams, Armel H. Diverres, The Changing Face of Arthurian Romance: Essays on Arthurian Prose Romances in Memory of Cedric E. Pickford. A Tribute by the Members of the British Branch of the International Arthurian SocietyMark Lambertdoi:10.2307/3732449 | Cite |
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705-706 | Review of C. Thomas Ault, Barbara Cohen-Stratyner, Scenes and Machines from the 18th Century: The Stagecraft of Jacopo Fabris and Citoyen BoulletDavid Bradbydoi:10.2307/3732450 | Cite |
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706-707 | Review of Charles A. Carpenter, Modern Drama Scholarship and Criticism 1966-1980: An International BibliographyKatharine J. Worthdoi:10.2307/3732451 | Cite |
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707-708 | Review of Saara Nevanlinna, The Northern Homily Cycle: The Expanded Version in MSS Harley 4196 and Cotton Tiberius E vii. Volume 38: From Advent to Septuagesima; Saara Nevanlinna, The Northern Homily Cycle: The Expanded Version in MSS Harley 4196 and Cotton Tiberius E vii. Volume 43: From the Fifth to the Twenty-Fifth Sunday after TrinityKarla Taylordoi:10.2307/3732452 | Cite |
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708-710 | Review of Roger Ellis, Patterns of Religious Narrative in the Canterbury TalesTraugott Lawlerdoi:10.2307/3732453 | Cite |
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710-711 | Review of John Peck, Martin Coyle, How to Study a Shakespeare Play; Georgianna Ziegler, Shakespeare Study Today: The Horace Howard Furness Memorial LecturesLois Potterdoi:10.2307/3732454 | Cite |
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711-713 | Review of Dieter Mehl, Shakespeare's Tragedies: An IntroductionRichard Duttondoi:10.2307/3732455 | Cite |
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713-716 | Review of Robin Headlam Wells, Shakespeare, Politics and the State; Matthew H. Wikander, The Play of Truth and State: Historical Drama from Shakespeare to Brecht; Terence Hawkes, That Shakespeherian Rag: Essays on a Critical ProcessAnn Thompsondoi:10.2307/3732456 | Cite |
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717-718 | Review of William Myers, Milton and Free Will: An Essay in Criticism and Philosophy; Gilles Mathis, Analyse stylistique du 'Paradis Perdu' de John Milton: L'Univers poétique: Échos et correspondancesThomas Healydoi:10.2307/3732457 | Cite |
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718-720 | Review of Gail Malmgreen, Religion in the Lives of English Women, 1760-1930Isobel Grundydoi:10.2307/3732458 | Cite |
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720-721 | Review of Elizabeth R. Napier, The Failure of Gothic: Problems of Disjunction in Eighteenth-Century Literary FormJudith Wiltdoi:10.2307/3732459 | Cite |
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721-723 | | Cite |
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723-724 | Review of J. A. V. Chapple, Science and Literature in the Nineteenth CenturyNorman Vancedoi:10.2307/3732461 | Cite |
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724-726 | Review of Mary Hamer, Writing by Numbers: Trollope's Serial FictionJonathan Freedmandoi:10.2307/3732462 | Cite |
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726-727 | | Cite |
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728-729 | Review of David Rubin, After the Raj: British Novels of India since 1947Sara Suleridoi:10.2307/3732464 | Cite |
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730-731 | Review of Forrest G. Robinson, In Bad Faith: The Dynamics of Deception in Mark Twain's AmericaJames Hurtdoi:10.2307/3732465 | Cite |
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731-732 | Review of Jan Gorak, God the Artist: American Novelists in a Post-Realist AgeDavid Seeddoi:10.2307/3732466 | Cite |
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732-733 | | Cite |
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733-734 | Review of Danielle Duclos-Faure, Manuel de catalogage automatisé des livres anciens en format IntermarcStephen Rawlesdoi:10.2307/3732468 | Cite |
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734-736 | Review of Brigitte Kampers-Manhe, Co Vet, Études de linguistique française offertes à Robert de Dardel par ses amis et collèguesMichael A. Jonesdoi:10.2307/3732469 | Cite |
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736-737 | Review of William Macbain, De Sainte Katerine: An Anonymous Picard Version of the Life of St Catherine of AlexandriaA. J. Holdendoi:10.2307/3732470 | Cite |
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737-738 | | Cite |
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738-739 | | Cite |
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739-740 | | Cite |
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740-741 | Review of Philip Stewart, Half-Told Tales: Dilemmas of Meaning in Three French NovelsVivienne Mylnedoi:10.2307/3732474 | Cite |
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741-742 | Review of Gustav Philip, Marianne Molander, Le Comte de Creutz: Lettres inédites de Paris (1766-1770)Colin Jonesdoi:10.2307/3732475 | Cite |
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742-743 | Review of Louis Hay, Le Manuscrit inachevé: Écriture, création, communication. Textes et manuscritsKirsteen Andersondoi:10.2307/3732476 | Cite |
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743-745 | Review of Roger Pearson, Stendhal's Violin: A Novelist and His ReaderDavid Placedoi:10.2307/3732477 | Cite |
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745-746 | | Cite |
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746-747 | | Cite |
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747-748 | | Cite |
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748-750 | Review of Guido Cavalcanti, Lowry Nelson, Jr., The Poetry of Guido CavalcantiDouglas Andersondoi:10.2307/3732481 | Cite |
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750-751 | Review of Augusto Campana, Paola Medioli Masotti, Bartolomeo Sacchi, Il Platina: Atti del Convegno Internazionale di Studi per il V CentenarioCecil H. Cloughdoi:10.2307/3732482 | Cite |
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751 | Review of Helmut Meter, Figur und Erzählauffassung im veristischen Roman. Studien zu Verga, De Roberto und Capuana vor dem Hintergrund der Französischen Realisten und NaturalistenMarian Ainleydoi:10.2307/3732483 | Cite |
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752-753 | Review of Arnaldo Di Benedetto, Vittorio Alfieri: le passioni e il limiteJohn Lindondoi:10.2307/3732484 | Cite |
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753-754 | | Cite |
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754-756 | | Cite |
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756-759 | Review of Richard A. Cardwell, Essays in Honour of Robert Brian Tate from His Colleagues and PupilsRobert K. Brittondoi:10.2307/3732487 | Cite |
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759-761 | Review of Manuel Pedro Ferreira, O Som de Martin Codax: Sobre a dimensão musical da lírica galego-portuguesa (séculos XII-XIV). The Sound of Martin Codax: On the Musical Dimension of the Galician-Portuguese Lyric (XII-XIV Centuries)Stephen Parkinsondoi:10.2307/3732488 | Cite |
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761 | Review of Luis de Góngora, Antonio Carreira, Antología poéticaPaul Julian Smithdoi:10.2307/3732489 | Cite |
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761-762 | Review of Juan de Zabaleta, Ana Elejabeitia, La honra vive en los muertosNigel Griffindoi:10.2307/3732490 | Cite |
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762-763 | Review of Pedro Calderón de la Barca, Don Cruickshank, Seán Page, Love Is No Laughing Matter ('No hay burlas con el amor')Ann L. Mackenziedoi:10.2307/3732491 | Cite |
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764 | Review of Federico García Lorca, Robert G. Havard, Mariana PinedaRobin Warnerdoi:10.2307/3732492 | Cite |
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765 | Review of Cecilia Castro Lee, C. Christopher Soufas, Jr., En torno al hombre y a los monstruos: Ensayos críticos sobre la novelística de Carlos RojasLeo Hickeydoi:10.2307/3732493 | Cite |
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765-766 | Review of Nigel Dennis, José Bergamín: A Critical Introduction 1920-1936Alan Hoyledoi:10.2307/3732494 | Cite |
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766-768 | | Cite |
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768-769 | | Cite |
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769-770 | Review of Rudolf Hotzenköcherle, Rudolf Trüb, Sprachatlas der deutschen Schweiz. Volume VI: WortgeographieR. E. Kellerdoi:10.2307/3732497 | Cite |
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770-771 | Review of Bernd Neumann, Geistliches Schauspiel im Zeugnis der Zeit: Zur Aufführung mittelalterlicher religiöser Dramen im deutschen SprachgebietJohn E. Tailbydoi:10.2307/3732498 | Cite |
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771-773 | Review of Ingeborg Glier, Geschichte der Deutschen Literatur von den Anfängen bis zur Gegenwart (De Boor/Newald). Volume III/2: Die Deutsche Literatur im späten Mittelalter, 1250-1370: Reimpaargedichte, Drama, ProsaJohn E. Tailbydoi:10.2307/3732499 | Cite |
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773-774 | Review of Timothy R. Jackson, The Legends of Konrad von Würzburg. Form, Content, FunctionNigel F. Palmerdoi:10.2307/3732500 | Cite |
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774-775 | Review of Joachim Heinzle, Heldenbuch. Nach dem ältesten Druck in Abbildung. Volume II: KommentarbandJohn L. Flooddoi:10.2307/3732501 | Cite |
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775-777 | Review of Hans-Georg Kemper, Deutsche Lyrik der frühen NeuzeitPeter Macardledoi:10.2307/3732502 | Cite |
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777-778 | | Cite |
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778-779 | Review of Gerhart Hoffmeister, Deutsche und europäische BarockliteraturPeter Skrinedoi:10.2307/3732504 | Cite |
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779-780 | Review of Wilhelm Kühlmann, Walter E. Schäfer, Des Jesaias Romplers von Löwenhalt erstes gebüsch seiner Reimgetichte 1647, miteinem Nachwort, Kommentaren und bibliographischen AnhangW. A. Coupedoi:10.2307/3732505 | Cite |
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780-781 | | Cite |
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781-782 | Review of Douglas J. McMillan, Approaches to Teaching Goethe's FaustOsman Durranidoi:10.2307/3732507 | Cite |
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782-783 | Review of Jürgen Schramke, Wilhelm Heinse und die Französische RevolutionFrancis Lamportdoi:10.2307/3732508 | Cite |
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783-784 | Review of Thomas Pfau, Friedrich Hölderlin: Essays and Letters on TheoryHoward Gaskilldoi:10.2307/3732509 | Cite |
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784-785 | Review of Lothar Pikulik, E. T. A. Hoffmann als Erzähler: Ein Kommentar zu den 'Serapions-Brüdern'Alan Robertshawdoi:10.2307/3732510 | Cite |
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785-787 | Review of Ludwig Tieck, Manfred Frank, Ludwig Tieck. Schriften. Volume VI: PhantasusRoger Paulindoi:10.2307/3732511 | Cite |
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788-789 | Review of Robert E. Glenny, The Manipulation of Reality in Works by Heinrich von KleistHilda Browndoi:10.2307/3732512 | Cite |
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789-790 | | Cite |
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790-792 | | Cite |
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792-793 | Review of Robert Pichl, Alexander Stillmark, Fred Wagner, W. E. Yates, Grillparzer und die europäische Tradition: Londoner Symposium 1986Boyd Mullandoi:10.2307/3732515 | Cite |
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793-794 | | Cite |
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795-796 | | Cite |
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796-797 | Review of Martin Machatzke, Gerhart Hauptmann: Tagebuch 1892 bis 1894; Sigfrid Hoefert, Internationale Bibliographie zum Werk Gerhart HauptmannsPeter Skrinedoi:10.2307/3732518 | Cite |
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797-800 | | Cite |
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800 | | Cite |
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800-803 | Review of Kathleen L. Komar, Transcending Angels: Rainer Maria Rilke's Duino ElegiesMargaret Jacobsdoi:10.2307/3732521 | Cite |
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803 | Review of Thomas Freeman, Maria Poelchau, Hans Henny Jahnn. Eine BiographieR. S. Furnessdoi:10.2307/3732522 | Cite |
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803-804 | Review of Joseph L. Brockington, Vier Pole expressionistischer ProsaR. S. Furnessdoi:10.2307/3732523 | Cite |
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804-805 | Review of Irmgard Keun, Gabriele Kreis, Marjory S. Strauss, Ich lebe in einem wilden WirbelStuart Parkesdoi:10.2307/3732524 | Cite |
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805-806 | Review of Ulrich Fülleborn, Manfred Engel, Das neuzeitliche Ich in der Literatur des 18. und 20. Jahrhunderts: Zur Dialektik der ModerneAllyson Fiddlerdoi:10.2307/3732525 | Cite |
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806-807 | Review of Heinrich Böll, William Hanson, Und sagte kein einziges WortJoshua Reiddoi:10.2307/3732526 | Cite |
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807-808 | | Cite |
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808-809 | | Cite |
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809-810 | Review of Gérard Thiériot, Franz Xaver Kroetz et le nouveau théâtre populaireMoray McGowandoi:10.2307/3732529 | Cite |
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810-811 | Review of Julian W. Connolly, Sonia I. Ketchian, Studies in Russian Literature in Honor of Vsevolod SetchkarevGordon McVaydoi:10.2307/3732530 | Cite |
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811-812 | Review of Carolina De Maegd-Soep, Chekhov, Chekhov and Women: Women in the Life and Work of ChekhovMichael Pursglovedoi:10.2307/3732531 | Cite |
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812-813 | Review of Nicholas Luker, Fifty Years On: Gorky and His TimeMichael Pursglovedoi:10.2307/3732532 | Cite |
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813-815 | Review of J. A. E. Curtis, Bulgakov's Last Decade: The Writer as HeroPeter Doyledoi:10.2307/3732533 | Cite |
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815-816 | Review of Zbigniew Herbert, Stanislaw Baranczak, A Fugitive from Utopia: The Poetry of Zbigniew HerbertNina Taylordoi:10.2307/3732534 | Cite |
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