241-249 | Catholic Writing: Some Basic Notions, Some Criticisms, and a Tentative Reply J. C. Whitehousedoi:10.2307/3727097 | Cite |
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250-255 | | Cite |
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256-266 | | Cite |
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267-277 | "Vraisemblance" and Moral Instruction in Seventeenth-Century Dramatic Theory Henry Phillipsdoi:10.2307/3727100 | Cite |
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278-290 | Marivaux: The "Mechanism of the Passions" and the "Metaphysic of Sentiment" J. S. Spinkdoi:10.2307/3727101 | Cite |
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291-296 | | Cite |
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297-307 | | Cite |
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308-327 | The Story of Zifar and the Structure of the "Libro del Cavallero Zifar" Ron Keightleydoi:10.2307/3727104 | Cite |
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328-336 | The Limitations of Freedom: A Comparative Study of Schiller's "Die Braut von Messina" and Werner's "Der 24te Februar" Bruce Thompsondoi:10.2307/3727105 | Cite |
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337-350 | Thomas Mann and the Concept of "Repräsentation": "Königliche Hoheit" Hinrich Siefkendoi:10.2307/3727106 | Cite |
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351-367 | | Cite |
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368-369 | Review of Marilyn L. Williamson, Infinite Variety: Antony and Cleopatra in Renaissance Drama and Earlier TraditionH. Gaston Halldoi:10.2307/3727108 | Cite |
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369-371 | Review of Wilbur Samuel Howell, Poetics, Rhetoric, and Logic: Studies in the Basic Disciplines of CriticismE. D. Mackernessdoi:10.2307/3727109 | Cite |
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371-372 | Review of David Crystal, The English Tone of Voice: Essays in Intonation, Prosody and ParalanguageElizabeth Uldalldoi:10.2307/3727110 | Cite |
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372 | Review of Michael Baumann, Die Anakreonteen in englischen Übersetzungen: Ein Beitrag zur Rezeptionsgeschichte der anakreontischen SammlungJ. M. Ritchiedoi:10.2307/3727111 | Cite |
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372-374 | Review of Velma Bourgeois Richmond, The Popularity of Middle English RomanceDieter Mehldoi:10.2307/3727112 | Cite |
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374-376 | | Cite |
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376-377 | Review of Margaret S. Blayney, Fifteenth-Century Translations of Alain Chartier's 'Le Traité de l'Esperance' and 'Le Quadrilogue Invectif'Andrew Wawndoi:10.2307/3727114 | Cite |
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377-380 | Review of Ruediger Ahrens, Die Essays von Francis Bacon: Literarische Form und moralistische Aussage; William A. Armstrong, Francis Bacon: The Advancement of Learning, Book IBrian Vickersdoi:10.2307/3727115 | Cite |
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380-382 | Review of J. Leeds Barroll, Alexander Leggatt, Richard Hosley, Alvin Kernan, The Revels History of Drama in English. Volume III. 1576-1613David M. Bergerondoi:10.2307/3727116 | Cite |
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382-383 | | Cite |
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384-385 | Review of William Shakespeare, J. M. Lothian, T. W. Craik, Twelfth NightMaurice Charneydoi:10.2307/3727118 | Cite |
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385-390 | Review of Kenneth Muir, Shakespeare Survey: An Annual Survey of Shakespearian Study and Production, 28. Shakespeare and the Ideas of His TimeG. R. Hibbarddoi:10.2307/3727119 | Cite |
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390-391 | Review of Leo Salingar, Shakespeare and the Traditions of ComedyRobert Weimanndoi:10.2307/3727120 | Cite |
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391-396 | Review of John Davies, Robert Krueger, The Poems of Sir John DaviesPhilip Finkelpearldoi:10.2307/3727121 | Cite |
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396-398 | Review of Charles A. Hallett, Middleton's Cynics: A Study of Middleton's Insight into the Moral Psychology of the Mediocre MindRichard Levindoi:10.2307/3727122 | Cite |
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398-399 | | Cite |
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400-402 | Review of Bertha Hensman, The Shares of Fletcher, Field and Massinger in Twelve Plays of the Beaumont and Fletcher CanonCyrus Hoydoi:10.2307/3727124 | Cite |
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402-404 | Review of Lucien Carrive, La Poésie religieuse anglaise entre 1625 et 1640: Contributions à l'étude de la sensibilité religieuse à l'âge d'or de l'anglicanismeHarold Fischdoi:10.2307/3727125 | Cite |
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404-405 | Review of Joseph Anthony Wittreich, Jr., Milton and the Line of VisionMary Ann Radzinowiczdoi:10.2307/3727126 | Cite |
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405-406 | Review of William Wycherley, David Cook, John Swannell, The Country WifeJohn Dixon Huntdoi:10.2307/3727127 | Cite |
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406-408 | Review of Howard Erskine-Hill, The Social Milieu of Alexander Pope: Lives, Example, and the Poetic ResponseDonald Daviedoi:10.2307/3727128 | Cite |
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408-410 | Review of Eric Rothstein, Systems of Order and Inquiry in Later Eighteenth-Century FictionM. C. Battestindoi:10.2307/3727129 | Cite |
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410-412 | | Cite |
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413-414 | Review of Eugene L. Stelzig, All Shades of Consciousness: Wordsworth's Poetry and the Self in TimeRichard Gravildoi:10.2307/3727131 | Cite |
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414-416 | | Cite |
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416-417 | Review of Fred Kaplan, Dickens and Mesmerism: The Hidden Springs of FictionEdwin M. Eignerdoi:10.2307/3727133 | Cite |
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417-418 | | Cite |
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418-420 | | Cite |
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420-421 | Review of Anne Clissmann, Flann O'Brien: A Critical Introduction to His Writings. The Story-Teller's Book WebVincent Mahondoi:10.2307/3727136 | Cite |
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422 | Review of Fr. Marion Sitzmann, Indomitable Irishery. Paul Vincent Carrol: Study and InterviewVincent Mahondoi:10.2307/3727137 | Cite |
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422 | | Cite |
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423-424 | Review of Guy Raynaud de Lage, Les Premiers Romans français et autres études littéraires et linguistiquesJ. H. Marshalldoi:10.2307/3727139 | Cite |
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424-425 | Review of E. J. Gallacher, La Passion Nostre Seigneur from the Manuscript 1131 from the Bibliothèque Sainte-GenevièveGraham Runnallsdoi:10.2307/3727140 | Cite |
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425-427 | Review of Antoine de Montchrestien, Joseph D. Crivelli, La Reine d'EscosseChristopher Gossipdoi:10.2307/3727141 | Cite |
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427-428 | | Cite |
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428-429 | | Cite |
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429-430 | Review of Huguette Cohen, La Figure dialogique dans 'Jacques le fataliste'David Adamsdoi:10.2307/3727144 | Cite |
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430-431 | Review of Nicole Cazauran, Cathérine de Médicis et son temps dans 'La Comédie Humaine'D. R. Haggisdoi:10.2307/3727145 | Cite |
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431-432 | Review of Michael Issacharoff, L'Espace et la Nouvelle: Flaubert, Huysmans, Ionesco, Sartre, CamusDavid Bellosdoi:10.2307/3727146 | Cite |
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432 | Review of David Baguley, Bibliographie de la critique sur Émile Zola, 1864-1970F. W. J. Hemmingsdoi:10.2307/3727147 | Cite |
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433 | Review of Margaret Mein, A Foretaste of Proust: A Study of Proust and His PrecursorsW. L. Hodsondoi:10.2307/3727148 | Cite |
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434 | Review of Allan H. Pasco, The Color-Keys to 'A la recherche du temps perdu'W. L. Hodsondoi:10.2307/3727149 | Cite |
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434-436 | Review of H. A. Bouraoui, Structure intentionnelle du 'Grand Meaulnes': vers le poème romancéRobert Gibsondoi:10.2307/3727150 | Cite |
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436-437 | Review of Paul Valéry, Saint-John Perse, Benjamin Péret, René Char, Elizabeth R. Jackson, Worlds Apart: Structural Parallels in the Poetry of Paul Valéry, Saint-John Perse, Benjamin Péret and René CharIan Higginsdoi:10.2307/3727151 | Cite |
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437-438 | | Cite |
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438 | Review of Roch Smith, Le Meurtrier et la vision tragique: Essai sur les romans d'André MalrauxJonathan Daledoi:10.2307/3727153 | Cite |
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439 | | Cite |
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439-440 | Review of Edouard Morot-Sir, Howard Harper, Dougald McMillan III, Samuel Beckett: The Art of RhetoricMary F. Somervilledoi:10.2307/3727155 | Cite |
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440-441 | Review of Jean-Louis Major, Anne Hébert et le miracle de la paroleGraham D. C. Martindoi:10.2307/3727156 | Cite |
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441-442 | Review of Dorothy S. Blair, African Literature in French: A History of Creative Writing in French from West and Equatorial AfricaClive Wakedoi:10.2307/3727157 | Cite |
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442-444 | Review of Francisco Rico, Vida y obra de Petrarca, I: Lectura del 'Secretum'Kenelm Fosterdoi:10.2307/3727158 | Cite |
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444-447 | Review of Ottavio di Camillo, Manuel Lloris, El humanismo castellanoR. B. Tatedoi:10.2307/3727159 | Cite |
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447-448 | Review of Ian R. MacDonald, Gabriel Miró: His Private Library and His Literary BackgroundLorna Closedoi:10.2307/3727160 | Cite |
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449-450 | Review of Francisco Caudet, Romance (1940-41): Una revista del exilioNigel Dennisdoi:10.2307/3727161 | Cite |
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450-451 | Review of Peter Zürrer, Wortfelder in der Mundart von Gressoney: Ein Beitrag zur Kenntnis der norditalienischen Walser-MundartenR. E. Kellerdoi:10.2307/3727162 | Cite |
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451-452 | | Cite |
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452 | Review of David Wells, Roy Wisbey, Brian Murdoch, Concordances to the Early Middle High German Biblical EpicFrank Shawdoi:10.2307/3727164 | Cite |
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452-455 | Review of Gudula Dinser, Kohärenz und Struktur: Textlinguistische und erzähltechnische Untersuchungen von 'König Rother'D. H. Greendoi:10.2307/3727165 | Cite |
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455-456 | Review of Francis G. Gentry, 'Triuwe' and 'vriunt' in the 'Nibelungenlied'W. H. Jacksondoi:10.2307/3727166 | Cite |
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456-457 | Review of Dietmar Peil, Die Gebärde bei Chrétien, Hartmann und Wolfram: Erec: Iwein: ParzivalD. H. Greendoi:10.2307/3727167 | Cite |
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458-459 | Review of Patricia L. Kutzner, The Use of Imagery in Wolfram's 'Parzival': A Distributional StudyD. H. Greendoi:10.2307/3727168 | Cite |
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460 | Review of Wolfgang Wilfried Moelleken, Gayle Agler-Beck, Robert E. Lewis, Die Kleindichtung des Strickers. Band III, I: Gedicht Nr. 41-71D. H. Greendoi:10.2307/3727169 | Cite |
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460-461 | | Cite |
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461-462 | Review of Erdmute Pickerodt-Uthleb, Die Jenaer Liederhandschrift: Metrische und musikalische UntersuchungenOlive Saycedoi:10.2307/3727171 | Cite |
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462-463 | Review of Melitta Rheinheimer, Rheinische Minnereden: Untersuchung und EditionOlive Saycedoi:10.2307/3727172 | Cite |
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463 | Review of Horst Brunner, Die alten Meister: Studien zu Überlieferung und Rezeption der mittelhochdeutschen Sangspruchdichter im Spätmittelalter und in der frühen NeuzeitOlive Saycedoi:10.2307/3727173 | Cite |
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464-465 | Review of Hilkert Weddige, Die 'Historien vom Amadis auss Franckreich': Dokumentarische Grundlegung zur Entstehung und RezeptionJoseph Leightondoi:10.2307/3727174 | Cite |
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465-467 | Review of John Hibberd, Salomon Gessner: His Creative Achievement and InfluenceH. T. Betteridgedoi:10.2307/3727175 | Cite |
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468-469 | | Cite |
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469-471 | Review of Dorothea Lohmeyer, Faust und die Welt: Der zweite Teil der Dichtung. Eine Anleitung zum Lesen des TextesJohn Williamsdoi:10.2307/3727177 | Cite |
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471-473 | Review of Karlheinz Weigand, Tiecks 'William Lovell': Studie zur frühromantischen Antithetik; Christine E. Keck, Renaissance and Romanticism: Tieck's Conception of Cultural Decline as Portrayed in His 'Vittoria Accorombona'Roger Paulindoi:10.2307/3727178 | Cite |
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473-474 | Review of Maurice B. Benn, The Drama of Revolt: A Critical Study of Georg BüchnerWes Williamsdoi:10.2307/3727179 | Cite |
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474-475 | Review of Heinz Otto Burger, Jurgen Fackert, Hugo von Hofmannsthal: Sämtliche Werke. Vol. XIVW. E. Yatesdoi:10.2307/3727180 | Cite |
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476 | Review of Richard Exner, Index Nominum zu Hugo von Hofmannsthals Gesammelten WerkenW. E. Yatesdoi:10.2307/3727181 | Cite |
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476-478 | Review of Carl Sternheim, Wilhelm Emrich, Manfred Linke, GesamtwerkRhys W. Williamsdoi:10.2307/3727182 | Cite |
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478-480 | Review of Gerhard Seidel, Bibliographie Bertolt Brecht: Titelverzeichnis Band I. Deutschsprachige Veröffentlichungen aus den Jahren 1913-1972. Werke von Brecht: Sammlungen. DramatikMartin Esslindoi:10.2307/3727183 | Cite |
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