| 321-326 | | Cite |
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| 327-343 | | Cite |
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| 344-354 | The Status of Hugo, According to Neo-Kantian Aesthetics: A Study of Renouvier as Literary Critic H. Tint doi:10.2307/3719057 | Cite |
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| 355-363 | | Cite |
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| 364-373 | German Translations of the "Historia Trium Regum" by Johannes de Hildesheim Sylvia C. Harris doi:10.2307/3719059 | Cite |
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| 374-379 | | Cite |
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| 380-391 | | Cite |
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| 392-404 | The Linguistic Revival among the Slavs of the Austrian Empire, 1780-1850: The Role of Individuals in the Codification and Acceptance of New Literary Languages R. Auty doi:10.2307/3719062 | Cite |
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| 405-408 | | Cite |
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| 408-410 | The Eighth Sphere: A Note on Chaucer's "Troilus and Criseyde", V, 1809 Morton W. Bloomfield doi:10.2307/3719064 | Cite |
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| 410-416 | | Cite |
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| 416-417 | | Cite |
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| 418-419 | Review of Marcel Aurousseau, The Rendering of Geographical Names Simeon Potter doi:10.2307/3719067 | Cite |
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| 419-421 | Review of P. L. Henry, An Anglo-Irish Dialect of North Roscommon John Braidwood doi:10.2307/3719068 | Cite |
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| 421-422 | Review of James M. Ure, The Benedictine Office: An Old English Text G. C. Britton doi:10.2307/3719069 | Cite |
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| 422-423 | Review of William Caxton, MacEdward Leach, Paris et Vienne Oliver A. Beckerlegge doi:10.2307/3719070 | Cite |
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| 423-424 | Review of John Peter, Complaint and Satire in Early English Literature J. W. M. Smart doi:10.2307/3719071 | Cite |
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| 424-425 | Review of Franklin M. Dickey, Not Wisely but Too Well: Shakespeare's Love Tragedies Roy Walker doi:10.2307/3719072 | Cite |
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| 425-426 | | Cite |
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| 426-427 | | Cite |
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| 427-428 | Review of Harold S. Wilson, On the Design of Shakespearian Tragedy Philip Edwards doi:10.2307/3719075 | Cite |
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| 428-429 | | Cite |
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| 429-430 | | Cite |
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| 430-432 | Review of Grover Smith, Jr., T. S. Eliot, T. S. Eliot's Poetry and Plays. A Study in Sources and Meaning M. C. Bradbrook doi:10.2307/3719078 | Cite |
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| 432-434 | | Cite |
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| 434 | Review of St. John Lucas, P. Mansell Jones, The Oxford Book of French Verse A. J. Steele doi:10.2307/3719080 | Cite |
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| 434-436 | | Cite |
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| 437-439 | Review of Theodore Besterman, Studies on Voltaire and the XVIIIth Century R. A. Leigh doi:10.2307/3719082 | Cite |
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| 439-440 | | Cite |
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| 440-441 | Review of Raymond Giraud, The Unheroic Hero in the Novels of Stendhal, Balzac and Flaubert J. G. Clark doi:10.2307/3719084 | Cite |
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| 441 | Review of Lois Boe, Francis E. Hyslop Jr., Baudelaire: A Self-Portrait L. J. Austin doi:10.2307/3719085 | Cite |
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| 442 | | Cite |
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| 442-443 | | Cite |
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| 443-445 | Review of José María Azaceta, Cancionero de Juan Fernández de Ixar Paul Russell doi:10.2307/3719088 | Cite |
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| 445-446 | Review of Luis Vélez de Guevara, Arnold G. Reichenberger, El embuste acreditado Edward Wilson doi:10.2307/3719089 | Cite |
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| 446-447 | Review of H. Furstner, Studien zur Wesensbestimmung der höfischen Minne R. G. Finch doi:10.2307/3719090 | Cite |
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| 447-449 | Review of Will-Erich Peuckert, Pansophie. Ein Versuch zur Geschichte der weißen und schwarzen Magie Frederick John Stopp doi:10.2307/3719091 | Cite |
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| 449-450 | | Cite |
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| 450-451 | Review of Daniel Casper von Lohenstein, Klaus Günther Just, Römische Trauerspiele Hugh Powell doi:10.2307/3719093 | Cite |
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| 451-453 | Review of Guido Glur, Kunstlehre und Kunstanschauung des Georgekreises und die Aesthetik Oscar Wildes J. Bithell doi:10.2307/3719094 | Cite |
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| 453-455 | Review of W. A. P. Smit, Van Pascha tot Noah. Een verkenning van Vondel's drama's naar continuïteit en ontwikkeling in hun grondmotief en structuur Theodoor Weevers doi:10.2307/3719095 | Cite |
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| 455-456 | Review of P. G. Foote, R. Quirk, The Saga of Gunnlaug Serpent-Tongue Andrew Taylor doi:10.2307/3719096 | Cite |
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| 456-457 | | Cite |
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