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121-148 | ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’ Andrew Rothwelldoi:10.5699/modelangrevi.110.1.0121 | Cite |
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204-221 | Narrative and the Body in Uniform: East German Military Masculinities in Claus Dobberke's Ein Katzensprung and Jürgen Fuchs's FassonschnittTom Smithdoi:10.5699/modelangrevi.110.1.0204 | Cite |
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249-250 | Review of Mary Henley Rubio and Elizabeth Hillman Waterston, The Complete Journals of L. M. Montgomery: The PEI Years, 1889–1900Mary McDonald-Rissanendoi:10.5699/modelangrevi.110.1.0249 | Cite |
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256-257 | Review of Delbert W. Russell, Verse Saints' Lives, Written in the French of England: Saint Giles by Guillaume de Berneville, Saint George by Simund de Freine, Saint Faith of Agen by Simon of Walsingham, Saint Mary Magdalene by Guillaume Le Clerc de NormandieGlyn S. Burgessdoi:10.5699/modelangrevi.110.1.0256 | Cite |
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266-268 | Review of Matteo Brera and Carlo Pirozzi, Lingua e identità a 150 anni dall'Unità d'Italia; Francesco Sberlati, Filologia e identità nazionale: una tradizione per l'Italia unita (1840–1940)Alessandro Carluccidoi:10.5699/modelangrevi.110.1.0266 | Cite |
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268-269 | Review of Pina Palma, Savoring Power, Consuming the Times: The Metaphors of Food in Medieval and Renaissance Italian LiteratureMichele Rossidoi:10.5699/modelangrevi.110.1.0268 | Cite |
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289-290 | Review of Patrick Fortmann and Martha B. Helfer, Commitment and Compassion: Essays on Georg Büchner. Festschrift for Gerhard P. KnappBenedict Keble Schofielddoi:10.5699/modelangrevi.110.1.0289 | Cite |
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301-303 | Review of Katharina Gerstenberger and Patricia Herminghouse, German Literature in a New Century: Trends, Traditions, Transitions, TransformationsTeresa Luddendoi:10.5699/modelangrevi.110.1.0301 | Cite |
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