625-640 | | Cite |
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641-659 | | Cite |
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660-678 | | Cite |
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679-694 | The Place of Poetry: Nature, Nostalgia, and Modernity in Jaccottet's Poetics Joseph Acquistodoi:10.2307/25698802 | Cite |
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695-712 | | Cite |
| |
713-731 | Between Two Traditions: the Fantastic in Dino Buzzati's Christmas Stories Valentina Polcinidoi:10.2307/25698804 | Cite |
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732-742 | The Comedy of Didacticism and the Didacticism of Comedy in Calila E Dimna and Sendebar Andreea Weisl-Shawdoi:10.2307/25698805 | Cite |
| |
743-760 | Borges On Location: Duplicitous Narration and Historical Truths in 'Tema Del Traidor Y Del Héroe' Robin Fiddiandoi:10.2307/25698806 | Cite |
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761-776 | Strategies of Comedy in Raimund's Der Alpenkönig Und Der Menschenfeind: Tradition and Innovation Ian F. Roedoi:10.2307/25698807 | Cite |
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777-794 | 'Wenn Es Heimat Gibt, Dann Liegt Sie in Der Sprache': Frank Schulz's Hagener Trilogie (1991–2006) Anna Katharina Schaffnerdoi:10.2307/25698808 | Cite |
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795-810 | Saviour Or Satyr? Makanin's Nomadic Intelligent in Vysokaia-Vysokaia Luna and Ispug (2001–06) S. Dalton-Browndoi:10.2307/25698809 | Cite |
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811-812 | | Cite |
| |
812-813 | Review of Roger Ellis, The Oxford History of Literary Translation in English, vol. I: To 1550Andrew Breezedoi:10.2307/25698811 | Cite |
| |
813-815 | Review of Richard Butterwick, Simon Davies, Gabriel Sánchez Espinosa, Peripheries of the EnlightenmentHugh Dunthornedoi:10.2307/25698812 | Cite |
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815-818 | Review of Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and MusicMatthew Paul Carlsondoi:10.2307/25698813 | Cite |
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818-819 | | Cite |
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819-821 | Review of Sara Thornton, Advertising, Subjectivity and the Nineteenth-Century Novel: Dickens, Balzac and the Language of the Walls (Palgrave Studies in Nineteenth-Century Writing and Culture)David McAllisterdoi:10.2307/25698815 | Cite |
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821-823 | | Cite |
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823-824 | Review of Yvonne Ivory, The Homosexual Revival of Renaissance Style, 1850–1930 (Palgrave Studies in Nineteenth-Century Writing and Culture)Nick Knealedoi:10.2307/25698817 | Cite |
| |
824-825 | Review of Marieke Krajenbrink, Kate M. Quinn, Investigating Identities: Questions of Identity in Contemporary International Crime Fiction (Studies in Comparative Literature, 56)Claire Gorraradoi:10.2307/25698818 | Cite |
| |
825-827 | Review of Laura Rorato, Anna Saunders, The Essence and the Margin: National Identities and Collective Memories in Contemporary European CultureChristoph Henkedoi:10.2307/25698819 | Cite |
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827-828 | Review of Renée R. Trilling, The Aesthetics of Nostalgia: Historical Representation in Old English Verse (Toronto Anglo-Saxon Series, 3)Andrew Breezedoi:10.2307/25698820 | Cite |
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829-830 | Review of Ordelle G. Hill, Looking Westward: Poetry, Landscape, and Politics in 'Sir Gawain and the Green Knight'Andrew Breezedoi:10.2307/25698821 | Cite |
| |
830-831 | Review of Andrew Breeze, The Origins of the 'Four Branches of the Mabinogi'Edith Gruberdoi:10.2307/25698822 | Cite |
| |
831-832 | Review of Jessica Brantley, Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval EnglandJulia Boffeydoi:10.2307/25698823 | Cite |
| |
832-834 | Review of Edmund Spenser, Christopher Burlinson, Andrew Zurcher, Selected Letters and Other PapersRichard Danson Browndoi:10.2307/25698824 | Cite |
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834-835 | | Cite |
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835-837 | | Cite |
| |
837-838 | Review of David Lowenstein, Paul Stevens, Early Modern Nationalism and Milton's EnglandPhilip Majordoi:10.2307/25698827 | Cite |
| |
838-839 | Review of Scott L. Newstok, Quoting Death in Early Modern England: The Poetics of Epitaphs beyond the TombPhilip Majordoi:10.2307/25698828 | Cite |
| |
839 | Review of Alice Hunt, The Drama of Coronation: Medieval Ceremony in Early Modern EnglandPhilip Majordoi:10.2307/25698829 | Cite |
| |
839-841 | Review of Joshua Eckhardt, Manuscript Verse Collectors and the Politics of Anti-Courtly Love PoetryAlex Davisdoi:10.2307/25698830 | Cite |
| |
841-842 | Review of Randy Robertson, Censorship and Conflict in Seventeenth-Century England: The Subtle Art of DivisionPhilip Majordoi:10.2307/25698831 | Cite |
| |
842-843 | Review of Robert Wilcher, The Discontented Cavalier: The Work of Sir John Suckling in its Social, Religious, Political, and Literary ContextsJohn Leedoi:10.2307/25698832 | Cite |
| |
843-845 | Review of E. Derek Taylor, Reason and Religion in 'Clarissa': Samuel Richardson and 'the Famous Mr. Norris, of Bemerton'Bonnie Latimerdoi:10.2307/25698833 | Cite |
| |
845-846 | Review of Nicholas D. Smith, The Literary Manuscripts and Letters of Hannah MoreLidia De Michelisdoi:10.2307/25698834 | Cite |
| |
846-848 | Review of Stefano Evangelista, British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in ExileMalcolm Hicksdoi:10.2307/25698835 | Cite |
| |
848-849 | Review of Jonathon Shears, The Romantic Legacy of 'Paradise Lost': Reading against the GrainHeidi Thomsondoi:10.2307/25698836 | Cite |
| |
849-850 | Review of Charles I. Armstrong, Figures of Memory: Poetry, Space, and the PastDavid J. Williamsdoi:10.2307/25698837 | Cite |
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850-852 | | Cite |
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852-853 | | Cite |
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853-855 | Review of Sarah MacDougall, Rachel Dickinson, Whitechapel at War: Isaac Rosenberg and his CircleWilliam Bakerdoi:10.2307/25698840 | Cite |
| |
855-856 | Review of Judith Brown, Glamour in Six Dimensions: Modernism and the Radiance of FormJim Stewartdoi:10.2307/25698841 | Cite |
| |
856-859 | Review of Judith L. Sensibar, Faulkner and Love: The Women Who Shaped his ArtDoreen Fowlerdoi:10.2307/25698842 | Cite |
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859-860 | | Cite |
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860-861 | Review of Jeannette Baxter, J. G. Ballard's Surrealist Imagination: Spectacular AuthorshipIvan Stacydoi:10.2307/25698844 | Cite |
| |
861-862 | Review of Patrick Deer, Culture in Camouflage: War, Empire, and Modern British LiteratureJeremy Tamblingdoi:10.2307/25698845 | Cite |
| |
863-864 | Review of Zachary Leader, The Movement Reconsidered: Essays on Larkin, Amis, Gunn, Davie, and their ContemporariesJames Boothdoi:10.2307/25698846 | Cite |
| |
864-866 | Review of Terry R. Wright, The Genesis of Fiction: Modern Novelists as Biblical InterpretersAndrew Tatedoi:10.2307/25698847 | Cite |
| |
866-868 | | Cite |
| |
868-869 | Review of Jeremy Scott, The Demotic Voice in Contemporary British FictionPhilip Tewdoi:10.2307/25698849 | Cite |
| |
869-870 | Review of Rebecca Dixon, Finn E. Sinclair, Adrian Armstrong, Sylvia Huot, Sarah Kay, Poetry, Knowledge and Community in Late Medieval FranceRosalind Brown-Grantdoi:10.2307/25698850 | Cite |
| |
870-872 | Review of Chateaubriand, Béatrice Didier, Aurelio Principato, Emmanuelle Tabet, Œuvres complètes. Vols I—II: 'Préface générale' de l'auteur; Essai sur les révolutionsMarie-Christine Garneau de L'Isle-Adamdoi:10.2307/25698851 | Cite |
| |
872 | Review of Marceline Desbordes-Valmore, Deborah Jenson, Doris Y. Kadish, 'Sarah': An English TranslationSara Jamesdoi:10.2307/25698852 | Cite |
| |
873-874 | Review of David Evans, Kate Griffiths, Pleasure and Pain in Nineteenth-Century French Literature and CultureBeth Gerwindoi:10.2307/25698853 | Cite |
| |
874-875 | Review of Michel Brix, Jean-Claude Yon, Nerval et l'opéra-comique: le dossier des MonténégrinsJennifer Yeedoi:10.2307/25698854 | Cite |
| |
875-876 | Review of Mary Orr, Flaubert's 'Tentation': Remapping Nineteenth-Century French Histories of Religion and ScienceTimothy Unwindoi:10.2307/25698855 | Cite |
| |
876-877 | Review of Georges Rodenbach, Paul Gorceix, Jacques de Decker, Les Essais critiques d'un journalisteClaire Morandoi:10.2307/25698856 | Cite |
| |
877-879 | Review of Rae Beth Gordon, Dances with Darwin, 1875–1910: Vernacular Modernity in FranceWalter Redferndoi:10.2307/25698857 | Cite |
| |
879-880 | Review of Paul J. Smith, Réécrire la Renaissance, de Marcel Proust à Michel Tournier: exercices de lecture rapprochéeDavid Gascoignedoi:10.2307/25698858 | Cite |
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880-881 | | Cite |
| |
881-882 | Review of Warren Motte, Fiction Now: The French Novel in the Twenty-First CenturyRuth Cruickshankdoi:10.2307/25698860 | Cite |
| |
882-884 | Review of Lina N. Insana, Arduous Tasks: Primo Levi, Translation and the Transmission of Holocaust TestimonyCharlotte Rossdoi:10.2307/25698861 | Cite |
| |
884-885 | Review of Howard Jones, 'Aktionsart' in the Old High German Passive, with Special Reference to the 'Tatian' and 'Isidor' TranslationsBrian Murdochdoi:10.2307/25698862 | Cite |
| |
885-887 | | Cite |
| |
887-889 | Review of Markus Denkler, Susanne Günthner, Wolfgang Imo, Jürgen Macha, Dorothee Meer, Benjamin Stoltenburg, Elvira Topalović, Frischwärts und unkaputtbar: Sprachverfall oder Sprachwandel im DeutschenNils Langerdoi:10.2307/25698864 | Cite |
| |
889-890 | Review of Armin Burkhardt, Was ist gutes Deutsch? Studien und Meinungen zum gepflegten SprachgebrauchMartin Durrelldoi:10.2307/25698865 | Cite |
| |
890-891 | Review of Wilhelm Vosskamp, Roman eines Lebens: Die Aktualität der Bildung und ihre Geschichte im BildungsromanMichael Mindendoi:10.2307/25698866 | Cite |
| |
891-892 | Review of Eva Krüger, Bilder zu Goethes 'Faust': Moritz Retzsch und Dante Gabriel Rossetti (Studien zur Kunstgeschichte, 179)Osman Durranidoi:10.2307/25698867 | Cite |
| |
893 | Review of Torsten Hahn, Das schwarze Unternehmen: Zur Funktion der Verschwörung bei Friedrich Schiller und Heinrich von KleistRitchie Robertsondoi:10.2307/25698868 | Cite |
| |
894-896 | Review of Tuska Benes, In Babel's Shadow: Language, Philology, and the Nation in Nineteenth-Century Germany (Kritik: German Literary Theory and Cultural Studies)Roger Paulindoi:10.2307/25698869 | Cite |
| |
896-897 | | Cite |
| |
897-899 | Review of Florian Krobb, Erkundungen im Überseeischen: Wilhelm Raabe und die Füllung der WeltJeffrey L. Sammonsdoi:10.2307/25698871 | Cite |
| |
899-900 | Review of Peter Sprengel, Der Dichter stand auf hoher Küste: Gerhart Hauptmann im Dritten ReichPeter Skrinedoi:10.2307/25698872 | Cite |
| |
900-901 | Review of Michael Cowan, Cult of the Will: Nervousness and German ModernityJennifer Gosetti-Ferenceidoi:10.2307/25698873 | Cite |
| |
901-902 | Review of Katrin Schütz, Geschlechterentwürfe im literarischen Werk von Lou Andreas-Salomé unter Berücksichtigung ihrer GeschlechtertheorieBrigid Hainesdoi:10.2307/25698874 | Cite |
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902-904 | Review of Susan Ranson, Ben Hutchinson, Rainer Maria Rilke's 'The Book of Hours' (Studies in German Literature, Linguistics, and Culture)Kathleen L. Komardoi:10.2307/25698875 | Cite |
| |
904-905 | Review of Stefan Börnchen, Claudia Liebrand, Apokrypher Modernismus: Thomas Mann und die klassische ModerneJulia S. Happdoi:10.2307/25698876 | Cite |
| |
905-906 | Review of Ernest Schonfield, Art and its Uses in Thomas Mann's 'Felix Krull' (MHRA Texts and Dissertations, 70; Bithell Series of Dissertations, 32)Steve Dowdendoi:10.2307/25698877 | Cite |
| |
906-907 | Review of Charlotte Schoell-Glass, Samuel Pakucs Willcocks, Aby Warburg and Anti-Semitism: Political Perspectives on Images and Cultures (Kritik: German Literary Theory and Cultural Studies)Ritchie Robertsondoi:10.2307/25698878 | Cite |
| |
908-909 | Review of Constanze Breuer, Werk neben dem Werk: Tagebuch und Autobiographie bei Robert Musil (Germanistische Texte und Studien, 82)Allen Thiherdoi:10.2307/25698879 | Cite |
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909-911 | | Cite |
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911-914 | Review of Hans Fallada, Michael Töteberg, Sabine Buck, Ewig auf der Rutschbahn: Briefwechsel mit dem Rowohlt-VerlagNicholas Jacobsdoi:10.2307/25698881 | Cite |
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914-915 | | Cite |
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915-916 | Review of Stephanie Jordans, Die 'Wahrheit der Bilder': Zeit, Raum und Metapher bei Ernst MeisterChristophe Frickerdoi:10.2307/25698883 | Cite |
| |
917-918 | Review of Stuart Parkes, Writers and Politics in Germany, 1945–2008 (Studies in German Literature, Linguistics and Culture)Stuart Tabernerdoi:10.2307/25698884 | Cite |
| |
918-919 | Review of Robert Savage, Hölderlin after the Catastrophe: Heidegger — Adorno — Brecht (Studies in German Literature, Linguistics and Culture)Marko Pajevićdoi:10.2307/25698885 | Cite |
| |
919-920 | Review of Thomas J. Cousineau, Three-Part Inventions: The Novels of Thomas BernhardDaniel Steuerdoi:10.2307/25698886 | Cite |
| |
920-921 | Review of John Heath, Behind the Legends: The Cult of Personality and Self-Presentation in the Literary Works of Stefan Heym (British and Irish Studies in German Language and Literature, 49)Dennis Tatedoi:10.2307/25698887 | Cite |
| |
922-923 | Review of Tanja Walenski, Verweigerte Entstalinisierung: Die Beziehungen des 'Literatursystems DDR' zur Sowjetunion 1961 – 1989Beate Müllerdoi:10.2307/25698888 | Cite |
| |
923-925 | Review of Axel Goodbody, Pól Ó Dochartaigh, Dennis Tate, Dislocation and Reorientation: Exile, Division and the End of Communism in German Culture and Politics. In Honour of Ian WallaceStacy Hartmandoi:10.2307/25698889 | Cite |
| |
925-926 | Review of Stuart Taberner, Karina Berger, Germans as Victims in the Literary Fiction of the Berlin Republic (Studies in German Literature, Linguistics and Culture)Kirstin Gwyerdoi:10.2307/25698890 | Cite |
| |
927-928 | Review of Ursula Maria Hanus, Deutsch-tschechische Migrationsliteratur: Jiři Gruša und Libuše MoníkováLyn Marvendoi:10.2307/25698891 | Cite |
| |
928-929 | Review of Dieter Burdorf, Stefan Matuschek, Provinz und Metropole: Zum Verhältnis von Regionalismus und Urbanität in der LiteraturAndreas Kramerdoi:10.2307/25698892 | Cite |
| |
929-931 | Review of Peter Stein, Hartmut Stein, Chronik der deutschen Literatur: Daten, Texte, KontexteMichael Perraudindoi:10.2307/25698893 | Cite |
| |
931-932 | Review of Richard Stites, Serfdom, Society, and the Arts in Imperial Russia: The Pleasure and the PowerCarol Adlamdoi:10.2307/25698894 | Cite |
| |
933-934 | Review of Knut Andreas Grimstad, Styling Russia: Multiculture in the Prose of Nikolai LeskovDonald Rayfielddoi:10.2307/25698895 | Cite |
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