Modern Language Review 105.3

Modern Language Review 105.3

Modern Humanities Research Association

1 July 2010  •  320pp

Access online: At JSTOR


Contents:

625-640
Literary Variations On Bach's Goldberg
Theodore Ziolkowski
doi:10.2307/25698799
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641-659
Martin Amis and the Postmodern Grotesque
Brian Crews
doi:10.2307/25698800
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660-678
Germanic Forms: Influential Genres in Flaubert's Novembre
Michael Seabrook
doi:10.2307/25698801
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679-694
The Place of Poetry: Nature, Nostalgia, and Modernity in Jaccottet's Poetics
Joseph Acquisto
doi:10.2307/25698802
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695-712
Writing Disability: Alexandre Jollien's Éloge De La Faiblesse
Sam Haigh
doi:10.2307/25698803
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713-731
Between Two Traditions: the Fantastic in Dino Buzzati's Christmas Stories
Valentina Polcini
doi:10.2307/25698804
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732-742
The Comedy of Didacticism and the Didacticism of Comedy in Calila E Dimna and Sendebar
Andreea Weisl-Shaw
doi:10.2307/25698805
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743-760
Borges On Location: Duplicitous Narration and Historical Truths in 'Tema Del Traidor Y Del Héroe'
Robin Fiddian
doi:10.2307/25698806
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761-776
Strategies of Comedy in Raimund's Der Alpenkönig Und Der Menschenfeind: Tradition and Innovation
Ian F. Roe
doi:10.2307/25698807
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777-794
'Wenn Es Heimat Gibt, Dann Liegt Sie in Der Sprache': Frank Schulz's Hagener Trilogie (1991–2006)
Anna Katharina Schaffner
doi:10.2307/25698808
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795-810
Saviour Or Satyr? Makanin's Nomadic Intelligent in Vysokaia-Vysokaia Luna and Ispug (2001–06)
S. Dalton-Brown
doi:10.2307/25698809
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811-812
Review of Paul Hammond, The Strangeness of Tragedy
Peter Kuling
doi:10.2307/25698810
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812-813
Review of Roger Ellis, The Oxford History of Literary Translation in English, vol. I: To 1550
Andrew Breeze
doi:10.2307/25698811
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813-815
Review of Richard Butterwick, Simon Davies, Gabriel Sánchez Espinosa, Peripheries of the Enlightenment
Hugh Dunthorne
doi:10.2307/25698812
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815-818
Review of Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music
Matthew Paul Carlson
doi:10.2307/25698813
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818-819
Review of David Damrosch, Teaching World Literature
Louis Lo
doi:10.2307/25698814
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819-821
Review of Sara Thornton, Advertising, Subjectivity and the Nineteenth-Century Novel: Dickens, Balzac and the Language of the Walls (Palgrave Studies in Nineteenth-Century Writing and Culture)
David McAllister
doi:10.2307/25698815
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821-823
Review of François Brunet, Photography and Literature
David Seed
doi:10.2307/25698816
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823-824
Review of Yvonne Ivory, The Homosexual Revival of Renaissance Style, 1850–1930 (Palgrave Studies in Nineteenth-Century Writing and Culture)
Nick Kneale
doi:10.2307/25698817
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824-825
Review of Marieke Krajenbrink, Kate M. Quinn, Investigating Identities: Questions of Identity in Contemporary International Crime Fiction (Studies in Comparative Literature, 56)
Claire Gorrara
doi:10.2307/25698818
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825-827
Review of Laura Rorato, Anna Saunders, The Essence and the Margin: National Identities and Collective Memories in Contemporary European Culture
Christoph Henke
doi:10.2307/25698819
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827-828
Review of Renée R. Trilling, The Aesthetics of Nostalgia: Historical Representation in Old English Verse (Toronto Anglo-Saxon Series, 3)
Andrew Breeze
doi:10.2307/25698820
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829-830
Review of Ordelle G. Hill, Looking Westward: Poetry, Landscape, and Politics in 'Sir Gawain and the Green Knight'
Andrew Breeze
doi:10.2307/25698821
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830-831
Review of Andrew Breeze, The Origins of the 'Four Branches of the Mabinogi'
Edith Gruber
doi:10.2307/25698822
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831-832
Review of Jessica Brantley, Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England
Julia Boffey
doi:10.2307/25698823
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832-834
Review of Edmund Spenser, Christopher Burlinson, Andrew Zurcher, Selected Letters and Other Papers
Richard Danson Brown
doi:10.2307/25698824
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834-835
Review of Alan Stewart, Shakespeare's Letters
Peter Kuling
doi:10.2307/25698825
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835-837
Review of B. J. Sokol, Shakespeare and Tolerance
Laurence Publicover
doi:10.2307/25698826
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837-838
Review of David Lowenstein, Paul Stevens, Early Modern Nationalism and Milton's England
Philip Major
doi:10.2307/25698827
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838-839
Review of Scott L. Newstok, Quoting Death in Early Modern England: The Poetics of Epitaphs beyond the Tomb
Philip Major
doi:10.2307/25698828
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839
Review of Alice Hunt, The Drama of Coronation: Medieval Ceremony in Early Modern England
Philip Major
doi:10.2307/25698829
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839-841
Review of Joshua Eckhardt, Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry
Alex Davis
doi:10.2307/25698830
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841-842
Review of Randy Robertson, Censorship and Conflict in Seventeenth-Century England: The Subtle Art of Division
Philip Major
doi:10.2307/25698831
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842-843
Review of Robert Wilcher, The Discontented Cavalier: The Work of Sir John Suckling in its Social, Religious, Political, and Literary Contexts
John Lee
doi:10.2307/25698832
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843-845
Review of E. Derek Taylor, Reason and Religion in 'Clarissa': Samuel Richardson and 'the Famous Mr. Norris, of Bemerton'
Bonnie Latimer
doi:10.2307/25698833
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845-846
Review of Nicholas D. Smith, The Literary Manuscripts and Letters of Hannah More
Lidia De Michelis
doi:10.2307/25698834
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846-848
Review of Stefano Evangelista, British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile
Malcolm Hicks
doi:10.2307/25698835
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848-849
Review of Jonathon Shears, The Romantic Legacy of 'Paradise Lost': Reading against the Grain
Heidi Thomson
doi:10.2307/25698836
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849-850
Review of Charles I. Armstrong, Figures of Memory: Poetry, Space, and the Past
David J. Williams
doi:10.2307/25698837
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850-852
Review of Sophie Ratcliffe, On Sympathy
Rhian Williams
doi:10.2307/25698838
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852-853
Review of Maren Linett, Virginia Woolf: An MFS Reader
Jim Stewart
doi:10.2307/25698839
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853-855
Review of Sarah MacDougall, Rachel Dickinson, Whitechapel at War: Isaac Rosenberg and his Circle
William Baker
doi:10.2307/25698840
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855-856
Review of Judith Brown, Glamour in Six Dimensions: Modernism and the Radiance of Form
Jim Stewart
doi:10.2307/25698841
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856-859
Review of Judith L. Sensibar, Faulkner and Love: The Women Who Shaped his Art
Doreen Fowler
doi:10.2307/25698842
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859-860
Review of Peter Stanford, C Day-Lewis: A Life
Richard Danson Brown
doi:10.2307/25698843
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860-861
Review of Jeannette Baxter, J. G. Ballard's Surrealist Imagination: Spectacular Authorship
Ivan Stacy
doi:10.2307/25698844
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861-862
Review of Patrick Deer, Culture in Camouflage: War, Empire, and Modern British Literature
Jeremy Tambling
doi:10.2307/25698845
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863-864
Review of Zachary Leader, The Movement Reconsidered: Essays on Larkin, Amis, Gunn, Davie, and their Contemporaries
James Booth
doi:10.2307/25698846
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864-866
Review of Terry R. Wright, The Genesis of Fiction: Modern Novelists as Biblical Interpreters
Andrew Tate
doi:10.2307/25698847
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866-868
Review of Judith Butler, Frames of War: When is Life Grievable?
Denis Flannery
doi:10.2307/25698848
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868-869
Review of Jeremy Scott, The Demotic Voice in Contemporary British Fiction
Philip Tew
doi:10.2307/25698849
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869-870
Review of Rebecca Dixon, Finn E. Sinclair, Adrian Armstrong, Sylvia Huot, Sarah Kay, Poetry, Knowledge and Community in Late Medieval France
Rosalind Brown-Grant
doi:10.2307/25698850
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870-872
Review of Chateaubriand, Béatrice Didier, Aurelio Principato, Emmanuelle Tabet, Œuvres complètes. Vols I—II: 'Préface générale' de l'auteur; Essai sur les révolutions
Marie-Christine Garneau de L'Isle-Adam
doi:10.2307/25698851
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872
Review of Marceline Desbordes-Valmore, Deborah Jenson, Doris Y. Kadish, 'Sarah': An English Translation
Sara James
doi:10.2307/25698852
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873-874
Review of David Evans, Kate Griffiths, Pleasure and Pain in Nineteenth-Century French Literature and Culture
Beth Gerwin
doi:10.2307/25698853
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874-875
Review of Michel Brix, Jean-Claude Yon, Nerval et l'opéra-comique: le dossier des Monténégrins
Jennifer Yee
doi:10.2307/25698854
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875-876
Review of Mary Orr, Flaubert's 'Tentation': Remapping Nineteenth-Century French Histories of Religion and Science
Timothy Unwin
doi:10.2307/25698855
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876-877
Review of Georges Rodenbach, Paul Gorceix, Jacques de Decker, Les Essais critiques d'un journaliste
Claire Moran
doi:10.2307/25698856
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877-879
Review of Rae Beth Gordon, Dances with Darwin, 1875–1910: Vernacular Modernity in France
Walter Redfern
doi:10.2307/25698857
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879-880
Review of Paul J. Smith, Réécrire la Renaissance, de Marcel Proust à Michel Tournier: exercices de lecture rapprochée
David Gascoigne
doi:10.2307/25698858
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880-881
Review of Ursula Tidd, Simone de Beauvoir
Catherine Rodgers
doi:10.2307/25698859
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881-882
Review of Warren Motte, Fiction Now: The French Novel in the Twenty-First Century
Ruth Cruickshank
doi:10.2307/25698860
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882-884
Review of Lina N. Insana, Arduous Tasks: Primo Levi, Translation and the Transmission of Holocaust Testimony
Charlotte Ross
doi:10.2307/25698861
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884-885
Review of Howard Jones, 'Aktionsart' in the Old High German Passive, with Special Reference to the 'Tatian' and 'Isidor' Translations
Brian Murdoch
doi:10.2307/25698862
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885-887
Review of Sarah M. B. Fagan, German: A Linguistic Introduction
Richard J. Whitt
doi:10.2307/25698863
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887-889
Review of Markus Denkler, Susanne Günthner, Wolfgang Imo, Jürgen Macha, Dorothee Meer, Benjamin Stoltenburg, Elvira Topalović, Frischwärts und unkaputtbar: Sprachverfall oder Sprachwandel im Deutschen
Nils Langer
doi:10.2307/25698864
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889-890
Review of Armin Burkhardt, Was ist gutes Deutsch? Studien und Meinungen zum gepflegten Sprachgebrauch
Martin Durrell
doi:10.2307/25698865
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890-891
Review of Wilhelm Vosskamp, Roman eines Lebens: Die Aktualität der Bildung und ihre Geschichte im Bildungsroman
Michael Minden
doi:10.2307/25698866
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891-892
Review of Eva Krüger, Bilder zu Goethes 'Faust': Moritz Retzsch und Dante Gabriel Rossetti (Studien zur Kunstgeschichte, 179)
Osman Durrani
doi:10.2307/25698867
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893
Review of Torsten Hahn, Das schwarze Unternehmen: Zur Funktion der Verschwörung bei Friedrich Schiller und Heinrich von Kleist
Ritchie Robertson
doi:10.2307/25698868
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894-896
Review of Tuska Benes, In Babel's Shadow: Language, Philology, and the Nation in Nineteenth-Century Germany (Kritik: German Literary Theory and Cultural Studies)
Roger Paulin
doi:10.2307/25698869
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896-897
Review of Louise von François, Barbara Burns, 'Phosphorus Hollunder' und 'Der Posten der Frau'
Karen Leeder
doi:10.2307/25698870
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897-899
Review of Florian Krobb, Erkundungen im Überseeischen: Wilhelm Raabe und die Füllung der Welt
Jeffrey L. Sammons
doi:10.2307/25698871
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899-900
Review of Peter Sprengel, Der Dichter stand auf hoher Küste: Gerhart Hauptmann im Dritten Reich
Peter Skrine
doi:10.2307/25698872
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900-901
Review of Michael Cowan, Cult of the Will: Nervousness and German Modernity
Jennifer Gosetti-Ferencei
doi:10.2307/25698873
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901-902
Review of Katrin Schütz, Geschlechterentwürfe im literarischen Werk von Lou Andreas-Salomé unter Berücksichtigung ihrer Geschlechtertheorie
Brigid Haines
doi:10.2307/25698874
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902-904
Review of Susan Ranson, Ben Hutchinson, Rainer Maria Rilke's 'The Book of Hours' (Studies in German Literature, Linguistics, and Culture)
Kathleen L. Komar
doi:10.2307/25698875
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904-905
Review of Stefan Börnchen, Claudia Liebrand, Apokrypher Modernismus: Thomas Mann und die klassische Moderne
Julia S. Happ
doi:10.2307/25698876
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905-906
Review of Ernest Schonfield, Art and its Uses in Thomas Mann's 'Felix Krull' (MHRA Texts and Dissertations, 70; Bithell Series of Dissertations, 32)
Steve Dowden
doi:10.2307/25698877
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906-907
Review of Charlotte Schoell-Glass, Samuel Pakucs Willcocks, Aby Warburg and Anti-Semitism: Political Perspectives on Images and Cultures (Kritik: German Literary Theory and Cultural Studies)
Ritchie Robertson
doi:10.2307/25698878
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908-909
Review of Constanze Breuer, Werk neben dem Werk: Tagebuch und Autobiographie bei Robert Musil (Germanistische Texte und Studien, 82)
Allen Thiher
doi:10.2307/25698879
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909-911
Review of Marko Pajević, Kafka lesen: Acht Textanalysen
Emily Troscianko
doi:10.2307/25698880
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911-914
Review of Hans Fallada, Michael Töteberg, Sabine Buck, Ewig auf der Rutschbahn: Briefwechsel mit dem Rowohlt-Verlag
Nicholas Jacobs
doi:10.2307/25698881
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914-915
Review of Meg Mumford, Bertolt Brecht
David Barnett
doi:10.2307/25698882
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915-916
Review of Stephanie Jordans, Die 'Wahrheit der Bilder': Zeit, Raum und Metapher bei Ernst Meister
Christophe Fricker
doi:10.2307/25698883
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917-918
Review of Stuart Parkes, Writers and Politics in Germany, 1945–2008 (Studies in German Literature, Linguistics and Culture)
Stuart Taberner
doi:10.2307/25698884
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918-919
Review of Robert Savage, Hölderlin after the Catastrophe: Heidegger — Adorno — Brecht (Studies in German Literature, Linguistics and Culture)
Marko Pajević
doi:10.2307/25698885
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919-920
Review of Thomas J. Cousineau, Three-Part Inventions: The Novels of Thomas Bernhard
Daniel Steuer
doi:10.2307/25698886
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920-921
Review of John Heath, Behind the Legends: The Cult of Personality and Self-Presentation in the Literary Works of Stefan Heym (British and Irish Studies in German Language and Literature, 49)
Dennis Tate
doi:10.2307/25698887
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922-923
Review of Tanja Walenski, Verweigerte Entstalinisierung: Die Beziehungen des 'Literatursystems DDR' zur Sowjetunion 1961 – 1989
Beate Müller
doi:10.2307/25698888
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923-925
Review of Axel Goodbody, Pól Ó Dochartaigh, Dennis Tate, Dislocation and Reorientation: Exile, Division and the End of Communism in German Culture and Politics. In Honour of Ian Wallace
Stacy Hartman
doi:10.2307/25698889
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925-926
Review of Stuart Taberner, Karina Berger, Germans as Victims in the Literary Fiction of the Berlin Republic (Studies in German Literature, Linguistics and Culture)
Kirstin Gwyer
doi:10.2307/25698890
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927-928
Review of Ursula Maria Hanus, Deutsch-tschechische Migrationsliteratur: Jiři Gruša und Libuše Moníková
Lyn Marven
doi:10.2307/25698891
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928-929
Review of Dieter Burdorf, Stefan Matuschek, Provinz und Metropole: Zum Verhältnis von Regionalismus und Urbanität in der Literatur
Andreas Kramer
doi:10.2307/25698892
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929-931
Review of Peter Stein, Hartmut Stein, Chronik der deutschen Literatur: Daten, Texte, Kontexte
Michael Perraudin
doi:10.2307/25698893
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931-932
Review of Richard Stites, Serfdom, Society, and the Arts in Imperial Russia: The Pleasure and the Power
Carol Adlam
doi:10.2307/25698894
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933-934
Review of Knut Andreas Grimstad, Styling Russia: Multiculture in the Prose of Nikolai Leskov
Donald Rayfield
doi:10.2307/25698895
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