| Series | Extent | Year | Author | Title |
| GL 14 | — | 3000 | Robert Vilain | Yvan Goll |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SHLC 49 | 188pp | 2022 | Miguel García | Queering Lorca’s Duende |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| GL 15 | 202pp | 2017 | Richard Dove | Foreign Parts |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| IP 29 | 176pp | 2014 | Katrin Wehling-Giorgi | Gadda and Beckett |
| RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| LGS | 224pp | 2005 | Shane Weller | A Taste for the Negative |
| SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |