Published January 1997

Classical Rhetoric and the German Poet: 1620 to the Present
Anna Carrdus
Legenda (General Series)

  • ‘The tone is confident, the style lucid. Within a few pages the reader senses how purposeful the exposition is, and how well thought out. But what makes Anna Carrdus's performance so assured is her obvious commitment to poetry itself... It concludes with a wish that may sound audacious, yet which the undertaking wholly justifies: 'My findings will, I hope, open up an opportunity for scholarship to revise current perceptions of the history of German poetry.' She has already revised them herself, single-handed.’ — Peter Skrine, Modern Language Review 94.1, 1999, 243-5 (full text online)
  • ‘Die Analysen sind treffich, und die Er≥rterungen zum literarhistorischen und poetologischen Kontext zeugen von groôer Kennerschaft.’ — Joachim Knape, Germanistik 41.2, 2000, 419

Published August 1999

Anglo-German Interactions in the Literature of the 1890s
Patrick Bridgwater
Legenda (General Series)

  • ‘The author is to be congratulated for shedding new light on a wide range of Anglo-German cross-currents... His study weaves a multi-faceted web of historical and inter-personal connections, and is at its best when it forges links between the approaches of different authors and diverse forms of art.’ — Susanne Stark, Modern Language Review 97.2, 2002, 523-4 (full text online)
  • ‘This well-documented volume provides new insights into the key social and cultural issues of the 1890s, including the truth and morality of artistic writing.’ — Crocker and Womack, The Year's Work in English Studies 2000, 532

Published June 2000

Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith
Studies In Comparative Literature 4

  • ‘Smith is able to show convincingly how ambivalence about the role of science or scientific tendencies permeates these literary works, and he offers interesting insights into the sometimes subtle thematization of scientific ideas in literature.’ — Elizabeth Neswald, British Journal for the History of Science 35, 2002, 363-4
  • ‘Smith's mastery of both primary and secondary sources is remarkable, and his bibliographies provide a useful guide to the (often vast) secondary literature... Demonstrates the extraordinary richness and importance of the vein of research into which Smith has tapped, and puts much other work in so-called Cultural Studies to shame.’ — Paul Bishop, Modern Language Review 97.2, 2002, 505-7 (full text online)
  • ‘In this thorough study of the exchange between science and literature, Peter D. Smith skillfully argues that the idea of these Two Cultures existing in isolation from one another is overly simplistic... An excellent contribution to the vital research currently examining the interdisciplinary nature of scientific and literary works.’ — Heather I. Sullivan, Monatshefte 94.4, 2002, 541-2

Published May 2001

Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies
Edgar Wind
Legenda (General Series)

Published May 2006

Dilettantism and its Values: From Weimar Classicism to the fin de siècle
Richard Hibbitt
Studies In Comparative Literature 9

  • ‘This study explores, with great erudition, the hitherto unknown faces of the dilettante, revealing an intriguing complexity. Hibbitt succeeds in showing how this "empty figure" can, thanks to his openness, mirror the concerns of different times and cultures.’ — Forum for Modern Language Studies 224)

Published September 2006

Rilke's Poetics of Becoming
Ben Hutchinson
Legenda (General Series)

  • ‘Eine sorgfältige und konzentrierte Analyse der Dichtungen des jungen Rilke... Die sehr gut lesbare und Beachtung verdienende Studie von Ben Hutchinson hat hier einen bemerkenswerten Schritt auf dem Weg zu einem umfassenden Rilke-Verständnis getan.’ — Sascha Löwenstein, IASLonline online
  • ‘Overall this is a well-written book, offering both a coherent original thesis and perceptive analyses of individual poems.’ — Helen Bridge, Modern Language Review 103.1, January 2008, 282-83 (full text online)
  • ‘A judicious study of impressive scope.’ — unsigned notice, Forum for Modern Language Studies 47.4, 2011, 480

Published July 2007

Gypsies and Orientalism in German Literature and Anthropology of the Long Nineteenth Century
Nicholas Saul
Legenda (General Series)

  • ‘Nicholas Saul’s excellent monograph traces what might be termed the prehistory of genocide... Saul discusses many of the major writers and best-known works of nineteenth-century German literature, but also unearths long-forgotten authors and texts. Most welcome is his carefully differentiated understanding of the Gypsy in German literature: most of the writers perpetuate popular myths, but not all are negative in the same way, and some actually introduce more positive images of the Gypsy or portray them as persecuted victims. Taken together, Saul's subtle analyses of individual authors and texts build to an encyclopaedic, if largely depressing, history.’ — Todd Kontje, Modern Language Review 103.4, October 2008, 1154-55 (full text online)
  • ‘In addition to providing a valuable contribution to understanding the cultural history leading up to the Romany Holocaust, the book offers a foundation for comparing representations of Gypsies and Jews in German culture, which Saul begins to consider in the context of his study.’ — Laurel Plapp, German Quarterly Fall 2008, 502-04
  • ‘In this book Nicholas Saul endeavours to "reconstruct the shifts in the representation of the Gypsy in German culture through the medium of literature and anthropology from around 1850 to the First World War"... well-written and thought-provoking.’ — Gertrud Reershemius, Romani Studies 19.2, 2009, 183-85
  • ‘Nicholas Saul widmet sich in seiner Studie einem von der literaturwissenschaftlichen Forschung lange Zeit vernachtlässigten, in den letzten zehn Jahren jedoch deutlich ins Zentrum des Interesses gerückten Thema: der Repräsentation der sogenannten 'Zigeuner' in der deutschen Literatur vor dem Hintergrund ethnographisch-anthropologischer Diskurse.’ — Stefani Kugler, Jahrbuch der Raabe-Gesellschaft 2009, 194-200
  • ‘Adds an intelligent and long overdue analysis of Romany imagery, helpful for anyone preparing a seminar on Romanticism or Realism and all the way up to Holocaust studies.’ — Roger Russi, Monatshefte 101.3, 2009, 434-36

The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38
Robert Pyrah
Legenda (General Series)

  • ‘This excellent volume provides an invaluable extra dimension to previous publications on Austrian theatre between the wars through the rigorous use of archival material, reinforcing and enhancingwork based mainly on texts, reports, and reviews in the Viennese press and journals. This is a work which will be important not only to literary historians, particularly of the theatre, but also to political historians, demonstrating as it does how the history of that troubled period in Austria directly affected the theatre.’ — John Warren, Modern Language Review 103.4, October 2008, 1164-65 (full text online)
  • ‘A significant and welcome contribution to the slowly expanding body of work examining the interface of culture and politics in the First Austrian Republic... Original and well-researched.’ — Forum for Modern Language Studies 231)

Published October 2008

The Near and Distant God: Poetry, Idealism and Religious Thought from Hölderlin to Eliot
Ian Cooper
Legenda (General Series)

  • ‘This is an intellectually distinguished, engagingly written and outstandingly original book, which succeeds admirably in its aim of tracing the close and continuous connection of lyric poetry, philosophical idealism and religious thought from Hölderlin to Eliot... Its achievement is as relevant to theology as it is to German Studies and deserves the widest possible readership.’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 110
  • ‘A sophisticated example of how literary studies may benefit from approaches that are theologically and spiritually mindful.’ — Helena M. Tomko, Modern Language Review 105.2, 2010, 512-13 (full text online)
  • ‘This study is densely written (something that should be applauded rather than criticized!) and cogently argued... Intellectually highly rewarding.’ — Rüdiger Görner, Comparative Critical Studies 7.2–3, 2010, 405-08
  • ‘He avoids the pitfall of many comparable studies, in which poems are merely mined for their philosophical content--a fate that especially Holderlin, Rilke, and Eliot have frequently suffered in the past. His readings of the poems emphasize the process of writing and reading--in these processes, transcendence can be experienced, and the promise of community be enacted. Cooper's fine analytical skills give us many fresh perspectives on a series of major poems.’ — Johannes Wich-Schwarz, Christianity and Literature Autumn 2010
  • ‘What seems like a huge and bold undertaking is impressively achieved... compelling and, at times, beautiful writing.’ — Carly McLaughlin, Archiv für das Studium der neueren Sprachen und Literaturen 248, 2011, 166-67
  • ‘Cooper succeeds in establishing the centrality of theology to the work of Hölderlin, and in tracing the afterlife of Hölderlin's poetic religiosity he expands our awareness of the prehistory of the high modernist struggle to come to terms with Spirit.’ — Nathaniel Davis, Journal of Modern Literature 35.1, Fall 2011, 196-99

Published July 2009

Wilhelm Raabe: Global Themes - International Perspectives
Edited by Dirk Göttsche and Florian Krobb
Legenda (General Series)

  • ‘Wenn die Zuschreibung von 'Internationalität' zuweilen etwas sehr allgemein und unkonkret bleibt, dann ist dies der gewiss gut gemeinten Absicht, aus einem nationalen Dichter einen Autor der Weltliteratur zu machen, geschuldet. Dass nun ein exzellentes Handbuch zu Raabe in englischer Sprache vorliegt, mag die Internationalität eines Autors und der Forschung zu seinem Werk eigentlich bereits hinreichend belegen. Somit bleibt nur zu hoffen, dass es die Übersetzung weiterer Werke Raabes ins Englische ebenso befördert wie die Publikation eines Raabe-Handbuchs in deutscher Sprache. Denn für letzteres liegt nun ein gelungenes Vorbild vor.’ — Lucas Marco Gisi, Jahrbuch der Raabe-Gesellschaft 2010, 137-43
  • ‘There is a potentially massive argument to be engaged here regarding the future of arts and humanities research. The editors of this book are to be congratulated for setting the terms of that debate and for showing a good deal of what might be done. It is a fine beginning to our oncoming work.’ — Thomas Docherty, Comparative Critical Studies 7.2–3, 2010, 401-04
  • ‘An excellent anthology of essays... Whether or not one agrees with Jeffrey L. Sammons’s contention that Wilhelm Raabe ‘was the major nineteenth-century novelist in the German language between Goethe and Fontane’..., one leaves this volume convinced that he was certainly one of the most attuned to the impact of Germany’s forays into the wider world on those who travelled abroad and even on those who remained at home.’ — Todd Kontje, Modern Language Review 106.2, April 2011, 584-86 (full text online)
  • ‘Whether the three volumes reviewed here represent the end of Raabe's rehabilitation or the beginning of a new phase, a global phase, of Raabe scholarship remains to be seen, but their publication is indeed equicklich - refreshing.’ — Robert L. Jamison, Monatshefte 103.1, 2011, 126-31

A Cultural Citizen of the World: Sigmund Freud's Knowledge and Use of British and American Writings
S. S. Prawer
Legenda (General Series)

  • ‘This magisterial survey of British and American intellectual history from the sixteenth century to the present, as viewed through the lens of the creator of psychoanalysis, Sigmund Freud, confirms once more that Prawer remains one of our discipline’s leading spokesmen and luminaries.’ — Robert K. Weninger, Comparative Critical Studies 7.2–3, 2010, 395-401
  • ‘Based on an intensive study of the original German text of Freud’s writings, letters, and journals. This is the first book to make a full and systematic map of Freud’s use of English literature. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading... Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics - and of how much it can come to mean to them, and to their sense of who they are.’ — The Year's Work in English Studies 2011, 691)
  • ‘Shows the remarkable range of reading and the gift for lively and attractive expression that characterized all his work... The result is much the fullest study of Freud’s Anglophilia that has yet been written.’ — Ritchie Robertson, Modern Language Review 108.4, October 2013, 1262-64 (full text online)

Published April 2010

Paul Celan's Encounters with Surrealism: Trauma, Translation and Shared Poetic Space
Charlotte Ryland
Legenda (General Series)

  • ‘A stimulating development in Celan scholarship. It heralds the arrival of a significant new contributor to UK studies of European poetry and cultural history.’ — Ruth J. Owen, Modern Language Review 106.3, 2011, 923-24 (full text online)
  • ‘What emerges from Ryland’s excellent book is more than just another answer to the question of literary influence. Rather, Ryland demonstrates through her extremely close reading of Celan’s translations of surrealist poems how Celan’s own poetic concerns shaped and transformed those poems... A valuable addition not only to the literature on Celan and surrealism but on Celan’s poetics of communication.’ — Helmut Schmitz, Journal of Modern Jewish Studies 10.3, 2011, 439-41
  • ‘In this important book, which will be of interest to teachers and scholars of Paul Celan, Surrealism, and poetics, Charlotte Ryland... makes a compelling case that Celan’s engagement with Surrealism played a key and lasting role in the formation of his thought.’ — Susan H. Gillespie, German Quarterly 85.1, Winter 2012, 98-99
  • ‘A fascinating study of the position of Celan’s poetry in relation to his lived and textual reality.’ — Catriona Firth and Sara Jones, The Year's Work in Modern Language Studies 72 (survey year 2010), 2012, 452
  • ‘If ever there were a case for bilingual editions, then, as Ryland so persuasively shows us, Celan’s translations of surrealist poetry make it, through their uncanny engagements with the originals in times that, for Celan, became ever darker... With Ryland’s study, we can return to that particular encounter with a renewed sense of the richness not only of Celan’s own poetry, but also of his activities as a translator of the highest order.’ — Shane Weller, Translation and Literature 21.3 (November 2012), 430-35

Sex in Imagined Spaces: Gender and Utopia from More to Bloch
Caitríona Ní Dhúill
Legenda (General Series)

  • ‘Ni Dhúill's study shines a bright light on the hitherto neglected importance of sex and gender questions in utopian societies. Sex In Imagined Spaces is a cogently argued, beautifully written, and highly original contribution to knowledge in utopia studies and beyond; it not only mobilizes important wider cultural developments for the analysis of literary texts, but also gives a brilliant gender-theoretical spin to the double function of utopian texts as vision and critique.’ — Anna Katharina Schaffner, Germanistik in Ireland 7 (2013), 228-30
  • ‘This excellent monograph tackles the concept of utopia by repositioning it within the fields of literature and creative practice examined through the lens of the gendered body.’ — unsigned notice, Forum for Modern Language Studies 49.2 (2013)
  • ‘This is an excellent book which deals with the relationship between utopian desire, gender relations, and social outcome in a nuanced and intelligent way.’ — Peter Thompson, Modern Language Review 108.3, 2013, 948-49 (full text online)

Published March 2011

Alienation and Theatricality: Diderot after Brecht
Phoebe von Held
Studies In Comparative Literature 17

  • ‘This is a rich and rewarding study that opens up important new perspectives not only on its two chosen thinkers, but also on the questions of acting both onstage and in society more generally.’ — Joseph Harris, French Studies 66.4 (October 2012), 557
  • ‘[Held's] general principle is surprisingly simple and compelling: While the 'self-alienating artifice' of Diderot's calculating actor succeeds for the most part at immedsing the audience to identification and illusion, there are moments at which it suddenly comes to the fore... Jolted by this 'sudden emergence of alienation', the spectator is now 'faced with her own involvement in the operation of delusion'.’ — Florian Nikolas Becker, Brecht Yearbook 37 (2012), 253-58

Published July 2011

The Truth of Realism: A Reassessment of the German Novel 1830-1900
John Walker
Legenda (General Series)

  • ‘An ambitious contribution to a revaluation of German realism that will have to be weighed and taken into account in any further treatment of the topic.’ — Jeffrey L. Sammons, Monatshefte 104.1, 2012, 130-33
  • ‘This volume offers a new approach to German Realism and contributes to research that establishes a reading of German Realist literature as in no ways inferior to other European Realist traditions, which has been the dominant viewpoint for decades.’ — unsigned notice, Forum for Modern Language Studies 49.2, 2013, 227
  • ‘Cultural studies, systems theory, postcolonial studies, gender studies, media history, and a number of other more recent approaches have given new impetus to research into nineteenth-century Realism and initiated a reassessment of German Realism within the overarching European development from Romanticism to Modernism. Walker’s study of a small number of selected novels by Keller, Raabe, and Fontane makes an interesting contribution to this reassessment by arguing that ‘the distinguishing capacity of German narrative realism, and the source of that realism’s unique contribution to the European tradition’ is the critique of internalized ideology.’ — Dirk Göttsche, Modern Language Review 109.3, July 2014, 847-48 (full text online)

Published August 2011

German Women's Writing of the Eighteenth and Nineteenth Centuries: Future Directions in Feminist Criticism
Edited by Helen Fronius and Anna Richards
Legenda (General Series)

  • ‘The volume will be of great use to students and researchers alike, as a source of well-written critical scholarship and of pointers to severe deficits in current research. It offers productive methodologies for taking the enquiry forward in areas vital to a fuller, more nuanced understanding of the place of women writers as part of the whole picture of eighteenth- and nineteenth-century cultural history in the German-speaking lands.’ — unsigned notice, Forum for Modern Language Studies 48.4 (October 2012), 489
  • ‘Thus the book’s structure, like its title, ultimately collapses: the future has not yet happened. Yet it is glimpsed here—and it will indeed necessarily entail killing off and reviving the female author and the female reader, undoing and redoing gender, sexuality, and herstory, embracing pluralism and firing the canon. And it will only have been achieved once the gatekeepers become contributors and all critics—including men—are doing feminist criticism.’ — Robert Gillett, Modern Language Review 109.2, April 2014, 547-48 (full text online)

Published January 2012

Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes
Katja Haustein
Legenda (General Series)

  • ‘Katja Haustein’s monograph charts new territory in the expanding study of autobiographical writing in the light of photography... this volume will no doubt be of great benefit to specialists of these three seminal authors, as well as to those working in comparative studies.’ — Kathrin Yacavone, French Studies 67.2 (April 2013), 271-72
  • ‘Katja Haustein undertakes a titanic task: to bring together three bulwarks of twentieth-century intellect, each one so seminal in their own right that even the thought of combining them in one study would seem quixotic. Haustein not only accomplishes the task, but manages to bring out a genuinely comparative account... it is a very useful book to have read, and one which, I am certain, I will return to again and again.’ — Eleni Papargyriou, Comparative Critical Studies 10, 2013, 407-09
  • ‘This book contains several beautiful, thoughtfully chosen illustrations, and is a useful source of information about scholarship in German on Proust... a significant and stimulating contribution to the scholarship on these three important writers.’ — Áine Larkin, Modern Language Review 110.1, January 2015, 228-29 (full text online)

Published March 2013

Shandean Humour in English and German Literature and Philosophy
Edited by Klaus Vieweg, James Vigus and Kathleen M. Wheeler
Legenda (General Series)

Published May 2013

The Realist Author and Sympathetic Imagination
Sotirios Paraschas
Studies In Comparative Literature 28

  • ‘The arguments are based throughout on meticulous research, close attention to textual detail, and an adroit engagement with literary theory. They are also conveyed with notable elegance and clarity. Paraschas is not afraid to contest claims made by such influential theorists as Paul de Man, whose view of realism as a regression from the ironic novel of the eighteenth century is here neatly reversed. Undergraduates would find his admirably succinct introductory discussion of the ‘realist author’ a source of elucidation and stimulus.’ — Michael Tilby, French Studies 68.3, July 2014, 405-06
  • ‘In arguing for a more nuanced understanding of the realist mode, Paraschas has written an important contribution to nineteenth-century French studies, and a book that will serve as an invaluable reference for students and scholars alike.’ — Andrew Watts, Modern Language Review 110.2, April 2015, 516-17 (full text online)
  • ‘Extremely useful for understanding the attitude of early nineteenth-century Realists and their attempts to present verisimilitude as art.’ — Catherine Winters, Nineteenth-Century French Studies 43.3-4, 2015

Published September 2013

The Present Word: Culture, Society and the Site of Literature
Edited by John Walker
Legenda (General Series)

Published November 2014

Women, Emancipation and the German Novel 1871-1910: Protest Fiction in its Cultural Context
Charlotte Woodford
Germanic Literatures 6

  • ‘This substantial, illuminating, and crisply written study looks once again at women’s writing in Germany and Austria in the period of its major impact on a wide reading public between the Franco-Prussian and First World Wars... The book is not only a nuanced contribution to feminist scholarship but also a significant intervention in the wider debate about committed literature. Woodford argues unambiguously for literature’s capacity to function as a driver of social change.’ — Helen Chambers, Modern Language Review 110.4, October 2015, 1161-62 (full text online)
  • ‘It has been estimated that women constituted one-third of the authors of the century. However, women’s protest writing encountered a backlash around the time of World War I: it was viewed as contrary to the true German attitude to gender relations, despised as a foreign implant from France and Scandinavia, and somehow Jewish. The women writers disappeared from the literary histories, and most of them remained invisible until the time I was a student... Woodford’s book is recommendable to teachers and students working in this period because it is full of indicators of how one might enrich the fabric of literary life of the time.’ — Jeffrey L. Sammons, Monatshefte 107.4, December 2015, 673-76

Published September 2015

Fontane and Cultural Mediation: Translation and Reception in Nineteenth-Century German Literature
Edited by Ritchie Robertson and Michael White
Germanic Literatures 8

  • ‘This volume contains thirteen varied contributions which the editors successfully present as a coherent group of essays in honour of a distinguished Fontane scholar, whose own work provides an implicit point of reference... The strengths of this volume lie for the most part in the expository sections, the light that is thrown on unfamiliar corners of nineteenth-century German literary life, and the commitment shown by this group of commentators to its preservation as an object of study.’ — John Osborne, Modern Language Review 112.1, January 2017, 284-86 (full text online)
  • ‘This expertly edited, wide-ranging and engaging collection of essays admirably fulfils its aim of putting Fontane’s oeuvre in a European context, thus challenging a narrow view of his work and implicitly of late nineteenth-century German realism as a whole... This is an appropriately eclectic and com- prehensive volume and as such a fitting tribute to its dedicatee, Professor Emerita Helen Chambers, who has done so much to make the German department at St Andrews a centre of intercultural German Studies.’ — unsigned notice, Forum for Modern Language Studies 53.2, April 2017
  • ‘A rich panorama of case studies on Anglo-German, trilateral, and multilateral cultural exchange and dialogue (mostly) in the nineteenth century. It will be of particular interest to those who wish to look beyond canonical works and established knowledge.’ — Dirk Göttsche, Translation and Literature 26, 2017, 231-37
  • ‘Represents British Germanistik at its broadest, best, and most inter-connected... In overcoming prejudices both against the nineteenth century and against the genre which originated in it, this book really does accomplish the ‘Great Festschrift Makeover’.’ — David Gillett, Angermion 2017, 202-06
  • ‘The scope and ambition of the thirteen essays that make up this volume are impressive. Each contribution displays a captivating commitment to detailed study of the primary texts in question, yet, at the same time, never restricting itself to simply textual microanalysis.’ — Paul Whitehead, Comparative Critical Studies 14, 2018, 397-401

Published May 2017

Enlightenment and Religion in German and Austrian Literature
Ritchie Robertson
Selected Essays 1

  • ‘A tour de force in the study of German-speaking cultures with a range and depth that takes readers from the Classical period in the eighteenth century to twentieth-century Modernism... Here we are confronted with, or rather treated to [...] erudition, insight and unerring logic.’ — Carol Tully, Times Literary Supplement 23 January 2018
  • ‘Any ambitious colleagues wishing to uncover the secret behind Robertson’s talent for producing the appropriate formulation are again referred to his introductory remarks, in which he recalls having learnt to use a typewriter whose roller would only turn in one direction, making it impossible to go back and emend what had been written. The present volume of essays suggests that there could be no better method of training future scholars than by providing them with similarly challenging, character-building implements.’ — Osman Durrani, Modern Language Review 113.2, April 2018, 433-35 (full text online)

Published September 2017

Foreign Parts: German and Austrian Actors on the British Stage 1933-1960
Richard Dove
Germanic Literatures 15

  • ‘Readers with high expectations will not be disappointed by Foreign Parts. It is a fascinating presentation of the careers of five actors who, forced to leave Germany and Austria by Hitler, set about plying their trade on the stage in Britain... Dove’s account of the actors’ careers in pre-war and wartime Britain is exemplary.’ — Anthony Grenville, AJR Journal 2018
  • ‘The stories that unfold are engaging when viewed as biographies, because of the different challenges and problems each of the actors had to confront. Their different treatment when Britain decided to intern ‘enemy aliens’ reflects the chaotic and sometimes extreme nature of wartime bureaucracy, and their choices after the war are fascinating, with only Mannheim choosing to return to Germany.’ — David Barnett, Modern Language Review 114.2, April 2019, 411-12 (full text online)

Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43

  • unsigned notice, The Year's Work in English Studies 98.1, 2019, 657-58