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Elio Vittorini: The Writer and the Written
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Origin and Identity: Essays on Svevo and Trieste
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Fragments of Impegno
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Contesting the Monument: The Anti-Illusionist Italian Historical Novel
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Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini
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Gadda and Beckett: Storytelling, Subjectivity and Fracture
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The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature
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Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
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Fulvio Tomizza: Writing the Trauma of Exile
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Unidentified Narrative Objects and the New Italian Epic
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Italian Perspectives 4225 February 2019

Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
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Rome, 16 October 1943: History, Memory, Literature
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The Sense of Fracture in Goliarda Sapienza and Elena Ferrante: Fragile Selves, Fragile Others
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Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
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Legenda (General Series) 4 February 2005

Contemporary Italian Women Writers and Traces of the Fantastic: The Creation of Literary Space
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From Puppet to Cyborg: Pinocchio’s Posthuman Journey
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Studies In Comparative Literature 4028 April 2022

Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
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Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
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Reading Dante and Proust by Analogy
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