Series | Extent | Year | Author | Title |
MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
RMFS 67 | 204pp | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
SE 10 | 230pp | 2022 | Peter Dayan | For the Love of Art |
RMFS 66 | 222pp | 2022 | Jane Hiddleston | Frantz Fanon |
RMFS 61 | 194pp | 2022 | Joanne Brueton | Geometry and Jean Genet |
RMFS 64 | 272pp | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
LGS | — | 2022 | Adam Watt | Labours of Attention |
LGS | 210pp | 2022 | ed Jessica Goodman | Last Scene of All |
T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
SICL 53 | 128pp | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
SICL 50 | 234pp | 2022 | James P. Leveque | Words Like Fire |
RMFS 68 | 246pp | 2022 | Robert Lethbridge | Zola's Painters |