Reading Literature in Portuguese: Commentaries in Honour of Tom Earle
Cláudia Pazos Alonso and Stephen Parkinson
Legenda (General Series) •25 September 2013
Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Italian Perspectives 55•20 October 2022
The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 54•13 September 2022
Identity and Transformation in the Plays of Alexis Piron
Derek Connon
Legenda (General Series) •23 February 2007
Force from Nietzsche to Derrida
Clare Connors
Legenda (General Series) •23 April 2010
Foreign Parts: German and Austrian Actors on the British Stage 1933-1960
Richard Dove
Germanic Literatures 15•29 September 2017
The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu
Marieke Dubbelboer
Research Monographs in French Studies 35•30 January 2012
The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues
Ramón Espejo 
Studies in Hispanic and Lusophone Cultures 59•19 February 2024
Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale
Donatella Fischer
Italian Perspectives 17•14 November 2007
A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018
Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 49•7 March 2022
Playing with Gender: The Comedies of Goldoni
Maggie Günsberg
Italian Perspectives 7•31 January 2002
Genet's Genres of Politics
Mairéad Hanrahan
Research Monographs in French Studies 50•22 April 2023
Alienation and Theatricality: Diderot after Brecht
Phoebe von Held
Studies In Comparative Literature 17•25 March 2011
Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits
Paul Humphrey
Studies in Hispanic and Lusophone Cultures 12•25 February 2019
The First English Translations of Molière: Drama in Flux 1663-1732
Suzanne Jones
Transcript 13•28 September 2020
Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022
Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria
Matthew McCarthy-Rechowicz
Germanic Literatures 1•25 May 2018
Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude
Mary Noonan
Research Monographs in French Studies 36•1 July 2014
Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series) •4 February 2005
Silent Witness: Racine's Non-Verbal Annotations of Euripides
Susanna Phillippo
Research Monographs in French Studies 14•1 June 2003
The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38
Robert Pyrah
Legenda (General Series) •5 July 2007
Poetics, Performance and Politics in French and Italian Renaissance Comedy
Lucy Rayfield
Transcript 18•23 February 2022
Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini
Italian Perspectives 48•22 January 2023
Pinter and the Object of Desire: An Approach through the Screenplays
Linda Renton
Legenda (General Series) •1 May 2002
Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 5•1 November 2000
Pastoral Drama in Early Modern Italy: The Making of a New Genre
Lisa Sampson
Italian Perspectives 15•5 September 2006
Goethe and Patriarchy: Faust and the Fates of Desire
James Simpson
Legenda (General Series) •2 January 1999
Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith
Studies In Comparative Literature 4•1 June 2000
Uruguayan Theatre in Translation: Theory and Practice
Sophie Stevens
Transcript 15•8 October 2022
The Choreography of Modernism in France: La Danseuse, 1830-1930
Julie Townsend
Research Monographs in French Studies 28•12 April 2010
Yvan Goll: The Thwarted Pursuit of the Whole
Robert Vilain 
Germanic Literatures 14
Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29•1 November 2014
A Taste for the Negative: Beckett and Nihilism
Shane Weller
Legenda (General Series) •4 February 2005
Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 35•1 July 2015
Towards a Cultural Philology: Phèdre and the Construction of 'Racine'
Amy Wygant
Research Monographs in French Studies 4•1 July 1999