Chao, Shun-Liang. 2010. Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte, Studies In Comparative Literature, 22 (Legenda)
Corbeau-Parsons, Caroline. 2013. Prometheus in the Nineteenth Century: From Myth to Symbol, Studies In Comparative Literature, 25 (Legenda)
Whiteley, Giles. 2015. Oscar Wilde and the Simulacrum: The Truth of Masks, Studies In Comparative Literature, 35 (Legenda)
Charlesworth, Michael. 2018. The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism, Studies In Comparative Literature, 36 (Legenda)
Weninger, Robert K.. 2017. Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God, Studies In Comparative Literature, 43 (Legenda)
Koch, Julian J. I.. 2021. A Poetics of the Image: Paul Celan and André du Bouchet, Studies In Comparative Literature, 52 (Legenda)
Li, Lin. 2022. Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda)
Segnini, Elisa. 2021. Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination, Studies In Comparative Literature, 56 (Legenda)
Brooks, Peter. 1999. History Painting and Narrative: Delacroix's 'Moments', Special Lecture Series, 2 (Legenda)
Blin-Rolland, Armelle. 2015. Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro, Transcript, 2 (Legenda)
Zusi, Peter. 2024. The Integrity of the Avant-Garde: Karel Teige and the Biography of an Ambition, Visual Culture, 2 (Legenda)
O’Sullivan, Lucy. 2022. Diego Rivera and Juan Rulfo: Post-Revolutionary Body Politics 1922-1965, Visual Culture, 3 (Legenda)
Brook, Clodagh, Florian Mussgnug, and Giuliana Pieri. 2024. Intermedia in Italy: From Futurism to Digital Convergence, Visual Culture, 6 (Legenda)