| Series | Extent | Year | Author | Title |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 1 | — | 2020 | ed Ann Lewis,
Silke Arnold-de Simine | Adapting the Canon |
| LGS | 250pp | 2008 | Stephen Kite | Adrian Stokes |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| SICL 20 | — | 2010 | Giles Whiteley | Aestheticism and the Philosophy of Death |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| MI 5 | 234pp | 2014 | ed Lizelle Bisschoff,
David Murphy | Africa's Lost Classics |
| LGS | — | 2007 | Patrick ffrench | After Bataille |
| T 14 | — | 2022 | ed Adriana X. Jacobs,
Claire Williams | After Clarice |
| LGS | — | 2013 | Lucia Aiello | After Reception Theory |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| IP 61 | — | 2024 | Gabriella Addivinola | Alan of Lille and Dante |
| SHLC 7 | 148pp | 2015 | Katia Chornik | Alejo Carpentier and the Musical Text |
| GL 20 | — | 2021 | Robert Craig | Alfred Döblin |
| LGS | — | 2015 | Sara Lyons | Algernon Swinburne and Walter Pater |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| RMFS 9 | 198pp | 2001 | Walter Redfern | All Puns Intended |
| LGS | — | 2016 | Valentina Gosetti | Aloysius Bertrand's Gaspard de la Nuit |
| RMFS 17 | 154pp | 2004 | Seán Hand | Alter Ego |
| SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran,
Jane Taylor | The Anatomy of Laughter |
| T 24 | — | 2021 | David McCallam | André Chénier |
| SE 16 | — | 2024 | Ann Jefferson | Angles of Approach |
| LGS | 286pp | 1999 | Patrick Bridgwater | Anglo-German Interactions in the Literature of the 1890s |
| SICL 26 | 238pp | 2014 | Anne Hultzsch | Architecture, Travellers and Writers |
| LGS | 410pp | 2007 | ed Edith Hall,
Amanda Wrigley | Aristophanes in Performance 421 BC-AD 2007 |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SICL 23 | — | 2011 | Catherine Brown | The Art of Comparison |
| LGS | 252pp | 2003 | Karl Posso | Artful Seduction |
| SICL 44 | — | 2018 | ed Elisa Bizzotto,
Stefano Evangelista | Arthur Symons |
| SHLC 3 | 232pp | 2014 | ed Stephen Boyd,
Terence O'Reilly | Artifice and Invention in the Spanish Golden Age |
| LGS | 272pp | 1999 | Hilary Nias | The Artificial Self |
| LGS | 228pp | 1999 | Stephen Henighan | Assuming the Light |
| LGS | — | 2005 | Catherine O'Rawe | Authorial Echoes |
| LGS | 268pp | 2015 | ed Martin McLaughlin, Ingrid D. Rowland,
Elisabetta Tarantino | Authority, Innovation and Early Modern Epistemology |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| LGS | 206pp | 2000 | Angelica Goodden | The Backward Look |
| LGS | — | 2006 | Karine Zbinden | Bakhtin between East and West |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| LGS | 240pp | 1996 | Bernard Howells | Baudelaire |
| LGS | 330pp | 2000 | Anthony Lappin | Berceo's 'Vida de Santa Oria' |
| LGS | 194pp | 2006 | Malcolm Cook | Bernardin de Saint-Pierre |
| RMFS 8 | 160pp | 2000 | Catherine Léglu | Between Sequence and Sirventes |
| LGS | 230pp | 2007 | ed Martin McLaughlin,
Peter Hainsworth | Biographies and Autobiographies in Modern Italy |
| RMFS 23 | 126pp | 2007 | Katherine MacDonald | Biography in Early Modern France 1540-1630 |
| SICL 21 | 235pp | 2010 | Sibylle Erle | Blake, Lavater and Physiognomy |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| IP 19 | 242pp | 2009 | Rhiannon Daniels | Boccaccio and the Book |
| SHLC 26 | — | 2017 | Katharine Murphy | Bodies of Disorder |
| SHLC 9 | 294pp | 2014 | ed Ana Cláudia Suriani da Silva,
Sandra Guardini Vasconcelos | Books and Periodicals in Brazil 1768-1930 |
| SICL 24 | — | 2011 | Patricia Novillo-Corvalán | Borges and Joyce |
| SICL 1 | 542pp | 1997 | S. S. Prawer | Breeches and Metaphysics |
| LGS | 202pp | 2000 | ed Martin McLaughlin | Britain and Italy from Romanticism to Modernism |
| SHLC 8 | 202pp | 2014 | ed Trevor J. Dadson,
J. H. Elliott | Britain, Spain and the Treaty of Utrecht 1713-2013 |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SIY 20 | — | 2023 | ed Harriet L. Murav, Gennady Estraikh,
Myroslav Shkandrij | Building Modern Jewish Culture |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| SICL 33 | — | 2015 | Ben Hewitt | Byron, Shelley, and Goethe’s Faust |
| IP 11 | 256pp | 2006 | Felia Allum | Camorristi, Politicians and Businessmen |
| T 29 | — | 2023 | ed Alison James, Akihiro Kubo,,
Françoise Lavocat | Can Fiction Change the World? |
| SIY 9 | 250pp | 2011 | ed Joseph Sherman, Gennady Estraikh, Jordan Finkin,
David Shneer | A Captive of the Dawn |
| IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| LGS | 288pp | 2008 | ed J. A. G. Ardila | The Cervantean Heritage |
| LGS | 284pp | 2002 | Clive Scott | Channel Crossings |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| T 28 | — | 2024 | Stephen Romer | Chaos and the Clean Line |
| LGS | — | 2013 | Gwen Jones | Chicago of the Balkans |
| LGS | 204pp | 2012 | Catherine Crimp | Childhood as Memory, Myth and Metaphor |
| GL 23 | — | 2020 | Alexandra Lloyd | Childhood, Memory, and the Nation |
| SIY 14 | — | 2016 | ed Gennady Estraikh, Kerstin Hoge,
Mikhail Krutikov | Children and Yiddish Literature |
| IP 37 | — | 2016 | ed Stefano Jossa,
Giuliana Pieri | Chivalry, Academy, and Cultural Dialogues |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| MI 14 | — | 2023 | ed Martin Brady,
Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
| VC 7 | — | 2024 | ed Annie Ring,
Lucy Bollington | Citational Media |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| LGS | 276pp | 1997 | Anna Carrdus | Classical Rhetoric and the German Poet |
| LGS | 254pp | 2002 | ed Cláudia Pazos Alonso,
Claire Williams | Closer to the Wild Heart |
| LGS | 252pp | 2000 | ed Stephen Parkinson | Cobras e Son |
| LGS | — | 2017 | ed Ita Mac Carthy, Kirsti Sellevold,
Olivia Smith | Cognitive Confusions |
| IP 8 | 216pp | 2002 | Fabian Alfie | Comedy and Culture |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| T 4 | — | 2015 | Xiaofan Amy Li | Comparative Encounters between Artaud, Michaux and the Zhuangzi |
| SICL 27 | — | 2019 | Joep Leerssen | Comparative Literature in Britain |
| LGS | 270pp | 2001 | Ramona Fotiade | Conceptions of the Absurd |
| LGS | 254pp | 2000 | Mark Bannister | Condé in Context |
| GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts,
Olivier Couder | Confrontational Readings |
| LGS | — | 2007 | Claire Boyle | Consuming Autobiographies |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |