MHRA Publication

⌂ See also the home page of the Legenda book series Legenda (General Series)

‘As its title suggests, [the book] provides Pessoan scholars and the general reader with a lot of thematic variety and in-depth insights. Some of the papers bring fresh perspectives on topics that had been critically broached before, but are here seen from enriching perspectives. Other papers provide refreshingly new arguments. These are two of the many reasons why one would wish to recommend this volume, both to the specialist and to the student who is starting out on the path to his or her own Pessoa.’ — Francisco Cota Fagundes, Bulletin of Spanish Studies 110.4, September 2013, 1058-59

Decadence and the Senses
Edited by Jane Desmarais and Alice Condé
Legenda (General Series) •17 May 2017

‘I found Maxwell’s discussion of the tuberose, and more speci cally Walter Pater’s conscription of that flower to describe his own rarefied prose style, to be particularly interesting, as Pater’s writing is so often considered the acme of Decadent prose. It seems that the orchid that famously reminded Dorian Gray of the seven deadly sins should, perhaps, have been a tuberose. Equally interesting is Angela Dunstan’s suggestion that Theodore Watts-Dunton’s roman-à-clef Aylwin became for readers a means of owning the celebrity of Dante Gabriel Rossetti, or the notion extended by Liz Renes that John Singer Sargent’s Madame X should be considered a meditation on the white, sculptural body and its changing role in modern art.’ — Jamie Horrocks, English Literature in Translation 61.4, 2018, 525-28
‘It is perhaps fitting that the unity of a book on Decadent literature should be best experienced ‘decomposed’ to give place to the independence of each chapter. There is no doubt, however, that the high quality of its constituent parts forms a significant contribution to Sensory Studies and that the collection is a ‘must-read’ for any student of Decadence at the fin de siècle and beyond.’ — Patricia Pulham, Modern Language Review 114.1, January 2019, 128-29 (full text online)
‘Desmarais and Condé have done an enormous service by opening up this can of repulsive worms.’ — Dennis Denisoff, Victorian Studies 61.2, Winter 2019, 554-56

‘Micky’s words return here in all their felicity. His appetite, brilliance, and distinct sensibility are intensely present. The editors speak of Micky ‘drawn by what was accidental, unsystematic, eccentric’ (p. ix). They see him glorying in ‘the overspill of things’. They speak of Micky as their ‘friend and colleague’ and this book is a beautiful act of camaraderie.’ — Emma Wilson, French Studies 72.3, July 2018, 485-86 (full text online)
‘This starry roster of writers, working in English and French, often operate along lines of creative interplay between chance and choice, the map and serendipity, walking and writing, celebrating the transition from noticing to noting and from there maybe even into actually making poetry.’ — unsigned notice, Forum for Modern Language Studies 54.3, July 2018, 375
‘The Made and the Found is a rich volume that will be of interest to friends of the late Michael Sheringham as well as to all those wanting to study the relation between French culture, language and the everyday.’ — Verena Andermatt Conley, H-France 18.214, November 2018

Gravity and Grace: Essays for Roger Pearson
Edited by Charlie Louth and Patrick McGuinness
Legenda (General Series) •25 February 2019

‘A core series of contributions offers a remarkably sustained and rich reflection on the interplay between the aesthetic and ethical notions of gravity and grace.’ — Scott M. Powers, H-France 20, June 2020, no. 92
‘Works of art function by allowing something to happen, rather than by making something happen, and are nothing without our active participation. The prescriptive weightiness of words in practical discourse is not what poetry, especially, puts in play. That certainly makes this book a fitting tribute to the wonderful work of Roger Pearson, whose own writing is never heavy, never pedantic, but always invites and inspires the reader to continue thinking beyond the page.’ — Peter Dayan, Modern Language Review 116.1, 2020, 188-89 (full text online)