Lodovico Dolce, Dialogo della instituzion delle donne secondo li tre stati che cadono nella vita umana (1545)
Edited by Helena Sanson
Critical Texts 30•1 June 2015
Antonio Malatesti, La Tina. Equivoci rusticali
Edited by Davide Messina
Critical Texts 41•1 March 2014
- ‘Dobbiamo rendere merito a Davide Messina, Senior Lecturer presso l’Università di Edimburgo e fine studioso di letteratura italiana del Seicento, se possiamo leggere ed apprezzare i cinquanta sonetti che compongono la raccolta poetica’ — Mario Ceroti, Mosaici online at www.mosaici.org.uk, 2014
Agostino Valier, Instituzione d'ogni stato lodevole delle donne cristiane
Edited by Francesco Lucioli
Critical Texts 43•1 June 2015
Isabella Sori, Ammaestramenti e ricordi
Edited by Helena Sanson
Critical Texts 48•31 October 2018
Futurism: A Microhistory
Edited by Sascha Bru, Luca Somigli, and Bart Van den Bossche
Italian Perspectives 36•29 September 2017
- ‘The chapter structure is cleverly designed to replicate a ‘day in the life’ of a Futurist ‘new man’, with chapters focusing on places both large and small from ‘The Skyscraper’ to ‘The Bed’... This book was a pleasure to read and will reward both the serious scholar of Futurism and the more casual reader of twentieth-century Italian culture who may wish to dip in and out of the Futurist day.’ — Selena Daly, Modern Language Review 114.3, July 2019, 577-579 (full text online)
Chivalry, Academy, and Cultural Dialogues: The Italian Contribution to European Culture
Edited by Stefano Jossa and Giuliana Pieri
Italian Perspectives 37•19 December 2016
- ‘An interesting aspect is the rhythmical alternation of the contributions, organized in an almost Dantesque numerological order. Each section counts six chapters and is opened by an extraordinarily distinguished scholar [...] discussing challenging topics that escape traditional frames of literary studies: vocal transmissions of Petrarch’s verse, Camillo’s theater of memory, and Berni’s Rifacimento of Boiardo’s Innamorato between oral and written language... These eminent scholars and their fifteen fellow authors form a remarkable group shot of different generations of Italianists between two continents.’ — Alessandro Giammei, Renaissance Quarterly 71.9, October 2018, 1196-98
- ‘This broad and enterprising survey is provided by some of the foremost names in early modern Italian Studies... Though the volume is ambitious and highly diverse, editors Stefano Jossa and Giuliana Pieri have ensured a smooth transition of thought between the essays, and the structure of the book itself is instinctive and accessible... A substantial contribution to early modern Italian Studies, and scholars from a range of disciplines will find it a valuable and thought-provoking read.’ — Lucy Rayfield, Modern Language Review 114.1, January 2019, 150-51 (full text online)
Fulvio Tomizza: Writing the Trauma of Exile
Marianna Deganutti
Italian Perspectives 38•30 September 2018
- ‘Deganutti’s monograph is a fine and original book whose ultimate merit is to reclaim multilingual, multicultural Tomizza and the exilic predicament of the Istrian borderlands for Italian literature. It is to be hoped that her study will inspire further cross-cultural research on this still contentious and yet incredibly generative literary, historical, and memorial field.’ — Katia Pizzi, Modern Language Review 115.3, July 2020, 736-37 (full text online)
Rome: Modernity, Postmodernity and Beyond
Edited by Lesley Caldwell and Fabio Camilletti
Italian Perspectives 39•30 September 2018
- ‘As the seat of the Roman Empire, the Catholic Church, Mussolini’s Fascism, and Silvio Berlusconi’s neoliberalism, and as a site of immigration and social diversity, Rome is characterized by complexity... A valuable contribution to the scholarship of one of Europe’s most historically significant and cathected cities and will no doubt be of value to scholars of the Eternal City within both urban and Italian studies.’ — Damien Pollard, Modern Language Review 115.1, 2020, 190-91 (full text online)
A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018
- ‘Effectively demonstrates that the two Sicilian writers, conventionally thought of as patriarchal figures, have, in their dramatic works, an affinity with the emerging ‘new woman’.’ — Mary Ann Frese Witt, Modern Language Review 115.2, 2020, 470-71 (full text online)
Unidentified Narrative Objects and the New Italian Epic
Kate Elizabeth Willman
Italian Perspectives 42•25 February 2019
Forms of Thinking in Leopardi’s Zibaldone: Religion, Science and Everyday Life in an Age of Disenchantment
Paola Cori
Italian Perspectives 43•23 September 2019
- ‘Paola Cori has come to a powerful and comprehensive synthesis of her research perspective with a monograph which was awarded the AAIS Prize for Italian Studies... The form of Cori’s book is therefore the perfect counterpart to its content, which focuses on the Zibaldone’s formal and conceptual complexity.’ — Martina Piperno, Modern Language Review 116.4, October 2021, 658-60 (full text online)
Italy and the USA: Cultural Change Through Language and Narrative
Edited by Guido Bonsaver, Alessandro Carlucci and Matthew Reza
Italian Perspectives 44•30 December 2019
- ‘A very holistic assessment of cultural change, even going beyond the disciplinary points of reference of language and narrative to the larger fields of politics and economics.’ — Anna Chichi, Modern Language Review 117.2, 2022, 303-04 (full text online)
Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Italian Perspectives 45•26 July 2021
Renaissance Vegetarianism: The Philosophical Afterlives of Porphyry’s On Abstinence
Cecilia Muratori
Italian Perspectives 46•28 September 2020
- ‘The meticulously researched study of the generation and Renaissance receptions of Porphyry's On Abstinence in Cecilia Muratori's Renaissance Vegetarianism is well worth attention from Romanticists, alongside the Early Modern scholars, Classicists, and Animal Studies scholars that will comprise its main audience... Literal and figurative translations of ethical, philosophical, and dietary ideas upon vegetarianism and veganism connect ancient and Early Modern thought in Muratori's admirable study, with glimpses of Thomas Taylor and Shelley suggesting the future of Porphyry's reception in the Romantic period.’ — Amanda Blake Davis, The Coleridge Bulletin 57, Summer 2021, 141-46
- ‘Muratori’s work provides us not only with an overview of philosophical thinking on vegetarianism from ancient authors to their reception by Renaissance but also with interesting keys to understand the issues that worried intellectuals of those times. Her analysis gives the main clues of the reception of Porphyry’s work and shows how crucial it was for the evolution of vegetarian thinking that is still strongly present in our days. The rigor of the research and the excellent way the contents are presented with a simple but accurate drafting make this work accessible and fascinating for scholars as well for curious readers.’ — Monica Durán Mañas, Mediterranea 7, 2022 (full text online)
- ‘The most celebrated work on animals to emerge from ancient philosophy, Porphyry’s On Abstinence from Killing Animals, argues at length against the Stoics that animals have reason or “inner logos,” in part on the basis of their behavior but also on the basis of the claim that some animals can understand and produce language, or “outer logos.” And this was one of those texts that really was recovered and read avidly in the Renaissance. Just how avidly, and with what consequences, is shown by Cecilia Muratori’s Renaissance Vegetarianism, a wide-ranging, fascinating, and frequently entertaining survey of ideas about animals in this period.’ — Peter Adamson, Archiv für Geschichte der Philosophie Published online, 2023 (full text online)
- ‘To add to the many merits of Muratori’s accomplishment, the book includes a bibliography that is comprehensive as well as carefully selected. The index of names and subjects is thorough and extremely helpful. The many philosophical discussions never read stiltedly and are always recounted in a thought-provoking and engaging style. Above all, this tour de force on the history of vegetarianism makes the reader reflect on a central question that remains unanswered to this day: can a being that is sentient and rational be legitimately consumed and turned into food?’ — E. Giada Capasso, Modern Language Review 118.3, July 2023, 403-05 (full text online)
Saracens and their World in Boiardo and Ariosto
Maria Pavlova
Italian Perspectives 47•28 September 2020
- ‘This carefully-researched monograph achieves its aim of offering “a comprehensive insight” into the vast system of pagan characters within the romance epics of Boiardo and Ariosto... Scholars and graduate students invested in the Este and the Italian chivalric poem will be the most likely to follow the fine-grained analyses of the incredible genealogy and fictional heroes. The broader strokes will interest specialists in adjacent languages and fields. Pavlova’s results should be made available also to undergraduates, albeit in more accessible forms, when we teach these spacious poems from Renaissance Ferrara.’ — Jennifer Kathleen Mackenzie, Annali d'Italianistica 39, 2021, 514-516
- ‘Scholars have usually highlighted an opposition between Boiardo’s admired representation of the Saracen world and its negative portrayal in Ariosto’s poem, and have interpreted these different approaches in the light of the historical, political, and religious transformations that took place in Italy between the fifteenth and sixteenth centuries. Pavlova aims to challenge this reading by reconsidering the close relationship between Italy and the Islamic world through an original postcolonial perspective, and by reading the two poems in the context of the literary tradition to which they belong.’ — Francesco Lucioli, Modern Language Review 118.2, 2023, 260-61 (full text online)
Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini
Italian Perspectives 48•22 January 2023
Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy
Edited by Maiko Favaro
Italian Perspectives 49•10 December 2021
- ‘Angesichts des wenig bekannten Textkorpus stellt Favaros Sammelband eine wichtige Bereicherung der Petrarca-Forschung der letzten Jahre dar. Auf der einen Seite wirft das Buch die Frage auf, inwieweit der Begriff des Petrarkismus für die aktuelle Diskussion noch fruchtbar sein kann. Auf der anderen Seite erweist sich Petrarca als eine Funktion, die die Literaturwissenschaft dazu anregt, das Textkorpus zu erweitern, um im Dialog mit anderen Disziplinen auch sonst vernachlässigte Diskurse zu berücksichtigen. Wie Interpreting and judging Petrarch’s Canzoniere in early modern Italy zeigt, ist die Petrarca-Funktion nicht nur in der Lage, wesentliche Teile der italienischen Literaturgeschichte zusammenzufassen, sondern auch neue Perspektiven auf die italienische Kulturgeschichte zu eröffnen.’ — Nicolas Longinotti, Germanische-Romanische Monatsschrift 74.1, 2024, 115-17
- ‘Favaro’s volume is a good place to start to understand the critical phenomena associated with the reception, study, and influence of the Renaissance’s refashioned Canzoniere.’ — H. Wayne Storey, Renaissance and Reformation 46.2, Spring 2024, 216-19 (full text online)
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Ronnie Ferguson
Italian Perspectives 50•26 July 2021
- ‘The rigorous standards of the author’s nearly decade-long project will certainly satisfy professional historians, but lay readers too will find themselves thoroughly engaged by the manner in which he uses each inscription vividly to evoke multiple aspects of Venice’s social, religious, cultural and political life, as well as the characters of some remarkable individuals.’ — Roderick Conway Morris, Times Literary Supplement 21 January 2022
- ‘A short review cannot do justice to the rich array of insights and ideas that thread through this fascinating book, nor can it reflect the dedication and time that were needed to compile the catalogue. Ranging from the familiar to the seemingly unnoticed, these inscriptions add myriad fragments to the enormous jigsaw of the townscape of late medieval and Renaissance Venice.’ — Deborah Howard, Burlington Magazine 165, February 2023, 207-08
- ‘The Italian Perspectives series, founded by Zygmunt Barański and Laura Lepschy in 1998, reaches its half-century in impressive fashion with this outstanding work of scholarship... As well as making a major contribution to epigraphy, the volume includes a wealth of information on the urban fabric, society, culture, and language that will make it an invaluable resource for Venetian Studies during the transition from the Middle Ages to the Renaissance.’ — Brian Richardson, Modern Language Review 118.2, 2023, 258-60 (full text online)
Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto
Alessandra Diazzi
Italian Perspectives 51•13 September 2022
- ‘Through her three case studies Diazzi has successfully demonstrated how psychoanalysis penetrated literature and culture in post-war Italy. As she confirms: “The assimilation of psychoanalysis into literature actively contributed to this rewriting of the discipline”.’ — 606-08, Annali d'Italianistica 2023, 41, Katja Liimatta
Dante Beyond Borders: Contexts and Reception
Edited by Nick Havely and Jonathan Katz with Richard Cooper
Italian Perspectives 52•17 November 2021
Narrative Strategies for Participation in Dante's Divine Comedy
Katherine Powlesland
Italian Perspectives 53•13 September 2022
A Gaping Wound: Mourning in Italian Poetry
Edited by Adele Bardazzi, Francesco Giusti, and Emanuela Tandello
Italian Perspectives 54•20 October 2022
- ‘Indagine agile e accattivante, A Gaping Wound fornisce una chiara ed elegante mappatura dell’evoluzione del mourning letterario italiano e si pone come strumento critico innovativo e proficuo a chi voglia conoscere e vagliare il variegato universo della Sehnsucht autoriale postmoderna.’ — 580-82, Annali d'Italianistica 2023, 41, Olimpia Pelosi
Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Italian Perspectives 55•20 October 2022
- ‘An encyclopedic contribution to the history of comedy, with a particular focus on the transformation of comedy in Paris, where the greatest playwrights preserved the genre’s positive vision and harnessed the vitality of the Italian “Arte” to create their more serious comedies of character... The “Analyses” section is particularly valuable. It is divided between technical questions and plot or character issues, and the technical discussions, informed by Andrews extraordinary knowledge and deep understanding of how comedy works, are outstanding.’ — 552-54, Annali d'Italianistica 2023, 41, Laurie Shepard
Petrarch Commentary and Exegesis in Renaissance Italy and Beyond: Materiality, Paratexts and Interpretative Strategies
Edited by Guyda Armstrong, Simon A. Gilson and Federica Pich
Italian Perspectives 56•22 January 2023
Dante and Petrarch in the Garden of Language
Francesca Southerden
Italian Perspectives 57•13 September 2022
Standing at the Crossroads: Stories of Doubt in Renaissance Italy
Marco Faini
Italian Perspectives 58•22 April 2023
Dante’s Blood
Anne C. Leone 
Italian Perspectives 59•31 August 2023
Rome, 16 October 1943: History, Memory, Literature
Mara Josi
Italian Perspectives 60•8 August 2023
Cultural Reception, Translation and Transformation from Medieval to Modern Italy: Essays in Honour of Martin McLaughlin
Edited by Guido Bonsaver, Brian Richardson, and Giuseppe Stellardi
Legenda (General Series) •17 May 2017
- ‘A remarkable unified collection... [the essays] may be read in any order, so rich and abundant are the resonances among them.’ — Carmine G. Di Biase, Times Literary Supplement 8 May 2018
- ‘Zygmunt G. Barański presents a deeply contextualized understanding of the Orpheus myth in Petrarch’s Canzoniere, taking into account Virgilian and Ovidian antecedents, and the traces of their elaboration in works including the Bucolicum carmen and Familiares. At the heart of his essay, Barański boldly, but not unpersuasively, asserts Petrarch’s lyric collection of fragments to be “the great overlooked Orphic text of the Western tradition”. Brian Richardson’s essay is also among the most ambitious, tackling a massive quantity of Renaissance Italian poetic production—extempore Latin and vernacular lyric compositions—and he does so with aplomb, providing perhaps the first categorization with a qualitative/theoretical valuation of this important but almost entirely overlooked subgenre of poetry... Meriting special distinction, Peter Hainsworth’s contribution rescues John Dickson Batten’s illustrations to Dante’s Inferno (1897–1900) from their relative oblivion.’ — Sherry Roush, Renaissance Quarterly 71.9, October 2018, 1193-95
- ‘The scope, historical locus and chronological ambition of the present volume are exceptionally wide and rich... The quality of the contributions is invariably high and all are case-studies relevant to the book’s central preoccupation with cultural contact and interchange... an admirable collection, full of stimulus and surprises, handsomely produced by Legenda.’ — unsigned notice, Forum for Modern Language Studies 54.2, July 2019, 265-66 (full text online)
- ‘This volume brings to mind one of Calvino’s own definitions, in his Why Read The Classics?: ‘The classics are those books which come to us bearing the aura of previous interpretations, and trailing behind them the traces they have left in the culture or cultures (or just in the language and customs) through which they have passed’ (McLaughlin’s translation). The volume invites readers into the palimpsest that is Italian culture, which is to say, among other things, its imitations, its intertextuality and transmediality, and its translations.’ — Antonella Braida, Translation and Literature 29, 2020, 291-96 (full text online)
- ‘The volume reads as a user guide to the most updated views on literary theory and cultural studies, demonstrating how ‘open’ a field Italian studies has become in recent years. Texts—in a semiological sense, hence comprising all meaningful artefacts of culture—are scrutinized through a wide range of approaches, including linguistic, philological, thematic, intertextual, historical, sociological, comparative. and hermeneutical.’ — Oscar Schiavone, Modern Language Review 115.3, July 2020, 737-41 (full text online)
Rustico Filippi, The Art of Insult
Translated by Fabian Alfie
New Translations 5•18 November 2014
Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality
Zygmunt G. Barański
Selected Essays 6•17 February 2020
- ‘Many will be familiar with Barański’s work, his distinctive voice and ability to interrogate some of the thorniest issues relating to Dante, medieval poetics and doctrine; but to have this voice sustained in one single volume is to witness a quite remarkable academic career and distinctive engagement with Dante.’ — Daragh O’Connell, Annali d'Italianistica 39, 2021, 414
From Puppet to Cyborg: Pinocchio’s Posthuman Journey
Georgia Panteli
Studies In Comparative Literature 40•28 April 2022
- ‘Panteli achieves no small feat by negotiating seven case studies across three decades and even more national contexts and languages, and the book’s strength is in capaciously demonstrating how the Pinocchio myth can be a useful, even playful, lens for approaching contemporary texts in which the human condition is desired or negotiated.’ — Kelly McKisson, Modern Language Review 118.4, October 2023, 595-97 (full text online)
Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
James P. Leveque
Studies In Comparative Literature 50•28 April 2022
- ‘This book is a welcome contribution to avant-garde studies in Europe and North America... Devoted primarily to poetry, it examines the early literary activities of three giants who helped shape our response to the twentieth century: Guillaume Apollinaire in France, F. T. Marinetti in Italy, and Ezra Pound in England and America. To my knowledge, this is the only book-length study of all three poets, each of whom—officially or unofficially—headed a major literary movement.’ — Willard Bohn, Modern Language Review 118.4, October 2023, 587-89 (full text online)
Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini
Studies In Comparative Literature 56•26 July 2021
- ‘The wide-ranging approach of the book, which also engages with recent debates in decadence and early modernist studies, openly challenges the “abrupt separation between authors associated with the ‘half-mock interlude of decadence’ and those considered exponents of symbolism, and thus part of early modernism”... The author keeps steady command of her arguments while navigating and scrutinising several artifacts from different cultures, though of course each case study shows its own fine tuning.’ — Giulio Milone, Synergies 2, 2021, 65-68 (full text online)
- ‘Elisa Segnini leads her readers on a journey through fin-de-siècle Europe with one extra stop in Japan. The universe unveiled by Segnini is populated by uncanny mask makers, men in drag, grotesque masquerades, deathly plaster casts, gruesome masks of exceptional men, criminals, and deviants... A distinctive contribution to a field that can only benefit from engaging with the anthropological, medical, and legal discourse that underlies the artistic production of the fin de siècle.’ — Alessandra Crotti, Rivista di studi vittoriani 53, 2022, 121-25
Translating Petrarch's Poetry: L’Aura del Petrarca from the Quattrocento to the 21st Century
Edited by Carole Birkan-Berz, Guillaume Coatalen and Thomas Vuong
Transcript 8•17 February 2020
- ‘Ranging through five centuries of translations, adaptations and imitations of Petrarch, the father of Humanism, this transcultural, transdisciplinary study considers the echoes of this major figure, whose reach goes beyond borders, eras and literary genres to resonate singularly into our times and in our own resonating ears.’ — Robert Sheppard, Pages 16 September 2020
- ‘Translating Petrarch’s Poetry is a must-read book for anybody interested in the spread of Petrarch’s poetry in the Western world (and beyond) throughout modernity. It collects very thorough essays dealing with this theme in always original and engaging manners from a variety of modern critical standpoints.’ — Enrico Minardi, Annali d'Italianistica 38, 2020, 455-459
- ‘As its title suggests, this volume covers both “translating” in a conventional sense and freer, sometimes distanced, responses that are nevertheless redolent of Petrarch’s “aura” or distinctive atmosphere and of his portrayal of his beloved. By integrating a wide gamut of approaches on the part of academics from different disciplines and of poets, the collection of case studies presented here illustrates very effectively the endlessly imaginative ways in which Petrarch’s poetry has been transformed and repurposed across time.’ — Brian Richardson, Speculum 96.4, October 2021, 1153-54 (full text online)
- ‘This collection of fifteen essays by scholars and writers from a range of countries brings to bear on Petrarch recent interest not only in translation as normally conceived but also in reformulations and fragmentations of the original and its appropriation in other media, and in the roles translations and other responses play and have played socially and culturally.’ — Peter Hainsworth, Modern Language Review 117.3, July 2022, 505-07 (full text online)
Reading Dante and Proust by Analogy
Julia Caterina Hartley
Transcript 12•23 September 2019
- ‘Hartley’s erudite, persuasive, and reader-friendly book is a powerful debut, an irresistible invitation to love literature. I confidently look forward to her future work.’ — Thomas Pavel, Modern Philology 24 August 2020 (full text online)
- ‘Hartley’s book contributes significantly to the fields of Dante and Proust stu- dies. Moreover, it is persuasive in demonstrating the rich productive potential of this dynamic, interactive approach, setting an important example for literary comparisons to come.’ — Valentina Mele, Modern Language Review 115.4, October 2020, 891-92 (full text online)
- ‘By practicing a meticulous close reading of selected passages from both the Commedia and the Recherche, Hartley’s intention is to read Dante in light of Proust and Proust in light of Dante, in a continuous change of perspective that keeps the interpreter’s attention receptive enough to uncover, in each author, thematic and stylistic aspects that would not otherwise have been noticed... A stimulating methodological contribution to the field of comparative literature.’ — Alessandra Aloisi, H-France 20.204, November 2020
- ‘A scholar who grew up in a trilingual family (English, Italian, French) and who therefore can slip smoothly from one linguistic world to another, Julia Caterina Hartley performs an exquisitely comparatist analysis in Reading Dante and Proust by Analogy. Hartley’s conclusions are quite unexpected and shed new light on two authors who share more than one might think: Alighieri, as a medieval writer who anticipates modernity, and Proust, as a modern writer who engages with the weight of the past... In sum, this book is a meticulous comparative work at its best.’ — Ilaria Serra, Speculum 96.2, 2021, 509-10
- ‘En plus d’être une brillante étude comparée de Proust et de Dante, ce livre offre un fin plaidoyer pour la littérature comparée considérée autant comme un art de la critique que comme une forme de critique littéraire... L’objectif est atteint, les deux œuvres sont lues ‘afresh’, dans une urgente réciprocité.’ — Hugues Azérad, French Studies 76.1, January 2022, 129–30 (full text online)
- ‘An enlightening, original, and powerful book, addressed to Dante scholars and Proust scholars, as well as comparatists and scholars of literature in general... Besides the simple fact that Hartley’s work gives us the pleasure of looking at two masterpieces together, with an elegant and enjoyable style, this volume is an important example of how comparative literature, across space and time, can tell us something new even on texts about which everything has already been said, and on literary structures in general, by finely combining close and distant reading.’ — Serena Vandi, Italian Studies 77.2, 2022, 202-03 (full text online)
The Foreign Connection: Writings on Poetry, Art and Translation
Jamie McKendrick
Transcript 17•28 September 2020
- ‘This book might have been written for my pleasure. Many readers of this journal will surely feel the same.’ — Chris Miller, PN Review 28.3, January/February 2022
- ‘There is a natural clemency at work, throughout the entire volume, which has nothing to do with fuzzy-mindedness – quite the contrary, but it means that McKendrick will never deliver the frenzied hatchet-job some poets (whom he admires) can execute, apparently with sangfroid. This intelligence – by definition an ironic intelligence in that it can simultaneously entertain different positions – is what makes him such a trustworthy guide. One feels also that humour, that saving resource, is always within reach... His astute use of quotation to illustrate a point is a fiduciary of sound judgement. Above all, Jamie McKendrick reminds us that there is no substitute for patient looking and listening. This close attention, this authentic love of the art, is rare in our day. These writings are to be prized.’ — Stephen Romer, The London Magazine February/March 2022, 77-84
- ‘A welcome marker to remind us, if we needed reminding, of how much human beings need, and gain from, dialogue with other cultures and languages. The apparently foreign, as Jamie McKendrick demonstrates so well here, in fact shows us a threshold, a door.’ — Hilary Davies, Times Literary Supplement 19 May 2023, p. 8
- ‘What Jamie McKendrick so finely details about Tom Lubbock’s English Graphic is an entirely apt description for his own collection of brief reviews, introductions, and essays, on literature and art: ‘The constraints of the form proved exceptionally viable and liberating for his procedures. Providing a “wiry outline”, the form itself allowed for wit, aperçu, mental calisthenics, provocation, aphorism, meditation and surprisingly sustained argument’.’ — George Kalogeris, Essays in Criticism 73.1, 2023, 130-31 (full text online)
Poetics, Performance and Politics in French and Italian Renaissance Comedy
Lucy Rayfield
Transcript 18•23 February 2022
- ‘[Rayfield] provides in-depth socio-cultural and cross-cultural context. She has contributed an unusual study of the very small world of French humanist comedy, stimulatingly expanding it both from the inside and from the outside, schoolboys, polygraphs, and printers brushing elbows with French royals and wealthy Florentines.’ — Corinne Noirot, H-France 23 (May 2023), no. 86
The Diasporic Canon: American Anthologies of Contemporary Italian Poetry 1945-2015
Marta Arnaldi
Transcript 20•13 September 2022
- ‘The Diasporic Canon ha il merito di aver sistematizzato un fenomeno sino ad ora esaminato solo per compartimenti stagni e d’aver enucleato efficacemente i vettori dinamici e trasformativi che nutrono ed orientano il processo interculturale nella sua prismatica dimensione di pluralismo e transnazionalità.’ — 575-78, Annali d'Italianistica 2023, 41, Olimpia Pelosi
The Translingual Verse: Migration, Rhythm, and Resistance in Contemporary Italophone Poetry
Alice Loda
Transcript 21•13 December 2021