| Series | Extent | Year | Author | Title |
| LGS | 352pp | 2015 | ed T. F. Earle, Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
| LGS | 268pp | 2015 | ed Martin McLaughlin, Ingrid D. Rowland, Elisabetta Tarantino | Authority, Innovation and Early Modern Epistemology |
| IP 31 | — | 2016 | ed Jane E. Everson, Denis V. Reidy, Lisa Sampson | The Italian Academies 1525-1700 |
| IP 37 | 276pp | 2016 | ed Stefano Jossa, Giuliana Pieri | Chivalry, Academy, and Cultural Dialogues |
| LGS | 150pp | 2017 | ed Michel Jeanneret, Nicolas Ducimetière | The Italian Renaissance |
| LGS | 476pp | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| IP 36 | — | 2017 | ed Sascha Bru, Luca Somigli,, Bart Van den Bossche | Futurism |
| IP 39 | — | 2018 | ed Lesley Caldwell, Fabio Camilletti | Rome |
| IP 44 | 282pp | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| T 8 | 292pp | 2020 | ed Carole Birkan-Berz, Guillaume Coatalen, Thomas Vuong | Translating Petrarch's Poetry |
| IP 52 | 412pp | 2021 | ed Nick Havely, Jonathan Katz with Richard Cooper | Dante Beyond Borders |
| IP 49 | 192pp | 2021 | ed Maiko Favaro | Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,, Emanuela Tandello | A Gaping Wound |
| IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson, Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |