| 40 | A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018 |
| 30 | Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30•1 November 2014 |
| 24 | Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini
Emma Bond
Italian Perspectives 24•10 October 2012 |
| 4 | Elio Vittorini: The Writer and the Written
Guido Bonsaver
Italian Perspectives 4•1 November 2000 |
| 29 | Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29•1 November 2014 |
| 22 | Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda
Deborah Amberson
Italian Perspectives 22•30 January 2012 |
| 34 | Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
Alberto Godioli
Italian Perspectives 34•9 October 2015 |
| 5 | Origin and Identity: Essays on Svevo and Trieste
Elizabeth Schächter
Italian Perspectives 5•1 November 2000 |
| 35 | Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation
Emanuela Patti
Italian Perspectives 35•1 September 2016 |
| 51 | Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto
Alessandra Diazzi
Italian Perspectives 51•13 September 2022 |
| 32 | Rome Eternal: The City As Fatherland
Guy Lanoue
Italian Perspectives 32•8 June 2015 |
| 60 | Rome, 16 October 1943: History, Memory, Literature
Mara Josi 
Italian Perspectives 60•8 August 2023 |
| 33 | The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature
Simone Brioni
Italian Perspectives 33•11 September 2015 |