MHRA Style Citation Demonstration

According to the MHRA Style Guide, this item should be cited in a bibliography as follows:

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (Legenda), pp. 1–26, doi:10.2307/j.ctv16kkzvz.4

This is in the author-date variant of MHRA style. MHRA's journals don't allow author-date citation, but some of its book series (notably Legenda) do: please talk to your editor before using this. (To see the demonstration for regular style instead, follow this link.)

Let's take this bibliography entry one step at a time:

Step 1. We start with the name(s) of the author(s) of the article, inverting the first name into the form 'Forename, Surname'.

Robson, Kathryn

Step 2. In author-date style, we have a full stop, then the year, then another full stop. If there are multiple entries with the same author and year, letters would be used to distinguish them: e.g., Bloggs 1994a, Bloggs 1994b.

Robson, Kathryn. 2019.

Step 3. Now we add the title, in single inverted commas. Any single quotation marks already in the title must be converted to doubles.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’

Step 4. We have to say where this comes from, so:

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in

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Step 5. Next, the author(s) of the book, which come before the title because this is a monograph.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn

Step 6. Now a full stop, the year of publication, and another a full stop:

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019.

Step 7. Here we have the book's title, in italics, not quotation marks.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing

Step 8. This book belongs to a series, so we'll name that. If the series is numbered, we give the number, too. No italics, no quotation marks in the series name.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56

Step 9. Since this is a book, not a journal issue, we have to identify its source, in round brackets. Until 2024, MHRA style required a place of publication - for example, New York or Oxford. This is no longer given except in special circumstances.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (

Step 10. Now a colon, a space, and the publisher's name. Here that's Legenda because this is the imprint name under which the book is published, even though Legenda is not strictly speaking a company. To decide these things, one must look at the exact wording of the preliminary pages. Our preference is for Legenda books to be cited as 'Legenda', and we word our preliminaries with that aim.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (Legenda

Step 11. Since we had the date of first publication up front, we don't need it here, so we're done with the bracketed part.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (Legenda)

Step 12. Now the pagination. And we use 'p.' or 'pp.' as appropriate. Number ranges are elided in the last two digits: thus '2234-2265' should be '2234-65', and '102-109' should be '102-09'.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (Legenda), pp. 1–26

Step 13. This contribution has a DOI, so the Fourth Edition Guide (2024) requires us to quote it, like so.

Robson, Kathryn. 2019. ‘Introduction: Engaging With Empathy in Contemporary French Women’s Writing’, in Robson, Kathryn. 2019. I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing, Research Monographs in French Studies, 56 (Legenda), pp. 1–26, doi:10.2307/j.ctv16kkzvz.4

And that's the finished bibliography entry. Note that there's no final full stop.

So how about citations in the main text, or in footnotes or endnotes?

The advantage of the author-date system is that these are very concise. In fact, you don't need a note at all. Suppose we quote from page 21:

The author reminds us of Shakespeare’s view: ‘Better a foolish wit than a witty fool’ (Robson 2019: 21).

And notes are concise too. There's no difference in how to treat the first and subsequent notes.

34 Robson 2019.

So is author-date easier than regular MHRA style? Not always. Firstly, it may not be allowed by your editor, so check before using. But secondly, it makes books easier to write, but only at the cost of making them harder to proof-read. If you discover at the last moment that Blenkinsop 1996 was actually published in 1995, that can mean hundreds of corrections to make, and it gets worse if an author has many publications in the same year, because Blenkinsop 1996e and Blenkinsop 1996d are easy to confuse.