| Series | Extent | Year | Author | Title |
| AS 4 | 218pp | 1993 | ed Edward Timms,
Ritchie Robertson | Theatre and Performance in Austria From Mozart to Jelinek |
| AS 9 | 298pp | 1998 | ed John R. P. McKenzie,
Lesley Sharpe | The Austrian Comic Tradition |
| AS 22 | — | 2014 | ed Allyson Fiddler,
Karen Jürs-Munby | Elfriede Jelinek in the Arena |
BSD 23
TD 46 | 294pp | 1998 | Judith Beniston | Welttheater |
BSD 24
TD 49 | 282pp | 2000 | Peter Davies | Divided Loyalties |
| CT 3 | 136pp | 2005 | ed Susanne Kord | Letzte Chancen |
| CT 4 | 264pp | 2005 | ed Susanne Kord | Macht des Weibes |
| GL 1 | 222pp | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| GL 14 | — | 3000 | Robert Vilain | Yvan Goll |
| GL 15 | 202pp | 2017 | Richard Dove | Foreign Parts |
| LGS | 336pp | 1999 | James Simpson | Goethe and Patriarchy |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| LGS | 352pp | 2015 | ed T. F. Earle,
Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
| NT 11 | — | 2016 | tr Fred Bridgham | Georg Kaiser, After Expressionism |
| NT 22 | — | 2024 | tr Fred Bridgham | Carl Sternheim, The Beginning of the Twentieth Century: A Chronicle |
| SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| TD 8 | — | 1975 | Arrigo Subiotto | Bertolt Brecht's Adaptations for the Berliner Ensemble |
| TD 16 | 146pp | 1982 | Dorothy James | Georg Büchner's 'Dantons Tod' |
| TD 21 | 156pp | 1985 | M. Helena Gonçalves da Silva | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
BSD 37
TD 81 | — | 2012 | Benedict Schofield | Private Lives and Collective Destinies |
| TD 100 | — | 2015 | Amy Fuller | Between Two Worlds |