MHRA Publication

Cultures at War: Austria-Hungary 1914–1918
Edited by Judith Beniston and Deborah Holmes
Austrian Studies 21•1 January 2014

‘Her edition also shows the way forward for Translation Studies by returning to a detailed comparison of a translation with the original source text.’ — John Guthrie, Modern Language Review 111, 2016, 578 (full text online)

‘The major achievement of this study is to show how simplistic it is to distinguish between clarity and chaos as two distinct types of late style. Neither will serve as an adequate descriptor of Goethe’s late-late writing, which is simultaneously highly patterned and controlled, yet ultimately also inchoate and at times bafflingly lacking in transparency.’ — Osman Durrani, Modern Language Review 110.2, April 2015, 587-88 (full text online)
‘A subtle and complex reflection on the distinctive character of Goethe’s writing in various genres during the last ten years of his life, which is characterized by a tendency towards retrospection, seen in the way that he revisits earlier experiences and earlier writing.’ — David Hill, The Year's Work in Modern Language Studies 77, 2017, 272

‘This substantial, illuminating, and crisply written study looks once again at women’s writing in Germany and Austria in the period of its major impact on a wide reading public between the Franco-Prussian and First World Wars... The book is not only a nuanced contribution to feminist scholarship but also a significant intervention in the wider debate about committed literature. Woodford argues unambiguously for literature’s capacity to function as a driver of social change.’ — Helen Chambers, Modern Language Review 110.4, October 2015, 1161-62 (full text online)
‘It has been estimated that women constituted one-third of the authors of the century. However, women’s protest writing encountered a backlash around the time of World War I: it was viewed as contrary to the true German attitude to gender relations, despised as a foreign implant from France and Scandinavia, and somehow Jewish. The women writers disappeared from the literary histories, and most of them remained invisible until the time I was a student... Woodford’s book is recommendable to teachers and students working in this period because it is full of indicators of how one might enrich the fabric of literary life of the time.’ — Jeffrey L. Sammons, Monatshefte 107.4, December 2015, 673-76