| Series | Extent | Year | Author | Title |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| LGS | — | 2007 | Patrick ffrench | After Bataille |
| CT 44 | — | 2014 | ed Barbara Wright | Albert Aubert, Du Spiritualisme et de quelques-unes de ses conséquences |
| RMFS 9 | 198pp | 2001 | Walter Redfern | All Puns Intended |
| LGS | — | 2016 | Valentina Gosetti | Aloysius Bertrand's Gaspard de la Nuit |
| SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran,
Jane Taylor | The Anatomy of Laughter |
| NT 10 | — | 2025 | tr Elizabeth J. Rush | André Gide, Arbitrariness: a Critical Guide |
| TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |
| LGS | 272pp | 1999 | Hilary Nias | The Artificial Self |
| LGS | — | 2006 | Karine Zbinden | Bakhtin between East and West |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| LGS | 240pp | 1996 | Bernard Howells | Baudelaire |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| LGS | 204pp | 2012 | Catherine Crimp | Childhood as Memory, Myth and Metaphor |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| T 4 | — | 2015 | Xiaofan Amy Li | Comparative Encounters between Artaud, Michaux and the Zhuangzi |
| LGS | 270pp | 2001 | Ramona Fotiade | Conceptions of the Absurd |
| RMFS 3 | 138pp | 1999 | Meryl Tyers | Critical Fictions |
| RMFS 39 | 172pp | 2015 | Stephen Forcer | Dada as Text, Thought and Theory |
| T 32 | — | 2025 | Andrew Watts | Darwinian Dialogues |
| LGS | — | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| LGS | 156pp | 2003 | Lisa Downing | Desiring the Dead |
| SICL 9 | — | 2006 | Richard Hibbitt | Dilettantism and its Values |
| LGS | 260pp | 2012 | Greg Kerr | Dream Cities |
| LGS | — | 2009 | Kate Griffiths | Emile Zola and the Artistry of Adaptation |
| LGS | 166pp | 2011 | Jennifer Higgins | English Responses to French Poetry 1880-1940 |
| RMFS 25 | — | 2008 | Jennifer Yee | Exotic Subversions in Nineteenth-Century French Fiction |
| RMFS 6 | 134pp | 2000 | Johnnie Gratton | Expressivism |
| LGS | — | 2006 | Anna-Louise Milne | The Extreme In-Between |
| SICL 10 | — | 2006 | Claire Whitehead | The Fantastic in France and Russia in the Nineteenth Century |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| RMFS 16 | 154pp | 2003 | Christopher Prendergast | For the People, by the People? Eugène Sue's 'Les Mystères de Paris' |
| LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| RMFS 22 | — | 2007 | Alex Hughes | France/China |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| LGS | — | 2013 | Nicholas White | French Divorce Fiction from the Revolution to the First World War |
| LGS | 218pp | 2007 | ed Nathalie Aubert, Pierre-Philippe Fraiture,
Patrick McGuinness | From Art Nouveau to Surrealism |
| RMFS 61 | — | 2022 | Joanne Brueton | Geometry and Jean Genet |
| RMFS 5 | 118pp | 1999 | Janet Hiddleston | George Sand and Autobiography |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| LGS | — | 2010 | Andrew J. Counter | Inheritance in Nineteenth-Century French Culture |
| LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |