| Series | Extent | Year | Author | Title |
| YES 20 | — | 1990 | ed Andrew Gurr | Literature in the Modern Media |
| YES 25 | — | 1995 | ed Andrew Gurr | Non-Standard Englishes and the New Media |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
| LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| T 1 | — | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| MI 11 | — | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |