| Series | Extent | Year | Author | Title |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 1 | — | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| T 14 | — | 2022 | ed Adriana X. Jacobs, Claire Williams | After Clarice |
| LGS | — | 2013 | Lucia Aiello | After Reception Theory |
| SHLC 7 | 148pp | 2015 | Katia Chornik | Alejo Carpentier and the Musical Text |
| GL 20 | — | 2021 | Robert Craig | Alfred Döblin |
| SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran, Jane Taylor | The Anatomy of Laughter |
| SE 16 | — | 2024 | Ann Jefferson | Angles of Approach |
| LGS | 286pp | 1999 | Patrick Bridgwater | Anglo-German Interactions in the Literature of the 1890s |
| TD 50 | — | 2000 | Josep-Anton Fernàndez | Another Country  |
| CT 67 | — | 2019 | ed Judy A. Hayden, Daniel J. Worden | Aphra Behn's Emperor of the Moon and its French Source Arlequin, Empereur dans la lune |
| TD 70 BSD 32 | — | 2008 | Ernest Schonfield | Art and its Uses in Thomas Mann's Felix Krull |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby, Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SICL 23 | — | 2011 | Catherine Brown | The Art of Comparison |
| LGS | 252pp | 2003 | Karl Posso | Artful Seduction |
| JT 2 CT 39 | — | 2017 | ed Nicholas Freeman | Arthur Symons, Spiritual Adventures |
| SHLC 3 | 232pp | 2014 | ed Stephen Boyd, Terence O'Reilly | Artifice and Invention in the Spanish Golden Age |
| LGS | 228pp | 1999 | Stephen Henighan | Assuming the Light |
| AS 18 | — | 2011 | ed Judith Beniston, Robert Vilain | Austria and the Alps |
| AS 2 | 246pp | 1991 | ed Edward Timms, Ritchie Robertson | The Austrian Enlightenment and its Aftermath |