| Series | Extent | Year | Author | Title |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| CT 57 | — | 2016 | ed Derek Connon | Alexis Piron, Gustave-Wasa |
| CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
| P 2 | — | 2011 | ed Derek Connon | Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| LGS | 410pp | 2007 | ed Edith Hall,
Amanda Wrigley | Aristophanes in Performance 421 BC-AD 2007 |
| AS 9 | 298pp | 1998 | ed John R. P. McKenzie,
Lesley Sharpe | The Austrian Comic Tradition |
| LGS | — | 2005 | Catherine O'Rawe | Authorial Echoes |
| P 5 | — | 2013 | ed Jeanne-Marie Hostiou | Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé |
| TD 8 | — | 1975 | Arrigo Subiotto | Bertolt Brecht's Adaptations for the Berliner Ensemble |
| TD 100 | — | 2015 | Amy Fuller | Between Two Worlds |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| YES 44 | — | 2014 | ed Rory Loughnane, Andrew J. Power,
Peter Sillitoe | Caroline Literature |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| TD 21 | 156pp | 1985 | M. Helena Gonçalves da Silva | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| CT 58 | — | 2017 | ed Jessica Goodman | Commemorating Mirabeau |
| TD 31 | — | 1991 | Joanna Udall | A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662) |
| LGS | 200pp | 2003 | ed Federico Bonaddio,
Xon de Ros | Crossing Fields in Modern Spanish Culture |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| LGS | 216pp | 2005 | ed Guido Bonsaver,
Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| P 3 | — | 2011 | ed Thomas Wynn | Delisle de Sales, Théâtre d'amour and Baculard d’Arnaud, L’Art de foutre, ou Paris foutant |
BSD 24
TD 49 | 282pp | 2000 | Peter Davies | Divided Loyalties |
| YES 43 | — | 2013 | ed Pamela M. King, Sue Niebrzydowski,
Diana Wyatt | Early English Drama |