| Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 46•1 January 1998 |
| The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 54•13 September 2022 |
| Force from Nietzsche to Derrida
Clare Connors
Legenda (General Series) •23 April 2010 |
| The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 13•1 January 1979 |
| Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
Bithell Series of Dissertations 24 / MHRA Texts and Dissertations 49•1 January 2000 |
| Foreign Parts: German and Austrian Actors on the British Stage 1933-1960
Richard Dove
Germanic Literatures 15•29 September 2017 |
| The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu
Marieke Dubbelboer
Research Monographs in French Studies 35•30 January 2012 |
| A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018 |
| Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 49•7 March 2022 |
| Alienation and Theatricality: Diderot after Brecht
Phoebe von Held
Studies In Comparative Literature 17•25 March 2011 |
| Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022 |
| Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 45•1 January 1997 |
| The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38
Robert Pyrah
Legenda (General Series) •5 July 2007 |
| Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 81•30 May 2012 |
| Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 21•1 January 1985 |
| Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith
Studies In Comparative Literature 4•1 June 2000 |
| Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 8•1 January 1975 |
| The Choreography of Modernism in France: La Danseuse, 1830-1930
Julie Townsend
Research Monographs in French Studies 28•12 April 2010 |
| Yvan Goll: The Thwarted Pursuit of the Whole
Robert Vilain 
Germanic Literatures 14 |
| Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29•1 November 2014 |
| A Taste for the Negative: Beckett and Nihilism
Shane Weller
Legenda (General Series) •4 February 2005 |
| Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 35•1 July 2015 |