Series | Extent | Year | Author | Title |
IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
LGS | — | 2007 | Derek Connon | Identity and Transformation in the Plays of Alexis Piron |
LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
RMFS 50 | 218pp | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
SICL 53 | 128pp | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
T 13 | 218pp | 2020 | Suzanne Jones | The First English Translations of Molière |
T 18 | 228pp | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
TD 7 | 313pp | 1972 | Christopher Todd | Voltaire's Disciple |