SeriesExtentYearAuthorTitle
TD 7—1972Christopher ToddVoltaire's Disciple
TD 8—1975Arrigo SubiottoBertolt Brecht's Adaptations for the Berliner Ensemble
TD 13180pp1979Judith DaviesThe Realism of Luigi Capuana
TD 16146pp1982Dorothy JamesGeorg Büchner's 'Dantons Tod'
TD 21156pp1985M. Helena Gonçalves da SilvaCharacter, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
TD 31—1991Joanna UdallA Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
TD 45288pp1997John LondonReception and Renewal in Modern Spanish Theatre
BSD 23
TD 46		294pp1998Judith BenistonWelttheater
LGS 336pp1999James SimpsonGoethe and Patriarchy
RMFS 4172pp1999Amy WygantTowards a Cultural Philology
BSD 24
TD 49		282pp2000Peter DaviesDivided Loyalties
SICL 4384pp2000Peter D. SmithMetaphor and Materiality
SICL 5214pp2000Nigel SaintMarguerite Yourcenar
IP 7274pp2002Maggie GünsbergPlaying with Gender
LGS 196pp2002Linda RentonPinter and the Object of Desire
RMFS 14230pp2003Susanna PhillippoSilent Witness
LGS 224pp2005Shane WellerA Taste for the Negative
LGS —2005Catherine O'RaweAuthorial Echoes
IP 15282pp2006Lisa SampsonPastoral Drama in Early Modern Italy
LGS —2007Derek ConnonIdentity and Transformation in the Plays of Alexis Piron
LGS —2007Robert PyrahThe Burgtheater and Austrian Identity
IP 17—2007Donatella FischerIl teatro di Eduardo De Filippo
RMFS 28154pp2010Julie TownsendThe Choreography of Modernism in France
LGS —2010Clare ConnorsForce from Nietzsche to Derrida
SICL 17—2011Phoebe von HeldAlienation and Theatricality