Alonso, Cláudia Pazos, and Stephen Parkinson. 2013. Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Legenda)

Andrews, Richard. 2022. Classical Comedy 1508-1786: A Legacy from Italy and France, Italian Perspectives, 55 (Legenda)

Bardzińska, Joanna. 2014. El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (MHRA)

Beniston, Judith. 1998. Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934, Bithell Series of Dissertations, 23 (MHRA)

Boyd, Jade. 2022. The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda)

Connon, Derek. 2007. Identity and Transformation in the Plays of Alexis Piron (Legenda)

Connors, Clare. 2010. Force from Nietzsche to Derrida (Legenda)

Davies, Judith. 1979. The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism, MHRA Texts and Dissertations, 13 (MHRA)

Davies, Peter. 2000. Divided Loyalties: East German Writers and the Politics of German Division 1945-1953, Bithell Series of Dissertations, 24 (MHRA)

Dove, Richard. 2017. Foreign Parts: German and Austrian Actors on the British Stage 1933-1960, Germanic Literatures, 15 (Legenda)

Dubbelboer, Marieke. 2012. The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu, Research Monographs in French Studies, 35 (Legenda)

Espejo, Ramón. 2024. The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues, Studies in Hispanic and Lusophone Cultures, 59 (Legenda)

Fischer, Donatella. 2007. Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale, Italian Perspectives, 17 (Legenda)

Francisci, Enza De. 2018. A 'New' Woman in Verga and Pirandello: From Page to Stage, Italian Perspectives, 40 (Legenda)

Fuller, Amy. 2015. Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz, MHRA Texts and Dissertations, 100 (MHRA)

García, Miguel. 2022. Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda)

Günsberg, Maggie. 2002. Playing with Gender: The Comedies of Goldoni, Italian Perspectives, 7 (Legenda)

Hanrahan, Mairéad. 2023. Genet's Genres of Politics, Research Monographs in French Studies, 50 (Legenda)

Held, Phoebe von. 2011. Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda)

Henry, Melanie. 2013. The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA)

Humphrey, Paul. 2019. Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Legenda)

James, Dorothy. 1982. Georg Büchner's 'Dantons Tod': A Reappraisal, MHRA Texts and Dissertations, 16 (MHRA)

Jones, Suzanne. 2020. The First English Translations of Molière: Drama in Flux 1663-1732, Transcript, 13 (Legenda)

Li, Lin. 2022. Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda)

London, John. 1997. Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA)