| Series | Extent | Year | Author | Title |
| GL 24 | 190pp | 2021 | Anja Tröger | Affective Spaces |
| AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
| GL 10 | 240pp | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| GL 21 | 246pp | 2020 | ed Inge Arteel, Lars Bernaerts, Olivier Couder | Confrontational Readings |
| AS 22 | 268pp | 2014 | ed Allyson Fiddler, Karen Jürs-Munby | Elfriede Jelinek in the Arena |
| GL 17 | 196pp | 2018 | Anthony Grenville | Encounters with Albion |
| TD 28 BSD 14 | — | 1989 | Colin Riordan | The Ethics of Narration |
| GL 4 | 146pp | 2015 | Linda Shortt | German Narratives of Belonging |
| TD 41 BSD 20 | — | 1995 | Alexander Weber | Günter Grass’s Use of Baroque Literature |
| SICL 29 | — | 2013 | Elaine Morley | Iris Murdoch and Elias Canetti |
| LGS | — | 2007 | Kathryn N. Jones | Journeys of Remembrance |
| TD 97 BSD 41 | 196pp | 2013 | Catherine Smale | Phantom Images |
| SE 15 | 500pp | 2024 | Elizabeth Boa | Re-Viewing the Canon |
| TD 64 BSD 28 | 176pp | 2005 | Morwenna Symons | Room for Manoeuvre |
| LGS | 692pp | 2011 | ed Jo Catling, Richard Hibbitt | Saturn's Moons |
| GL 2 | — | 2013 | Helen Finch | Sebald's Bachelors |
| SICL 43 | 590pp | 2017 | Robert K. Weninger | Sublime Conclusions |
| LGS | 198pp | 2013 | Dora Osborne | Traces of Trauma in W. G. Sebald and Christoph Ransmayr |
| TD 58 BSD 26 | 210pp | 2003 | Emily Jeremiah | Troubling Maternity |