Series | Extent | Year | Author | Title |
LGS | — | 2010 | ed Robert Pyrah, Marius Turda | Re-Contextualising East Central European History |
RMFS 29 | — | 2010 | Anna Kemp | Voices and Veils |
LGS | — | 2011 | Vivienne Orchard | Jacques Derrida and the Institution of French Philosophy |
LGS | — | 2011 | Thomas Baldwin | The Picture as Spectre in Diderot, Proust, and Deleuze |
LGS | — | 2011 | Lucille Cairns | Post-War Jewish Women’s Writing in French |
LGS | — | 2011 | Eleni Papargyriou | Reading Games in the Greek Novel |
TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
TD 79 | — | 2011 | Christine Angela Knoop | Kundera and the Ambiguity of Authorship |
RMFS 30 | — | 2011 | Mairi McLaughlin | Syntactic Borrowing in Contemporary French |
LGS | 692pp | 2011 | ed Jo Catling, Richard Hibbitt | Saturn's Moons |
LGS | — | 2011 | Sarah E. L. Bowskill | Gender, Nation and the Formation of the Twentieth-Century Mexican Literary Canon |
AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
YES 42 | — | 2012 | ed Alice Ferrebe, Tracy Hargreaves | Literature of the 1950s and 1960s |
IP 23 | — | 2012 | ed Ruth Glynn, Giancarlo Lombardi | Remembering Aldo Moro |
LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
BSD 39 TD 84 | — | 2012 | Áine McMurtry | Crisis and Form in the Later Writing of Ingeborg Bachmann |
LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |
MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
RMFS 32 | — | 2012 | Eva Sansavior | Maryse Condé and the Space of Literature |
IP 24 | — | 2012 | Emma Bond | Disrupted Narratives |
LGS | — | 2012 | Clive Scott | Translating the Perception of Text |
LGS | 204pp | 2012 | Catherine Crimp | Childhood as Memory, Myth and Metaphor |
TD 86 | — | 2013 | Elena Kravchenko | The Prose of Sasha Sokolov |
TD 88 | — | 2013 | Jenni M. Lehtinen | Narrative and National Allegory in Rómulo Gallegos's Venezuela |