Camorristi, Politicians and Businessmen: The Transformation of Organized Crime in Post-War Naples
Felia Allum
Italian Perspectives 11•1 December 2006
Fragments of Impegno
Jennifer Burns
Italian Perspectives 9•31 January 2002
Regarding Manneken Pis: Culture, Celebration and Conflict in Brussels
Catherine Emerson
Research Monographs in French Studies 42•16 March 2015
- ‘In this detailed and investigative study, the multiplicity of interpretations to which the statue has been subjected comes to the fore... The iconic Manneken Pis straddles French-speaking and Flemish-speaking communities and cultures, and Emerson teases out these narratives and their ramifications.’ — unsigned notice, Forum for Modern Language Studies 52.2, 2016, 235
- ‘To arrive at the heart of understanding how this two-foot statue has come to mean so much to the people of Brussels and to express the wide variety of social relations and tensions of a complex city and a modern nation as a whole, Regarding Manneken Pis is an ideal resource.’ — Eileen M. Angelini, French Review 89.3, 2016, 60
Yiddish in the Cold War
Gennady Estraikh
Studies In Yiddish 7•3 October 2008
- ‘This meticulously researched book is the first comprehensive English-language study of Yiddish in the Communist world after the murder of Soviet Yiddish writers on 12 August 1952. Estraikh’s story more or less begins where everyone else’s ends. For this alone, Estraikh’s book is an important corrective to our understanding of Yiddish in general, and Soviet Yiddish culture in particular. Just because Stalin said he’d killed off Yiddish culture didn’t make it so... Full of amazing research.’ — David Shneer, East European Jewish Affairs 39.3, December 2009, 401–413
- ‘Yiddish in the Cold War tells an important story in the history of twentieth-century Yiddish. The book's focus on the internal machinations of the editorial boards of Communist Yiddish periodicals, though, cuts short any broader observations about the Cold War per se... One hopes that Estraikh's new work will stimulate more research into Yiddish culture in the postwar Soviet Union.’ — Jeffrey Veidlinger, Russian Review 69.1, January 2009, 173-74
- ‘A carefully researched monograph about a hitherto hidden corner of Yiddish culture during a period of contraction.’ — Zachary M. Baker, Shofar: An Interdisciplinary Journal of Jewish Studies 28.4, Summer 2010, 190-92
Contesting the Monument: The Anti-Illusionist Italian Historical Novel
Ruth Glynn
Italian Perspectives 10•31 July 2005
Memory, Identity and the Historical Novel in Uruguay: Opening up the Archive 1985-2010
Karunika Kardak 
Studies in Hispanic and Lusophone Cultures 52•31 August 2023
Rome Eternal: The City As Fatherland
Guy Lanoue
Italian Perspectives 32•8 June 2015
Haunted Serbia: Representations of History and War in the Literary Imagination
David A. Norris
Legenda (General Series) •1 September 2016
- ‘This is a remarkable study, which accomplishes a lot more than a brief review can mention. One of its greatest merits is the convincing and coherent narrative which strings together a large number of apparently disparate works around an axis which is at one and the same time a literary one — the uncanny and its Gothic repertoire — and extra-literary: searching for meaning in both recent past and in contemporary events. Admirably well researched, Haunted Serbia offers an invaluable insight into a turbulent though fruitful period of Serbia’s literary history, which up until now was uncharted territory.’ — Zoran Milutinović, Slavonic and East European Review 95.2, April 2017, 353-54 (full text online)
- ‘David A. Norris, direttore del Department of Russian and Slavonic Studies dell’Università di Nottingham, disegna un panorama della narrativa a tema bellico nella letteratura serba della seconda metà del XX secolo guardando ad essa dall’angolatura delle “ways in which narrative fiction represents the changing relationship between past and present in times of crisis” (p. 35)... L’interessante sintesi di D. A. Norris, proprio per la complessità del materiale da essa messo in circolazione, induce a più di qualche riflessione.’ — Janja Jerkov, Ricerche Slavistiche N.S. 14, 2016, 560-72
- ‘In this well-informed, logically structured study, David A. Norris o ers a lucid and original interpretation of important and in uential Serbian narrative ction between the demise of Tito in 1980 and the NATO bombing of Serbia in 1999.’ — Ralph Bogert, Slavic Review Summer 2018, 510-12
(Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary
Elizabeth Ramírez-Soto
Studies in Hispanic and Lusophone Cultures 20•23 September 2019
- ‘Estas reflexiones finales apuntan a que nos en-contramos ante una obra que no solo está llama-da a convertirse en lugar de paso obligado para investigaciones posteriores sobre el documental chileno contemporáneo inserto en el devenir de las políticas del pasado y la memoria, sino que ofrece intersticios para lecturas productivas en otros ámbitos y periodos.’ — María Luisa Ortega, Secuencias 51, 2020, 178-80
- ‘Impeccably documented and researched... the book works with over 100 films (an impressive corpus) and includes a filmography that will undoubtedly serve as an important resource for students and scholars... The book also rescues for/from the archive a vast group of nearly forgotten directors and films that open the reader’s mind to appreciate the breadth of what Chilean documentary film both has been and is. This is an especially important gesture for international readers... Pushes the conversation on documentary far beyond the stale, though classic debates about objectivity and subjectivity; it shows that documentary film is not only a medium capable of capturing memories but also of actively creating and triggering them through sensory experience.’ — Michael Lazzara, A Contracorriente 18.2, 2021, 271-78
- ‘Más allá de esto, no cabe duda que (Un)veiling Bodies. A Trajectory of Chilean Post-dictatorship documentary, se trata de un libro importante para futuros estudios sobre cine documental chileno, estableciendo un verdadero “piso” investigativo, que habrá que considerar al momento de acercarse a él.’ — Iván Pinto Veas, Imagofagia 24, 2021, 689-96
- ‘En la intersección de diversos ámbitos teóricos, la obra de Ramírez-Soto forma parte, al fin, de una tendencia fecunda que busca establecer puentes entre la historia, la ética y los estudios de la imagen. Desmarcándose prudentemente de los trauma studies y prefiriendo situar su reflexión bajo el signo del “giro afectivo”, (Un)veiling Bodies logra dar cuenta exitosamente de un periodo sensible de la producción documental en Chile, otorgando una nueva visibilidad a un corpus a menudo ignorado por los investigadores.’ — Ignacio Albornoz Fariña, Cinémas d'Amérique Latine 28, 2020, 170-71 (full text online)
Making Space in Post-War France: The Dreams, Realities and Aftermath of State Planning
Edward Welch
Research Monographs in French Studies 69•14 February 2023