| Series | Extent | Year | Author | Title |
| SHLC 20 | 234pp | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
| MI 6 | 224pp | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
| MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 8 | 198pp | 2017 | Calum Watt | Blanchot and the Moving Image |
| SE 9 | 348pp | 2020 | David Trotter | Brute Meaning |
| MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| MI 14 | — | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
| VC 7 | 234pp | 2024 | ed Annie Ring, Lucy Bollington | Citational Media |
| GL 10 | 240pp | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
| SHLC 18 | 240pp | 2021 | Mar Diestro-Dópido | Film Festivals |
| SLS 6 | 34pp | 2003 | Leo Bersani, Ulysse Dutoit | Forming Couples |
| RMFS 49 | 162pp | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SICL 40 | 178pp | 2022 | Georgia Panteli | From Puppet to Cyborg |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |
| IP 18 | 240pp | 2009 | ed Pierpaolo Antonello, Alan O'Leary | Imagining Terrorism |