Spanish Practices: Literature, Cinema, Television
Paul Julian Smith
Moving Image 11 June 2012

Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Italian Perspectives 4526 July 2021

Speculative Identities: Contemporary Italian Women’s Narrative
Rita Wilson
Italian Perspectives 31 November 2000

Spirit of the Totem: Religion and Myth in Soviet Fiction 1964-1988
Irena Maryniak
MHRA Texts and Dissertations 391 January 1995

Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 4329 September 2017

  • unsigned notice, The Year's Work in English Studies 98.1, 2019, 657-58

Traces of Trauma in W. G. Sebald and Christoph Ransmayr
Dora Osborne
Legenda (General Series) 4 March 2013

  • ‘Brought countless things to light about The Emigrants and Austerlitz that I am extremely grateful for, and I know I’ll never read either of these books again without saying a silent “thank you” to Osborne for opening my eyes to a new way of looking at them.’ — Terry Pitts, Vertigo 8 June 2013
  • ‘The detailed analyses and dynamic argumentation in addition to the illuminating introduction of the concept of ‘post-postwar literature’ make this study a significant contribution to scholarship on both Ransmayr and Sebald and to critical considerations of twentieth-century post-Holocaust literature in German more broadly.’ — Lynn L. Wolff, Modern Language Review 111.1, January 2016, 294-96 (full text online)
  • ‘Osborne has done a great service in awakening Sebald scholars to a kindred spirit in Ransmayr with a long-overdue systematic comparison of “traces of trauma” in the works of both immensely important writers, one a storied member of the literary establishment, one who will remain, even posthumously, an outsider looking in.’ — Mark R. McCulloh, Monatshefte 108.1, 2016, 150-52

Troubling Maternity: Mothering, Agency, and Ethics in Women's Writing in German of the 1970s and 1980s
Emily Jeremiah
Bithell Series of Dissertations 26 / MHRA Texts and Dissertations 581 January 2003

Turning into Sterne: Viktor Shklovskii and Literary Reception
Emily Finer
Studies In Comparative Literature 1823 April 2010

  • ‘In [Finer's] own inventive readings, the impact of Sterne and English eighteenth-century narrative experiments is dominant in Shklovskii’s journalism and fiction of the mid 1920s. The overt play with convention evident in his non- fiction, as in his novels, exemplifies in a double sense the khod konia — both the knight’s move of artistic indirection and the hobby horse of Shandean digressions.’ — Dale E. Peterson, Slavonic and East European Review 89.4, October 2011, 720-21 (full text online)
  • ‘Emily Finer’s first monograph represents a significant advance on any other coverage of Viktor Shklovskii (1893–1984) and his work in literature to date... An outstanding study for those interested in early twentieth-century Soviet culture, comparative literature and literary reception, close readings of English literature in Russian translation, and the publication and dissemination of English literature in Russia and the Soviet Union.’ — Rosemari Baker, Slavonica 17.1, April 2011, 54-55

Twentieth-Century Sephardic Authors from the Former Yugoslavia: A Judeo-Spanish Tradition
Željko Jovanović
Studies in Hispanic and Lusophone Cultures 4128 September 2020

  • ‘La investigación que presenta Željko Jovanović en su monografía Twentieth-Century Sephardic Authors from the Former Yugoslavia. A Judeo-Spanish Tradition era, yo creo, necesaria. El autor ofrece, en los tres capítulos que forman la parte palpitante del volumen, una reflexión muy finamente detallada de la evolución de la literatura oral en el ámbito de las comunidades sefardíes de la antigua Yugoslavia... Finalmente, sería injusto terminar esta reseña sin subrayar la riqueza de las notas que acompañan cada capítulo y que no son una simple añadidura, sino que aportan información útil e interesante; además,el gusto de esta monografía está enriquecido por las fotografías esparcidas en el volumen y que restituyen, a través del poderdela imagen, la vivacidad de los protagonistas que Željko Jovanović ha logrado retratar con inteligente maestría.’ — Paola Bellomi, Meldar 2, 2021, 61-64 (full text online)
  • ‘En su exposición, Jovanović aúna siempre el rigor positivista con la sutileza interpretativa: la riqueza de la información, el respeto a los hechos e incluso la atención a los mínimos detalles textuales no excluyen otras formas de análisis que, manejadas con cautela, permiten al autor construir un libro sólido y brillante, que arroja luz sobre muchas cuestiones: la oralidad y su relación con la escritura, la historia de las mujeres y de las minorías y, naturalmente, la pervivencia del legado hispánico más allá de los límites de la Península.’ — Álvaro Alonso, Boletín de literatura oral 11, 2021, 321-23 (full text online)
  • ‘This is a valuable book, well thought out, with an extensive bibliography (including many items in Serbo-Croat), illustrations and useful indices.’Bulletin of Spanish Studies February 2022 (full text online)
  • ‘Unburdened by jargon and meticulously researched, Jovanović’s study is a welcome resource for those working on the literary heritage of the Sephardim. The text will also be of interest to those writing on Spanish–Yugoslav relations, cultural history, transnational literary transmission and translation, and linguistic varia- tions of Ladino across the twentieth century.’ — Alma Prelec, Modern Language Review 118.2, 2023, 271-72 (full text online)
  • ‘El libro es una aportación importante al estudio de la cultura de los sefardíes de Serbia y Bosnia, al conocimiento de la cultura sefardí en general y su evolución en época contemporánea y, más ampliamente, a los estudios sobre las relaciones entre cultura popular y creación literaria culta y al análisis de la construcción de relatos sobre la identidad cultural y la memorialización del pasado de una minoría, tomando como base una tradición folklórica en proceso de desaparición.’ — Paloma Díaz-Mas, MEAH 70, 2022, 257-62

Unidentified Narrative Objects and the New Italian Epic
Kate Elizabeth Willman
Italian Perspectives 4225 February 2019

Urban Space, Identity and Postmodernity in 1980s Spain: Rethinking the Movida
Maite Usoz de la Fuente
Studies in Hispanic and Lusophone Cultures 1111 October 2015

  • ‘This is a great book for revisiting the years of cultural explosion in a Madrid—and a Spain—which had just emerged from nearly forty years of dictatorship. Madrid had always seemed to lag behind Barcelona as a culturally avant-garde city. La movida madrileña changed the way people looked at the capital, which had previously been seen as the home of conservatism and the political elite. Young people who had been born during the dictatorship and had never experienced real freedom in their lives embraced this new freedom... The book is well written, readable and accessible. The detailed analysis of La Luna de Madrid will prove to be a valuable resource for researchers studying the cultural output of la movida as well as others interested in the period of the Spanish Transition.’ — María José Blanco, Bulletin of Spanish Studies 95.4, May 2018, 370-71
  • ‘A substantial reflection on an epoch that continues to deserve critical attention from both scholars and members of the public.’ — unsigned notice, Forum for Modern Language Studies 54.4, October 2018, 506-07 (full text online)

Utopian Identities: A Cognitive Approach to Literary Competitions
Clementina Osti
Studies In Comparative Literature 4122 August 2018

Valentin Rasputin and Soviet Russian Village Prose
David C. Gillespie
MHRA Texts and Dissertations 221 January 1986

Violette Leduc: Mothers, Lovers, and Language
Alex Hughes
MHRA Texts and Dissertations 371 January 1994

Voices and Veils: Feminism and Islam in French Women's Writing and Activism
Anna Kemp
Research Monographs in French Studies 296 September 2010

  • ‘Voices and Veils is an impressive evaluation of the fraught relationship between Islam, Muslim women, and French feminism... invaluable to students, teachers, and activists alike who desire a deeper understanding of postcolonial French society, of Islamic feminism, of colonial constructions of the Muslim woman, and, finally, of neo-imperial constructions which seek to delineate Muslim women living in the West.’ — Sophie Smith, Modern Language Review 106.4, 2011, 1168-69 (full text online)
  • ‘It is often said that we write the books we want to read. Anna Kemp has written a book I would have liked to have written... Both specialists and beginners will learn tremendously from reading this concise and clearly written interdisciplinary study, which should be required reading in courses on French and Francophone literature, migration, world literature, Middle Eastern studies, European studies, and women’s studies. Any serious university library will want to include it in its collection.’ — Anne Donadey, Contemporary Women's Writing 5:3, November 2011, 257-58

Wanderers Across Language: Exile in Irish and Polish Literature of the Twentieth Century
Kinga Olszewska
Studies In Comparative Literature 125 July 2007

  • ‘This book is perhaps most interesting in the account given of key Polish journals such as Kultura, and the contexts in which specific debates took place; and in the translations of Polish texts that underpin the argument.’ — Fiona Becket, Modern Language Review 104.2, April 2009, 540-41 (full text online)

Writing in a Cold Climate: Belarusian Literature from the 1970s to the Present Day
Arnold McMillin
Publications of the Modern Humanities Research Association 181 October 2009

  • ‘The ambitious breadth and scope of this work make it a monumental achievement.’ — Stephen M. Woodburn, Canadian Slavonic Papers LII, 2010, 492-94
  • ‘Reading Arnold McMillin’s Writing in a Cold Climate is a privilege, an enhancement of knowledge, and simply a treat for any student of literature. Indeed, this tome is a magnum opus, written by a distinguished educator and scholar of Belarusian and Russian linguistic cultures. The quality of the research is superb, and places this volume at the pinnacle of the existing literature.’ — Zina Gimpelevich, Modern Language Review 106, 2011, 304-06 (full text online)
  • ‘A remarkably thorough examination of recent Belarusian letters ... McMillin’s analytical anthology is a virtual Who’s Who of contemporary Belarusian literature.’ — Joseph P. Mozur, Slavic Review 70, 2011, 449-50
  • ‘The scholarly world of Slavonic Studies must be grateful to Professor McMillin for his long devotion to the literature and culture of Belarus, but so too must the wider world of general literary studies. Thanks to him we have the opportunity to know so much about a literature that turns out not to be so 'small' after all.’ — James Dingley, Slavonica 17, 2011, 66-67

Ying Chen’s Fiction: An Aesthetics of Non-Belonging
Rosalind Silvester
Research Monographs in French Studies 5728 September 2020

  • ‘A refreshingly original and in-depth contribution that should be enthusiastically welcomed not only by scholars working in the specialist field of Franco-Chinese studies, but also by those who are more broadly interested in contemporary Québec literature, Chinese diasporic literature, migrant writings, and transcultural studies... A strong, lucid, and convincing line of enquiry.’ — Shuangyi Li, Bulletin of Francophone Postcolonial Studies 12.1, Summer 2021, 16-17