| Series | Extent | Year | Author | Title |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| MI 6 | 224pp | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| SE 10 | 230pp | 2022 | Peter Dayan | For the Love of Art |
| SIY 2 | 190pp | 2000 | ed Gennady Estraikh, Mikhail Krutikov | The Shtetl |
| SHLC 11 | 176pp | 2015 | Maite Usoz de la Fuente | Urban Space, Identity and Postmodernity in 1980s Spain |
| SHLC 21 | 196pp | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| LGS | 316pp | 2007 | ed Birgitte Grundtvig, Martin McLaughlin, Lene Waage Petersen | Image, Eye and Art in Calvino |
| LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
| LGS | 284pp | 2000 | Ian James | Pierre Klossowski |
| SHLC 47 | — | 2021 | Emily Jenkins | The Visualization of a Nation |
| TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| TD 61 | — | 2004 | Parvati Nair | Configuring Community |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| RMFS 48 | 128pp | 2016 | Léa Vuong | Pascal Quignard |
| SICL 43 | 590pp | 2017 | Robert K. Weninger | Sublime Conclusions |