Arnaldi, Marta, The Diasporic Canon: American Anthologies of Contemporary Italian Poetry 1945-2015, Transcript, 20 (Legenda, 2022)
Barker, Georgina, SPQR in the USSR: Elena Shvarts’s Classical Antiquity (Legenda, 2022)
Bollig, Ben, and David M. J. Wood (eds), The Poetry-Film Nexus in Latin America: Exploring Intermediality on Page and Screen, Moving Image, 11 (Legenda, 2022)
Boulanger, Dorothée, Fiction as History: Resistance and Complicities in Angolan Postcolonial Literature, Studies in Hispanic and Lusophone Cultures, 58 (Legenda, 2022)
Cuthbertson, Tom, Autobiographical Reenactment in French and Belgian Film: Repetition, Memory, Self, Moving Image, 12 (Legenda, 2022)
Dayan, Peter, For the Love of Art, Selected Essays, 10 (Legenda, 2022)
Diazzi, Alessandra, Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto, Italian Perspectives, 51 (Legenda, 2022)
Duffy, Helena, The Holocaust in French Postmodern Fiction: Aesthetics, Politics, Ethics, Research Monographs in French Studies, 64 (Legenda, 2022)
Jacobs, Adriana X., and Claire Williams (eds), After Clarice: Reading Lispector’s Legacy in the Twenty-First Century, Transcript, 14 (Legenda, 2022)
Omri, Mohamed-Salah, and Philippe Roussin (eds), Literature, Democracy and Transitional Justice: Comparative World Perspectives, Transcript, 19 (Legenda, 2022)
Panteli, Georgia, From Puppet to Cyborg: Pinocchio’s Posthuman Journey, Studies In Comparative Literature, 40 (Legenda, 2022)
Robinson, Rachel Elizabeth, Visual and Plastic Poetics: From Brazilian Concretism to the Chilean Neo-Avant-Garde, Studies in Hispanic and Lusophone Cultures, 53 (Legenda, 2022)
Roesler, Layla, Essay as Enabler in Yves Bonnefoy: Creating the Good Reader, Research Monographs in French Studies, 67 (Legenda, 2022)
Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)
Watt, Adam, Labours of Attention: Work, Class and Society in French and Francophone Literature and Culture (Legenda, 2022)