Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22•12 April 2010
- ‘There is much to admire in this stimulating and well-researched study, not least its invitation to reconsider the significance not only of the grotesque itself, but also of other influential and related aesthetic terms such as the sublime, the uncanny, and the fantastic.’ — Damian Catani, Modern Language Review 106.4, 2011, 1129-31 (full text online)
- ‘Succeeds in its aims to define the grotesque, give insight into its use of visual and verbal media, and demonstrate its progression through time... a well-reasoned and well-researched book that is a welcome contribution to the study of the Grotesque, as well as to the literature on Crashaw, Baudelaire and Magritte.’ — unsigned notice, Forum for Modern Language Studies 48.3, June 2012, 357-58
Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43•29 September 2017
- unsigned notice, The Year's Work in English Studies 98.1, 2019, 657-58