Dayan, Peter, For the Love of Art, Selected Essays, 10 (Legenda, 2022)

Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)

Lethbridge, Robert, Zola's Painters, Research Monographs in French Studies, 68 (Legenda, 2022)

Segnini, Elisa, Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination, Studies In Comparative Literature, 56 (Legenda, 2021)

McKendrick, Jamie, The Foreign Connection: Writings on Poetry, Art and Translation, Transcript, 17 (Legenda, 2020)

Butterfield, Ardis, Henry Hope, and Pauline Souleau (eds), Performing Medieval Text (Legenda, 2017)

Weninger, Robert K., Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God, Studies In Comparative Literature, 43 (Legenda, 2017)

Moran, Claire (ed.), ‘Noa Noa’ by Paul Gauguin and Charles Morice: With ‘Manuscrit tiré du “Livre des métiers” de Vehbi-Zumbul Zadi’ by Paul Gauguin, Critical Texts, 50 (MHRA, 2017)

Desmarais, Jane, and Alice Condé (eds), Decadence and the Senses (Legenda, 2017)

Barnet, Marie-Claire (ed.), Agnès Varda Unlimited: Image, Music, Media, Moving Image, 6 (Legenda, 2017)

Vuong, Léa, Pascal Quignard: Towards the Vanishing Point, Research Monographs in French Studies, 48 (Legenda, 2016)

Raser, Timothy, Baudelaire and Photography: Finding the Painter of Modern Life, Research Monographs in French Studies, 45 (Legenda, 2015)

Blin-Rolland, Armelle, Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro, Transcript, 2 (Legenda, 2015)

Bangert, Axel, Robert S. C. Gordon, and Libby Saxton (eds), Holocaust Intersections: Genocide and Visual Culture at the New Millennium, Moving Image, 4 (Legenda, 2013)

Haustein, Katja, Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes (Legenda, 2012)

Larkin, Áine, Proust Writing Photography: Fixing the Fugitive in À la recherche du temps perdu (Legenda, 2011)

Chao, Shun-Liang, Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte, Studies In Comparative Literature, 22 (Legenda, 2010)

Knight, Diana, Balzac and the Model of Painting: Artist Stories in La Comédie humaine, Research Monographs in French Studies, 24 (Legenda, 2007)

Kearns, James, Théophile Gautier, Orator to the Artists: Art Journalism of the Second Republic (Legenda, 2007)

Aubert, Nathalie, Pierre-Philippe Fraiture, and Patrick McGuinness (eds), From Art Nouveau to Surrealism: Belgian Modernity in the Making (Legenda, 2007)

Moran, Claire (ed.), Odilon Redon: Écrits, Critical Texts, 1 (MHRA, 2005)

Saint, Nigel, Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Legenda, 2000)

James, Ian, Pierre Klossowski: The Persistence of a Name (Legenda, 2000)

Brooks, Peter, History Painting and Narrative: Delacroix's 'Moments', Special Lecture Series, 2 (Legenda, 1999)

Jordan, Shirley A., The Art Criticism of Francis Ponge, MHRA Texts and Dissertations, 36 (MHRA, 1994)