MHRA Publication

Published January 2010

The Arts in Victorian Literature
Edited by Stefano Evangelista and Catherine Maxwell
Yearbook of English Studies 40.1/2

Published April 2010

‘Scholars have long been aware of the importance of acknowledging Pater’s debt to Hegelian philosophy. And many critics of Pater have performed almost obligatory nods towards Hegel’s influence, conceptualized in vague terms, without formulating an understanding of its precise forms. Such critics will now have to engage seriously with Aestheticism and the Philosophy of Death, which contains the most scholarly and detailed account of Pater’s Hegelianism to date.’ — Stefano Evangelista, Modern Language Review 106.4, 2011, 1133-34 (full text online)
‘In this meticulously researched monograph Giles Whiteley sets himself the expansive task of reading Pater’s entire intellectual project as an extended conversation with Hegel... the case is well made that Pater should be considered a proto-poststructuralist thinker.’ — unsigned notice, Forum for Modern Language Studies 48.3, June 2012, 361

‘There is much to admire in this stimulating and well-researched study, not least its invitation to reconsider the significance not only of the grotesque itself, but also of other influential and related aesthetic terms such as the sublime, the uncanny, and the fantastic.’ — Damian Catani, Modern Language Review 106.4, 2011, 1129-31 (full text online)
‘Succeeds in its aims to define the grotesque, give insight into its use of visual and verbal media, and demonstrate its progression through time... a well-reasoned and well-researched book that is a welcome contribution to the study of the Grotesque, as well as to the literature on Crashaw, Baudelaire and Magritte.’ — unsigned notice, Forum for Modern Language Studies 48.3, June 2012, 357-58