| Series | Extent | Year | Author | Title |
| LGS | 218pp | 2007 | ed Nathalie Aubert, Pierre-Philippe Fraiture, Patrick McGuinness | From Art Nouveau to Surrealism |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| AS 18 | — | 2011 | ed Judith Beniston, Robert Vilain | Austria and the Alps |
| WPH 9 | — | 2015 | ed Elizabeth Benjamin, Sophie Corser | Literature and Art |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| LGS | 256pp | 2003 | ed Antonella Braida, Giuliana Pieri | Image and Word |
| VC 6 | — | 2024 | Clodagh Brook, Florian Mussgnug, Giuliana Pieri | Intermedia in Italy |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope, Pauline Souleau | Performing Medieval Text |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 36 | — | 2018 | Michael Charlesworth | The Modern Culture of Reginald Farrer |
| SICL 25 | 206pp | 2013 | Caroline Corbeau-Parsons | Prometheus in the Nineteenth Century |
| GL 3 | 176pp | 2013 | Pamela Currie | Goethe's Visual World |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| LGS | — | 2017 | ed Jane Desmarais, Alice Condé | Decadence and the Senses |
| LGS | 312pp | 2008 | ed Rachel Dickinson | John Ruskin's Correspondence with Joan Severn |
| LGS | 406pp | 2011 | ed Steffen Dix, Jerónimo Pizarro | Portuguese Modernisms |
| SIY 2 | 190pp | 2000 | ed Gennady Estraikh, Mikhail Krutikov | The Shtetl |
| YES 40.1/2 | — | 2010 | ed Stefano Evangelista, Catherine Maxwell | The Arts in Victorian Literature |
| LGS | 140pp | 2017 | Marco Faini | Pietro Bembo |