Bakhtin between East and West: Cross-Cultural Transmission
Karine Zbinden
Legenda (General Series) 7 December 2006

  • ‘Zbinden exhibits considerable theoretical insight and a capacity for nuanced analysis throughout the work.’ — R. Coates, Slavonic and East European Review 87.2, 2009, 344-46 (full text online)
  • ‘Exceptional new work being produced on the Russian polymath, some of the most interesting of which was coming out of the University of Sheffield, whose Bakhtin Centre supports the work of an outstanding group of language theorists... Karine Zbinden and Alastair Renfrew are two of the excellent younger scholars from the Bakhtin Centre.’ — Michael Bernard-Donals, Slavic Review 68.1, Spring 2009, 193-95

Culture and Politics in Red Vienna
Edited by Judith Beniston and Robert Vilain
Austrian Studies 141 November 2006

Dilettantism and its Values: From Weimar Classicism to the fin de siècle
Richard Hibbitt
Studies In Comparative Literature 924 May 2006

  • ‘This study explores, with great erudition, the hitherto unknown faces of the dilettante, revealing an intriguing complexity. Hibbitt succeeds in showing how this "empty figure" can, thanks to his openness, mirror the concerns of different times and cultures.’Forum for Modern Language Studies 224)

The Extreme In-Between: Jean Paulhan's Place in the Twentieth Century
Anna-Louise Milne
Legenda (General Series) 24 May 2006

  • ‘Lights up the firmament of scholarship on Paulhan with brilliance... With wit, exuberance and theoretical sure-footedness, Milne takes us through a series of close readings. Not only does The Extreme In-Between reveal the astonishing reach and depth of Paulhan’s thinking, but it paves the way for a new conception of the relationship of language to political action and historical event, one that has a remarkably contemporary (twenty-first century?) resonance to it.’ — Michael Syrotinski, French Studies 491-92
  • ‘Tout bien considéré, l'ouvrage dense et méticuleusement relu de Milne vient ajouter de nouvelles perspectives aux réévaluations actuelles de Paulhan.’ — Stephen Steele, French Review 81.5, 2008, 1007-08

Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s
Jon Hughes
Bithell Series of Dissertations 30 / MHRA Texts and Dissertations 6730 July 2006

  • ‘Hughes’s readings of Roth’s texts are fresh and compelling. One may disagree with certain details, but undeniably this new study considerably expands the scope of the discussions about Roth and his intellectual environment in the light of current critical debates and theories. Hughes presents his arguments clearly and succinctly. The scholarly documentation is impeccable, and the book, equipped with a comprehensive bibliography and an extensive index, is as user-friendly in its organization as it is sophisticated in its scholarly narrative.’ — Dagmar C. G. Lorenz, Modern Language Review 102.4, 2007, 1188-90 (full text online)
  • ‘A book-length study in English of the writings of Joseph Roth is greatly to be welcomed... Hughes’s principal thesis — that Roth is not simply the author at odds with his times, as which he is often represented, but one who finds his own ways of confronting the experiences of cultural fragmentation that the twentieth-century world brings — is engagingly presented and makes the volume as a whole a serious contribution to Roth scholarship.’ — David Midgley, Austrian Studies 15, 2007, 190-191 (full text online)
  • ‘A substantial, original, and methodologically sound piece of work... This is a well-written and thought-provoking study and will be of interest to students and academics alike.’ — Helen Chambers, Modern Austrian Literature 40, 2007, 101-03

The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation
Claire Whitehead
Studies In Comparative Literature 1024 May 2006

  • ‘This recent volume from the Legenda imprint maintains the high standards of production and academic excellence in the field of comparative literature that readers have come to expect from the marque.’ — Leon Burnett, Slavonic and East European Review 86.4, 2008, 707-09 (full text online)
  • ‘Most of all benefits through its comparative analyses of chosen texts; this not only makes obvious the "pan-European" context in which the fantastic flourished during the nineteenth century but will, it is to be hoped, inspire others to tinker further with some of the concepts applied here to the fantastic, especially in relation to other examples of Gothic fiction.’ — Slobodan Sugur, Modern Language Review 104.3, 2009, 824-25 (full text online)
  • ‘This is a very readable work, which constitutes a valuable complement to Todorov's 1970 "Introduction à la littérature fantastique."’Forum for Modern Language Studies 235)
  • ‘Essential reading for scholars of the fantastic; I also recommend it to instructors, who can use Whitehead's readings of these classic texts to astound their students by revealing the way that language works to produce the thrills of the genre.’ — Lynn Patyk, Russian Review 68.1, May 2009, 129-30

Modernist Song: The Poetry of Tristan Tzara
Stephen Forcer
Legenda (General Series) 17 January 2006

  • ‘Writing with evident pleasure, Forcer starts from an accessible premiss to go on to explore exciting new ground, teasing out a surprising array of readings and styles... Indeed, as Forcer demonstrates that Tzara’s poetry is a rich and diverse body of work in which classic avant-garde tropes feature alongside more established poetic practices and vocabulary, he clearly exposes both the critical inadequacy of Tzara's epithet as the "Father of Dada" and, on a more general level, the need for a much more inclusive historiography of avant-garde creativity. All of which makes this powerfully argued book a most welcome and valuable publication.’ — Jo Langley, Modern Language Review 104.2, April 2009, 575-76 (full text online)
  • ‘Stephen Forcer's book impresses in that it does not use the myth [of Dada] as a ready-made prop with which to proclaim its subject's importance... What distinguishes Modernist Song, above all, is Forcer's sustained and precise analysis of selected poems, his own interrogations of signifying play, which draw on a range of theoretical tools and critical references.’ — Ruth Hemus, French Studies 492-93

Rilke's Poetics of Becoming
Ben Hutchinson
Legenda (General Series) 5 September 2006

  • ‘Eine sorgfältige und konzentrierte Analyse der Dichtungen des jungen Rilke... Die sehr gut lesbare und Beachtung verdienende Studie von Ben Hutchinson hat hier einen bemerkenswerten Schritt auf dem Weg zu einem umfassenden Rilke-Verständnis getan.’ — Sascha Löwenstein, IASLonline online
  • ‘Overall this is a well-written book, offering both a coherent original thesis and perceptive analyses of individual poems.’ — Helen Bridge, Modern Language Review 103.1, January 2008, 282-83 (full text online)
  • ‘A judicious study of impressive scope.’ — unsigned notice, Forum for Modern Language Studies 47.4, 2011, 480

Towards a New Material Aesthetics: Bakhtin, Genre and the Fates of Literary Theory
Alastair Renfrew
Legenda (General Series) 7 December 2006

  • ‘Alastair Renfrew's book offers an intricate and critical reading of what he sees as the decisive moment of origin of European literary theory in order then to fashion from that reading a (post-)theoretical position for our own time.’ — Graham Pechey, Modern Language Review 103.4, October 2008, 1184-85 (full text online)
  • ‘Genre becomes in Renfrew's treatment of it a useful map for guidance along some of the more intriguing twists and turns in the Bakhtin canon... An important addition to the growing library of Bakhtiniana.’ — Michael Holquist, Slavonic and East European Review 87.1, 2009, 114-15 (full text online)
  • ‘Exceptional new work being produced on the Russian polymath, some of the most interesting of which was coming out of the University of Sheffield, whose Bakhtin Centre supports the work of an outstanding group of language theorists... Karine Zbinden and Alastair Renfrew are two of the excellent younger scholars from the Bakhtin Centre.’ — Michael Bernard-Donals, Slavic Review 68.1, Spring 2009, 193-95

Victorian Literature
Edited by John Batchelor
Yearbook of English Studies 36.21 January 2006

  • ‘This lively collection deserves to be read not only by specialists but by students in need of an accessible introduction to the breadth of canonical Victorian literature.’ — Matthew Beaumont, Times Literary Supplement 36.2, 2007, 24